Promo by Gillian Daniels
Juventas New Music Ensemble will be presenting an interpretation of Snow White this weekend, Polina Nazaykinskaya’s The Magic Mirror. Based on the version of the fairytale by Alexander Pushkin, the story is a classic that has been adapted for contemporary audiences. In this version of the tale, the seven dwarfs have been replaced with seven brothers and the Evil Queen’s perspective promises to be explored. Continue reading
presented by Blue Spruce Theatre
Act 1: “Goblin Market”
by Polly Pen and Peggy Harmon
Music by Polly Pen
Based on the poem by Christina Rossetti
Act 2: World Premiere of “The Rag Doll”
Music and Lyrics by David Reiffel
Book by Silvia Graziano
Directed by Jesse Strachman
Music Direction by Dan Rodriguez
Choreography by Kira Cowan
May 23-26, 2013
321 Arsenal Street
Watertown, MA 02472
Blue Spruce Theatre Facebook Page
Review by Gillian Daniels
(Watertown) Blue Spruce Theatre’s Faerie Tales has a bit of charm, some nice music, and an engaging visual style. None of these things, however, manage to carry the show on their own. This is very sad as there are elements in the play, like fairies and the importance of family, that I adore when utilized in other media.
Faerie Tales uses two different stories that overlap in theme. The first act is devoted to adapting Christina Rossetti’s poem, Goblin Market, to the stage. Laura (Teresa Winner Blume) and Lizzie (Abigail Clarke) are sisters who stumble on a magical fairy marketplace. Lizzie shies away from eating the market food and going near the animal-like creatures, but Laura is too taken with their strangeness and is immediately seduced into spending a night among the goblins. When her sister returns and begins to grow ill, Lizzie struggles to find a cure. Continue reading
With Austin Auh and Corianna Moffatt. Photo courtesy of Liars & Believers Facebook Page.
Presented by Liars & Believers
Directed by Faye Dupras
May 17 & 18, 2013 (Grab tickets while you can!)
Cambridge YMCA Theater in Central Square
Cambridge, MA
Liars & Believers Facebook Group
Gillian Daniels
Liars and Believers’ Icarus is a wobbly production, a Depression Era circus fable that limps when it pushes hard to soar. Like a small bird, the show is both endearing but weak. Its flourishes are strong: puppets, bluegrass, and robots. The result gives the audience a series of intriguing set pieces but nothing that really coalesces into a grand story.
Jason Slavick packs a lot into the show, the separate parts fluid and vibrant. The lead-up to the play itself includes burlesque and music, giving the centerpiece, Minnie Minoseczeck’s Menagerie of Marvels, a vaudevillean glamour. The trimmings for the circus are convincing, complete with posters promising a minotaur and a flying woman, Penny (Corianna Moffatt). Continue reading
Emily Casey, Sean Pfautsch, Matt Kahler, Ryan Bourque, Dana Omar. Photo by Evgenia Eliseeva
presented by American Repertory Theater
produced by The Hypocrites
by Gilbert & Sullivan
adapted by Sean Graney, Kevin O’Donnell
directed by Sean Graney
Review by Gillian Daniels
(Cambridge) The Hypocrites’ production of Pirates of Penzance is an absolute confection. Adapting the beloved Gilbert and Sullivan operetta to a quirkier, more contemporary stage, Sean Graney and Kevin O’Donnell infuse the original libretto and its score with banjos, bathing suits, beach balls, and a warmth that charms but never cloys. It’s energetic and just plain fun.
Premiering in New York in 1879, the original show has a long history of making audiences titter at lyrics like, “I am the very model of a modern major general.” The comic opera lampoons Victorian concepts of honor, piracy, politeness, the literary inconveniences of being a foundling, and, most importantly, duty. Continue reading
Photo by Mark S. Howard
Presented by Lyric Stage Company of Boston
Book and lyrics by Betty Comden & Adolph Green
Music by Leonard Bernstein
Based on an idea by Jerome Robbins
Directed by Spiro Veloudos
Music direction by Jonathan Goldberg
(kick-ass) Choreography & musical staging by Ilyse Robbins
May 10 – June 8, 2013
The Lyric Stage
Boston, MA
Lyric Stage Facebook Page
Review by Kitty Drexel
(Boston) On the Town is a sweet little musical about what happens when three horny US Navy men seeking adventure visit NYC for 24 hours. As the plot thickens, they meet their equally horny female counterparts, do some healthy snogging, see some sights and return to duty. It’s mostly romantic. The Lyric Stage delicately wraps these adult themes in saccharine sweet nostalgia, excellent choreography and Bernstein’s music. Although this could be for mature audiences only, it is presented as tasteful family-friendly material. Continue reading
Photo: Craig Bailey/Perspective Photo
Presented by Speakeasy Stage Company
Music and Lyrics by Lin-Manuel Miranda
Book by Quiara Alegría Hudes
Conceived by Lin-Manuel Miranda
Directed by Paul Daigneault
Music directed by Nicholas James Connell
Choreography by Larry Sousa
Boston Center for the Arts
South End / Calderwood Pavilion at the BCA
Boston, MA
Speakeasy Facebook Page
Review by Kitty Drexel
(Boston) In the Heights tackles heavy subjects such as endemic poverty, Immigration Reform, affordable education and racial stereotype with canny artistic expression. This community in Washington Heights might be needy but they are not poor. They are proud, hardworking and passionate people who strive for a better life. Just like you and me.
