Author Archives: gilliandaniels

Oct 08

Art, Process, and Connection in Miranda July’s “Lost Child!”

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Photo Credit: Todd Cole

Presented by The Institute of Contemporary Art

Review based on the Oct. 6, 2013 performance
Barbara Lee Family Foundation Theater at the ICA
100 Northern Ave.
Boston, MA
ICA on Facebook
Miranda July on Facebook

Review by Gillian Daniels

(Boston) The Institute of Contemporary Art is a glass and steel structure near the shore.  On a gray, rainy Sunday, it looks imposing and a little unnerving. I’m reminded of the cold skyscrapers in Manhattan in my first visit there to see Miranda July on stage.  This isn’t a bad state of mind to be in.  Coincidentally, my first exposure to Miranda July was when I lived in New York and read her book of short stories, No One Belongs Here More Than You (2007).  I was enchanted with her writing, its self-deprecating jokes and nervous whimsy.  It appealed to me in a city where I often felt unanchored. Continue reading →

Oct 02

Rhythm of Rajastan Promo

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Promo by Gillian Daniels

On Friday, October 4th, 7:30pm at Johnny D’s, Rhythm of Rajastan will be performing as part of WORLD MUSIC/CRASHarts.

The Indian band is unusual, deriving its music from two separate cultures in the North Indian Thar Desert, the Langas and the Manganiar.  Both approach their music with different styles. The Langas are more dependent on melody and their voices, using the sindhi sarangi (lute) and algoza (double flute) instead of percussion due to Sufi influence. “Langa” means “song giver.” The Mangiar, meanwhile, are dependent on the frantic, deep rhythm of the dholak (the double headed barrel drum) and the bowed kamayacha.
These two musical dialects have been combined by folklorist Nitin Nath Harsh.  The band was formed in North India and have played throughout North America, including the Chicago World Festival and the 5th Annual New York Gypsy Festival. They have also performed in Shanghai, Beijing, and Jordan.
A dancer will be present at their performance Friday.
World Music, a non-profit organization that attempts to showcase world culture for the benefit of New England, launched CRASHarts in 2001. They present upwards of 70 concerts a year in an attempt to educate and bring diversity to performances in the Boston area.

Sep 30

Sinners, Saints, and Boston Roots in “Goodly Creatures”

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Photo by Alex Aroyan; Smack talk shall not be tolerated.

Presented by Hub Theatre Company of Boston
By William Gibson
Directed by John Geoffrion

September 20 through October 6, 2013
First Church Boston
66 Marlborough St
Boston, MA 02116
Hub Theatre Co on Facebook

Review by Gillian Daniels

(Boston) Boston embraces the fact it has a long history, at least longer than most of the US.  It celebrates the pieces that are unique to Massachusetts’s development as a colony, the Revolutionary War, and the soldiers who die for a common cause.  Historical figure Anne Hutchinson has a memorial to her name in Quincy, Massachusetts, but what she symbolizes and what led to her place in history is difficult to build a fitting monument to. Continue reading →

Sep 25

Lyndon B. Johnson Goes “All the Way”

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Photo: Evgenia Eliseeva

Presented by A.R.T.
By Robert Schenkkan
Directed by Bill Rauch

September 13, 2013 – October 12, 2013
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
A.R.T. on Facebook

Review by Gillian Daniels

(Cambridge) Too often, biographies of American presidents are stories wrought with blind patriotism.  Director Bill Rauch, however, has not shaped a play about patriotism but politics. Politics and morality may occupy the same place once in a while, but in Robert Schenkkan’s complex and vividly realized All the Way, ambition dilutes ideals quickly. Continue reading →

Aug 26

Brown Box Theatre’s “Midsummer Night’s Dream” Drips with Humor, Actual Water

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Presented by Brown Box Theatre Project
By William Shakespeare
Directed by Kyler Taustin

Aug. 23 – Sept. 1, 2013
Children Wharf’s Park, outside the Boston Children’s Museum
Boston, MA
Brown Box Theatre Project on Facebook

Can’t attend these performances in Boston? You’re in luck! Following their Boston performances, the Brown Box cast and crew will pack up their set and continue their tour on the Eastern Shore of Maryland and Delaware.

