Yearly Archives: 2012

Nov 17

Dance, The Way Ninjas Intended: “The Radio Show”

Posted on by

Photo credits: Steven Schreiber and Renee Rosensteel.

 

WORLD MUSIC/CRASHarts PRESENTS THE BOSTON DEBUT OF
Kyle Abraham / Abraham.in.Motion
Performing the Boston premiere of The Radio Show
Friday, November 16, 7:30 pm | Saturday, November 17, 8pm
The Institute of Contemporary Art/Boston
100 Northern Ave
Boston, MA 02210
Abraham.in.Motion Facebook Page

Review by Kitty Drexel

(Boston) Kyle Abraham and his troupe move like dancing ninjas. We are very lucky that they aren’t because everyone knows that if you can see the (dancing) ninja, you are already dead.

The Radio Show is a celebration of music and its effects on personal history and cultural identity. The pieces included in this production are inspired by the closing of a Pittsburgh radio station that Abraham listened to growing up. The pre-show includes Duwop radio hits and Abraham himself chatting up the audience. “AM 860” and “106.7 FM” are two dance overtures that explore range of motion while delving deep into the cultural impacts of hip hop, R&B, rap and pop music. Continue reading →

Nov 16

Music to Rock a Revolution: “Rock ‘n’ Roll”

Posted on by

Photo credit: The Longwood Players; the cast does not headbang in this production.

 

Presented by The Longwood Players
By Tom Stoppard
Directed by Kaitlyn Chantry

Cambridge YMCA Theater
820 Mass. Ave.
Central Square, Cambridge MA
November 9 – 17
Longwood Players Facebook Page

Review by Kitty Drexel

(Cambridge) If you enjoy rock legends such as The Doors, The Velvet Underground, or Pink Floyd (Sid Barrett) with a dollop of political science philosophy, Rock ‘n’ Roll is for you. If not, I suggest skipping this heady production by The Longwood Players. There is a lot to value here but the cerebral participation necessary to enjoy Tom Stoppard’s work may overwhelm the audience goer expecting a lighter devotional to Rock. Continue reading →

Nov 13

indiegogo Campaign: “From Denmark With Love”

Posted on by
Vaquero Playground: Fun, Cheap, Dirty Plays made just for Boston.
FROM DENMARK WITH LOVE,
May 10 – June 1, 2013
Boston Playwrights’ Theatre

Vaquero Playground Facebook Page

WHO WE ARE and WHAT We’re Doing:
In Spring of 2013 Vaquero Playground will be bringing it’s biggest production yet: FROM DENMARK WITH LOVE, a mash-up parody of Shakespeare’s Hamlet and the one and only Bond, James Bond.
Written by John J King, the play stars Boston rising legend Daniel Berger-Jones and is directed by Barlow Adamson.

What We Need
Funds raised for the project will go primarily to the hard-working cast, crew, and creative team.  But just as importantly, the monies will go towards making sure the show is as BIG, bold, and exciting as it’s sources demand.
$3000 will go towards stipends for artists.
$3000 will go towards set, costumes, props, and necessary rehearsal space.

THREE WAYS TO HELP!
1. Toss us some Cash!
2. Spread the word!  Post the video on Facebook and Twitter; email friends; help us tell the world what we’re doing!
3. LIKE us on Facebook – best way to keep tabs on the show and everything from Vaquero Playground!

Nov 12

Book Review: “Undesirable Elements: Real People, Real Lives, Real Theater”

Posted on by

“Undesirable Elements: Real People, Real Lives, Real Theater” by Ping Chong

by Ping Chong
Theatre Communications Group: New York, 2012
$17.95

Review by Kitty Drexel

A compilation of four selected scripts in the Undesirable Elements series by writer, director and producer Ping Chong as well as collaborator interviews and methodology. These poly-language scripts demonstrate the potential to combine the arts of storytelling, theater and poetry into a community building/affirming production. These performances are capable of reaching out to a broader theater audience (an audience perhaps jaded by conventional theater) to experience dramatic communication in ways that some artists only dream of. It is art that uses personal experience to reveal truths of the larger world community rather than using art to glorify aspects of “Other” within a community. Undesirable Elements offers a shocking exploration of the lives of social outsiders and presents them as whole, human people sometimes contrary to the perception of much of society. These works refreshingly present the players’ perspective without unintended bias. Because bias exists whether it is intended or not. Continue reading →

Nov 12

Aerial Stunts and Re-Kindling Mythic Passion: Ted Hughes’ Tales from Ovid

Posted on by

With Jennifer OConnor, Aimee Rose Ranger and Danny Bryck at Paramount Center.

based on Tales from Ovid, by Ted Hughes published by Faber & Faber, Ltd.
Composer: David McMullin
Composer/Musician/Ensemble: Shaw Pong Liu

presented by Whistler in the Dark Theatre
directed by Meg Taintor
in association with ArtsEmerson: The World Onstage

November 8-18th
Jackie Liebergott Black Box at the Paramount Center
559 Washington Street
Boston, Massachusetts 02111
Whistler in the Dark Facebook Page

Review by Gillian Daniels

Ancient Greek myths, when adapted to the stage, need not be built-up to be timely. The dissonance between myth and the modern era can be distracting in contemporary adaptations. If anything, here, the stories chosen from Ovid’s Metamorphoses are stripped down. The production has few props and no costumes, giving the ensemble room to breathe. Whistler in the Dark is the perfect sort of theater to spur to life the passions beneath the age-old Greek myths, which will surely please both casual and Classicist audiences. Continue reading →

Nov 09

Bare Bones Staged Reading: Julie Johnson

Posted on by

Written by Wendy Hammond
Directed by Becca Kidwell

ONE NIGHT ONLY! Thursday, November 15th at 8pm

Julie Johnson will be presented at Unity Somerville
6 William Street
Somerville, MA 02144
presented by Theatre@First
Theatre@First Facebook Page

Suggested Donation $5 – General Admission – No reservations required

Julie is on the verge of a breakdown. She loves her children but feels the need for a change. Her husband is abusive and she wants to be more than just a wife and mother. Her friend Claire’s life isn’t much better and they struggle through their difficulties. Julie grows as she takes computer classes, which uproots not only her own life but the lives of the people around her.