This music incorporates traditional Latin dance with Rap, Hiphop, and Flow poetry, among many others. The dancing looks like it is straight from America’s Best Dance Crew. The ensemble dance scenes are electric and justifiably make the show the stand-out production that it is. The cast adapts to the different styles and each other with such ease it’s as if they studied at the same school. Continue reading
Photo by Gary Ng. Sirena Abalian as Pippi Longstocking.
Presented by Wheelock Family Theatre
Story by Astrid Lindgren
Adapted for the stage by Thomas W. Olson
Music by Roberta Carlson
Directed by Wendy Lement
Boston, Massachusetts
April 12th – May 12th, 2013
Autism Friendly Modified Performance: Saturday April 27 at 10:00am
ASL/AD: Friday May 10 at 7:30 & Sunday May 12 at 3:00
All performances offer Open Captioning
Wheelock Family Theatre Facebook Page
Review by Craig Idlebrook
(Boston) Why is everyone in such a hurry to update our iconic and innocent redheads? A cover for a new edition of Anne of Green Gables ditches her red hair and makes her uncomfortably shapely. The pigtailed girl in the Wendy’s logo seems to have grown up and has nothing more to do than disparage other peoples’ lunches. And now we have Pippi Longstocking to add to the list. Continue reading
The Company of the New 25th Anniversary Production of Les Misérables; photo credit: http://www.lesmis.com/us/sights-and-sounds/photos/
Based on the novel by Victor Hugo
Book/Music by Claude-Michel Schönberg
Author/Dramatist: Alain Boublil
Directed by James Powell/Laurence Connor
Cameron Mackintosh Productions
The Hanover Theatre
Worcester, MA
April 2nd – 7th, 2013
Hanover Theatre Facebook Page
Review by Craig Idlebrook
(Worcester) You’re probably sick of hearing about Les Miserables, and how Russell Crowe can’t sing and how Anne Hathaway can’t pick out her dress. I know I am, and I didn’t really like the musical that much in the first place. “Ornate” might be a generous way to describe how this play’s music reaches my ears; “overdone” might be more accurate. But if you can strip away the hype, it’s possible to see a really good storyline that materializes from this spectacle. After all, that Victor Hugo guy may have been no Stephen Sondheim, but he was no slouch. Penned a few novels, something about a hunchback. I hear he sold a few copies. Continue reading
Cantab Lounge, Club Bohemia
Cambridge, MA
April 5th – April 27th, 2013
Stickball Productions Facebook Page
Review by Craig Idlebrook
(Cambridge) At times, beautiful, sassy and hypnotic, at times purposely pointless, crass and heartbreaking, the play Bouncers hits all the right notes to catch the highs and lows of a night of clubbing. If you were an anthropologist and wanted to study the alcohol-fueled mating rituals of the young, you wouldn’t find a more accurate snapshot than these 1.5 hours of traffic playing at the Cantab Lounge in Cambridge. Continue reading
Courtesy of the URO Facebook Page
Words and Music by Tim Rice and Andrew Lloyd Weber.
Presented by The Ultrasonic Rock Orchestra*
The Norwood Theatre
109 Central St.
Norwood, MA
March 21st at 7:00 pm – March 24th at 2:00 pm
URO Facebook Page
Review by Kitty Drexel
(Norwood) The Ultrasonic Rock Orchestra (URO) rocks. They have made a brilliant career out of rocking classics by musicians such as The Beatles, Bowie, and Queen. Last night’s performance of Jesus Christ Superstar was no exception. Put simply, they capture all the funk that Andrew Lloyd Weber missed. Continue reading
