Apr 17

Real Hopes and Real Dreams: “The Rosenbergs (An Opera)”

Church and Gibson; Kalman Zabarsky, Photographer

Presented by Boston Playwrights’ Theatre
Score by Joachim Holbek
Libretto by Rhea Leman
Music direction by Cristi Catt
Stage direction by Dmitry Troyanovsky
Dramaturgy by Magda Romanska

April 12 – 22, 2018
BPT
Boston, MA
BPT on Facebook

April 27-29, 2018
Brandeis University
Spingold Theater
415 South Street
Waltham, MA 02453

Review by Kitty Drexel

(Boston, MAEthel and Julius Rosenberg were accused of delivering crucial information on the creation of the atomic bomb to the USSR in 1953. This case, considered one of the most infamous spy cases in US history, validated HUAC and contributed to the country-wide paranoia known as the Red Scare. Such attacks on communist affiliates is similar to the current presidential administration’s attacks on socialism. The Rosenbergs (An Opera) considers the couple accused of treasonous espionage. It proves that the American government and the people it claims to serve have changed very little in the last 65 years. Continue reading

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Mar 26

Punk, Communist Opera to Burn Your Daddy’s Ears: The Threepenny Opera

The Threepenny Opera from Boston Lyric Opera on Vimeo.

Presented by Boston Lyric Opera
Music by Kurt Weill
Libretto by Bertolt Brecht
English translation by Michael Feingold
Original German text based on Elisabeth Hauptmann’s German Translation of John Gay’s
The Beggar’s Opera
Conducted by David Angus
Stage directed by James Darrah

March 16 – 25, 2018
Huntington Avenue Theatre
264 Huntington Avenue
Boston, MA
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Review by Kitty Drexel

(Boston, MA) 3Penny is not your Daddy’s stodgy traditional opera. Kurt Weill and Bertolt Brecht were communist rabble rousers hell-bent on challenging the operatic form. They were freedom fighters rebelling against the Nazis through theatre. A stalwart Marxist, Brecht wanted to destroy opera’s association with the bourgeoisie. Weill believed opera could belong to the proletariat if given the opportunity. Both would have appreciated the BLO’s production of The Threepenny Opera. Opera purists would not.     Continue reading

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Feb 07

In Homage to the Bastard: “Brecht on Brecht”

Matthew Stern (piano), Carla Martinez, Brad Daniel Peloquin, Jake Murphy, Christine Hamel
in “Brecht on Brecht”   (photo: Andrew Brilliant/Brilliant Pictures)

Presented by New Rep Theatre
Prophetic Portraits: Exploring history at the level of the individual
By Bertolt Brecht
Arranged by George Tabori from various translations
Co-Produced with Boston Center for American Performance
Directed by Jim Petosa
Music direction by Matthew Stern

Feb. 4 – March 5, 2017
Mosesian Center for the Arts
321 Arsenal St
Watertown, MA
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90 minutes with no intermission

Review by Kitty Drexel

(Watertown, MABertolt Brecht was a selfish, arrogant, exceedingly charismatic dick. He was also a “genius” thanks to the help of collaborators such as Elisabeth Hauptmann and Kurt Weill. Brecht did not support them. He could turn a phrase, though. 
Continue reading

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Sep 21

Succeed at All Costs: LOOSE, WET, PERFORATED

Aliana de la Guardia as Loose and Brian Church as Wet. Photo credit: Liz Linder Photography

Aliana de la Guardia as Loose and Brian Church as Wet. Photo credit: Liz Linder Photography

Presented by Guerilla Opera
Music and Libretto by Nicholas Vines
Directed by Austin Regan

Sept. 21 – 24, 2016
The Zack Box Theater at Boston Conservatory at Berklee
8 The Fenway, Boston, MA
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Performance for review was Sept, 20, 2016, an open dress rehearsal.

Review by Kitty Drexel

Trigger Warning: partial nudity, sexy times, crass language, sock puppet murder

(Boston, MA) Guerilla Opera is making a name for itself as a company that refuses to allow its actors to merely stand and sing. It’s frequently avant garde, often dark, and always giving us something unexpected. Continue reading

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Jun 01

No Parrots Were Harmed in the Making of This Production: LIGHT UP THE SKY

The cast of Light Up the Sky. Photo: Mark S. Howard.

The cast (in their finery) of Light Up the Sky. Photo: Mark S. Howard.

Presented by Lyric Stage Co. of Boston
By Moss Hart
Directed by Scott Edmiston
Music direction by Will McGarrahan

May 15 – June 13, 2015
Boston, MA
Lyric on Facebook

Review by Kitty Drexel

(Boston, MA) If one scratches the surface of theatre history, information on Moss Hart and his great effect comes spilling forth like a Texan hitting oil in his backyard. He was beloved by most, if not all, for his contributions. He worked with greats such as George S. Kaufman, Kurt Weill, and Ira Gershwin. He co-wrote countless musical reviews (I’d Rather Be Right), directed some hits (Camelot), and wrote several award winning screenplays (A Star Is Born). He was a gentleman, a scholar and pretty great guy. Continue reading

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