Please note: This performance contains adult language and volatile domestic scenes.

The Director: Becca Kidwell has directed ten plays so far with her favorites being: The Lion, The Witch, and The Wardrobe and Marla’s Devotion. She has worked in almost every aspect of theatre in the past eighteen years. Most recently she served as an assistant stage manager for Happy Medium Theatre’s production of Romeo and Juliet. She was nominated for an EMACT award for best props design for Walpole Footlighters. She thanks her husband and in-laws for their constant and unwavering love and support.

Bare Bones: Staged Readings at Theatre@First offers directors, casts and audiences the chance to explore a wide variety of plays in a spare, intense setting.

 

Nov 09

The Man in the Couch: Science Fiction Theatre Company

Posted on by

Photo credit: Becca A. Lewis

Now running, Nov. 2-18 Thurs-Sat 8pm, Sun 3pm
Boston, MA

 

Shut-in Gigi hasn’t had face to face contact with another human being in years. When a teleportation disaster leaves a soldier fused with her couch, Gigi is forced to diverge from her routine significantly. Time is quickly running out for the soldier but Gigi needs to figure out if he’s a friend, an enemy or something else entirely.
Continue reading →

Nov 09

Project: Project WHAT ARE YOU DOING HERE?

Posted on by

Project: Project

The Boy Scouts need to prepare for the big conference. The Boondock Skanks just won the big Roller Derby match and need to celebrate. But there’s only one house. What are they going to do?

WHAT ARE YOU DOING HERE?, Project: Project‘s inaugural production, has been in the works since we first came together in November 2011. After one year of devising, improvising, writing and rewriting it is coming to fruition. Part improvised, part scripted, and all site-specific! We couldn’t be more proud to finally share with you this one-of-a-kind event, but first, you need the details!

WHERE:
The Democracy Center
45 Mount Auburn Street
Cambridge, MA 02138
WHEN:
Friday, November 9 at 8:00PM and 10:30PM
Saturday, November 10 at 8:00PM and 10:30PM
Sunday, November 11 at 2:00PM (With the possibility of a second show!)
WHO:
P:P could not be more pleased to feature the fine talents of our cast, including:
Rachel Katherine Alexander
Meg DiMaggio
Katie Drexel
Louise Hamill
Tim Hoover
Chris Larson
Emily Laverdiere
Milo Macphail
Harry McEnerny
Max Mondi
Jeff Mosser
Brendan Pelsue
Vicki Schairer
Adam Thenhaus
Jesse Tombari

and finally . . . HOW MUCH:
Tickets will be from $5-10! (You can’t beat that deal!)

To secure a reservation, Click here: http://tinyurl.com/ctjb338
Can’t wait to see you there! And bring your skates and badges!

Earn your badge in awesomeness!

Continue reading →

Nov 07

Crossed Communications: The Sussman Variations

Posted on by

by Richard Schotter
directed by Jeff Zinn
music by Phil Schroeder
Boston, MA 02215
November 1 – 18

Boston Playwright’s Theatre Facebook Page

Review by Kitty Drexel

(Boston) Loosely based on Shakespeare’s The Tempest, Charlie Sussman (Ken Baltin) is turning 75 and his entire family has come to celebrate with him at his Connecticut beach house to celebrate in The Sussman Variations. His son Jonathan (Steven Barkhimer) has a paper on The Tempest to write that will put his career on the world map. His daughter Janey (Erin Cole) has a big secret to share with the family and is afraid that they won’t share her happiness. Deirdre (Laura Latreille) needs to practice for her international tour and attempts to keep the peace. Granddaughter Miranda (Lauren Thomas) is on house arrest until she writes her college essay. Margery (Cheryl McMahon), Charlie’s wife, wants to throw a party that will reunite the family despite their differences. Each family member suffers under the weight of familial expectations, frustrated with the conflict of whom they are and whom they supposed they should be. Continue reading →

Nov 06

The Drowsy Chaperone: Breezy Surface, Deeper Meaning

Posted on by

Photo credit: Curtain Call Theatre; L to R, Melinda Edge as Janet, Lance Wesley as Robert, and Sharon Petti as The Drowsy Chaperone

 

 

 

 

 

 

 

 

 

 

Book by Bob Martin and Don McKellar, and music and lyrics by Lisa Lambert and Greg Morrison.

directed by Martha Sawyer
musical direction by Meri-Lee Mafera
choreography by Jennifer Walsh

presented by Curtain Call Theatre
182 Commercial Street, Braintree MA.
November 2 -10

Review by Gillian Daniels

(Braintree) The Drowsy Chaperone pulls a neat trick. In order to treat its audience to an old- fashioned musical comedy in a jaded age, it bookends the story with the alternately joyous and grim analysis of a musical fan. Richard Carey plays the asocial, contemporary fan in question, obsessed with the non-existent 1928 play of the title. His interest in the sunny musical and his running commentary turns the show-within a-show into a meditation on how a lonely man deals with sadness. Continue reading →