Nov 05

Rocking out on the precipice of hope: “1972”

Gracie McGraw, Jackera Davis, and members of the cast in 1972. Photo: Nile Scott Studios

Presented by the American Repertory Theater 
Music and Lyrics by Chadwick Stokes
Book by Chadwick Stokes and Jessie Nelson
Created by Chadwick Stokes
Directed by Jessie Nelson

November 1 – December 6, 2026
Farkas Hall
12 Holyoke Street
Cambridge, MA 02138

Critique by Maegan Clearwood

80 minutes with no intermission

1972 contains descriptions of domestic violence and abortions. This production contains loud music and flashing lights. Recommended for ages 14+.

TL;DR: 1972 rocks but, for a musical about abortion, is weighed down by men. 

CAMBRIDGE, MA — Not 24 hours after news of the breathtakingly anticipated Blue Wave, I had the privilege of hearing these words belted to the highest heavens by Khaila Wilcoxon:

“It’s your God-given right
It’s your goddamn decision,
Do with it as you like.”

Words that are explicitly, unapologetically about abortion; stripping the act of all taboo; celebrating the women who paved the way to universal, safe access through direct action.  Continue reading →

Jan 15

“Vinegar Tom”: A Deceptively Timely Play

Photo credit: Whistler in the Dark; This show contains material that may trigger PTSD  - please try to see it anyway.

Photo credit: Whistler in the Dark; This show contains material that may trigger PTSD – please try to see it anyway.

presented by Whistler in the Dark Theatre
Vinegar Tom is presented by special arrangement with Samuel French, Inc.

by Caryl Churchill

directed by Mac Young
songs composed by Molly Allis, Juliet Olivier & Veronica Barron
music Composed and Performed by: Veronica Barron & Tony Leva
lyrics by Caryl Churchill

January 11th-February 2nd
The Calderwood Pavilion at the BCA
539 Tremont Street, Boston, MA 02116
Whistler in the Dark Theatre Facebook Page

Review by Gillian Daniels

TRIGGER WARNING

(Boston) Historical fiction is often said to reflect the era in which it’s written rather than the era it’s written about.  Caryl Churchill’s Vinegar Tom, originally performed in 1976, mirrors the growing awareness of feminism.  In 1600’s England, a group of women deal with being unmarried, unrepresented, and unwanted. The result is a play that’s appropriately bleak.

Vinegar Tom begins with Alice, portrayed by the excellent but often subtle Becca A. Lewis.  Lewis playfully drives the show as a young woman with a feather-light conscience despite having an infant son out of wedlock.  Her performance is credible not as a woman anachronistically independent or “ahead of her time,” but as someone who wants to marry and live on her own terms.  She is aided by her mother, Joan (Karin Webb), who is largely dismissed and derided by their town as an old hag. Continue reading →