Review by Gillian Daniels

The last production of A Midsummer Night’s Dream I saw before Brown Box Theatre’s was The Donkey Show at the Oberon.  Where the Oberon’s version was a show infused with drugs, sex, the excesses of 1970’s disco culture, and go-go dancer boys with body glitter, Brown Box Theatre fills its show with the excesses of Elizabethan fairies and water basins liberally placed around its stage.  The long-running Donkey Show may be the toast of Cambridge, but Brown Box Theatre has captured a more vibrant energy in its traditional telling. Continue reading →

Aug 21

Flat Earth Sends “Rocket Man” to the Moon

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Photo via Flat Earth Theatre Facebook page. Awesome sauce.

presented by Flat Earth Theatre
By Steven Dietz
Directed by Lindsay Eagle

August 16 – 24, 2013
Arsenal Center for the Arts
321 Arsenal Street
Watertown, MA
Flat Earth Theatre on Facebook

Review by Gillian Daniels

(Watertown) The center of Rocket Man is the unraveling life of middle-aged divorcee, Donny (Robin Gabrielli), an unsteady center for an unassuming story.  Flat Earth Theatre has certainly taken on a tough show to pull off well.  Newly single and struggling to maintain his relationship with his teenage daughter, Trisha (Mariagrazia LaFauci), Donny is having a slow-moving breakdown.  He fights back with fantasies of traveling to space and going to another reality where time travels backward and his wife, Rita (Korinne T. Ritchey), is still with him. Continue reading →

Jul 24

Ladies Pondering Lives, Fashion in “Love, Loss, and What I Wore”

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Presented by Hub Theatre Company of Boston
by Nora & Delia Ephron
based on the book by Ilene Beckerman
directed by Paula Plum

July 19 – August 3, 2013
The First Church in Boston
66 Marlborough Street
Boston, MA 02116
Hub Theatre Co of Boston Facebook Page

Review by Gillian Daniels

(Boston) Until recently, I scorned “chick lit” and “chick flicks,” resenting the idea that light, fluffy fare was meant for women alone.  I’ve begun to wonder, however, if the label has been stuck on books and films having to do with women because of how the material is approached or because it’s about women, period.  It’s an insulting, dismissive label and it would be a little too easy to slap it on Love, Loss, and What I Wore. Continue reading →

Jul 08

“Nicky Park Memorial Park”: Lonely Girl Seeks Ghost Companion

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Presented by The Circuit Theatre Company
A rock musical by Ned Riseley and Deepali Gupta
Directed by Abby Colella

July 5-7, 2013
Boston Playwrights’ Theatre
Boston, MA
The Circuit Theatre Co Facebook Page

Review by Gillian Daniels

(Boston) Referred to only as “Girl” in the cast list, it feels as if Ellie Shepley’s character in Nicky Park Memorial Park is meant to embody some sort of universal narrative of being a young woman. Instead, Deepali Gupta’s play distills what it means to be thoughtful and introspective.  The result is a drama about figurative and literal ghosts of the past, a love letter to nostalgia that never quite crystallizes into a story. Continue reading →

Jun 12

“Shaping Sound”: Fabulous, Weightless Contortions

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Photo Credit: Shaping Sound website, http://www.shapingsoundco.com/media

Produced by Break The Floor Productions
Created and executed by the Creative Team

Colonial Theatre
Boston, MA
June 10, 2012
Touring Schedule
Shaping Sound Facebook Page

Review by Gillian Daniels

(Boston) Break the Floor Productions’ Shaping Sound is a slick beast.  It unfolds like a series of pop music videos, surreal not in how the company experiments with choreography but in how the dancers create a synchronized smoothness.  Set to artists like Florence and the Machine, Edward Sharp and the Magnetic Zeroes, and Queen, each number is a crowd-pleasing mechanism of synthesized glamour. Continue reading →

Jun 07

“The Magic Mirror”: Window Into Another World

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Photo Credit: Scott Bump, Not a photo of a brunette Khaleesi’s wedding. But it could be.

Presented by Juventas New Music Ensemble
Music by Polina Nazaykinskaya
Music direction  by Lidiya Yankovskaya
Stage direction by Erin Huelskamp

BCA Plaza Theatre
539 Tremont Street
Boston, MA
Juventas New Music Ensemble Facebook Page

Review by Gillian Daniels

(Boston) The Magic Mirror succeeds, most of all, in elegance.  Characters move through a sumptuous world, wandering along whirls of purple and blue on the floor, moving through dark woods and bright cottages. Varvara Sosedova, a visual artist from Moscow, brings personality and charm to the scenes, costumes, and props she designs. The contemporary songs and music also do their part to bring a hard edge to the story.  Even when characters aren’t as distinguishable as they could be or when the story begins to drag, the Juventas New Music Ensemble and composer Polina Nazaykinskaya create a fully realized world for Alexander Pushkin’s Snow White. Continue reading →