Jan 19

Music, Puppetry, and Nonverbal Communication: LOLLIPOPS FOR BREAKFAST

Photo credit: Liz Linder

Photo credit: Liz Linder

Presented by The Gottabees at the Charlestown Working Theatre
Created by Bonnie Duncan / The Gottabees
Music by Brendan Burns & Tony Leva

January 16-17, 2016
442 Bunker Hill Street
Charlestown, MA 02129
Charlestown Working Theatre on Facebook

Review by Travis Manni

(Charlestown, MA) To think with a critical eye as a small crowd of children turns around to stare at (and silently judge) you and your small bag of goldfish and kids-sized juice box that you bought from the humble concession stand is no small feat. My friend and I may have arrived sans children and unchaperoned, but we were up to the challenge. Continue reading

Share with Your Audience
Jan 15

“Vinegar Tom”: A Deceptively Timely Play

Photo credit: Whistler in the Dark; This show contains material that may trigger PTSD  - please try to see it anyway.

Photo credit: Whistler in the Dark; This show contains material that may trigger PTSD – please try to see it anyway.

presented by Whistler in the Dark Theatre
Vinegar Tom is presented by special arrangement with Samuel French, Inc.

by Caryl Churchill

directed by Mac Young
songs composed by Molly Allis, Juliet Olivier & Veronica Barron
music Composed and Performed by: Veronica Barron & Tony Leva
lyrics by Caryl Churchill

January 11th-February 2nd
The Calderwood Pavilion at the BCA
539 Tremont Street, Boston, MA 02116
Whistler in the Dark Theatre Facebook Page

Review by Gillian Daniels

TRIGGER WARNING

(Boston) Historical fiction is often said to reflect the era in which it’s written rather than the era it’s written about.  Caryl Churchill’s Vinegar Tom, originally performed in 1976, mirrors the growing awareness of feminism.  In 1600’s England, a group of women deal with being unmarried, unrepresented, and unwanted. The result is a play that’s appropriately bleak.

Vinegar Tom begins with Alice, portrayed by the excellent but often subtle Becca A. Lewis.  Lewis playfully drives the show as a young woman with a feather-light conscience despite having an infant son out of wedlock.  Her performance is credible not as a woman anachronistically independent or “ahead of her time,” but as someone who wants to marry and live on her own terms.  She is aided by her mother, Joan (Karin Webb), who is largely dismissed and derided by their town as an old hag. Continue reading

Share with Your Audience