Sep 21

Succeed at All Costs: LOOSE, WET, PERFORATED

Aliana de la Guardia as Loose and Brian Church as Wet. Photo credit: Liz Linder Photography

Aliana de la Guardia as Loose and Brian Church as Wet. Photo credit: Liz Linder Photography

Presented by Guerilla Opera
Music and Libretto by Nicholas Vines
Directed by Austin Regan

Sept. 21 – 24, 2016
The Zack Box Theater at Boston Conservatory at Berklee
8 The Fenway, Boston, MA
Guerilla Opera on Facebook

Performance for review was Sept, 20, 2016, an open dress rehearsal.

Review by Kitty Drexel

Trigger Warning: partial nudity, sexy times, crass language, sock puppet murder

(Boston, MA) Guerilla Opera is making a name for itself as a company that refuses to allow its actors to merely stand and sing. It’s frequently avant garde, often dark, and always giving us something unexpected. Continue reading

Share with Your Audience
May 27

From You, OK. I Learned It From Watching You: PEDR SOLIS

Brian Church, Baritone in the title role of Pedr Solis. Photo by Liz Linder Photography.

Brian Church, Baritone in the title role of Pedr Solis. Photo by Liz Linder Photography.

Presented by Guerilla Opera and The Boston Conservatory
Music by Per Bloland
Libretto by Paul Schick
Directed by Laine Rettmer

May 15 – 23, 2015
The Zack Box
8 The Fenway
Boston, MA
Guerilla Opera on Facebook

Review by Kitty Drexel

(Boston, MA) Pedr Solis is an avant garde (i.e. strange), dark, messy beast of a prog rock opera. It’s set, props, and libretto are highly conceptualized and feature the most abstract of metaphors. The staging is full-contact. It should be a complete mess but it isn’t. Rather, as a logical, relatively objective reviewer I found it quite entertaining. As an over-educated audience member relying on her emotions to determine if she had a good time, I found my experience less than satisfying.   Continue reading

Share with Your Audience