Oct 24

Sacrifice and Cultural Conflict in “Memorial”

Photo credit: Kalman Zabarsky

Photo credit: Kalman Zabarsky

Presented by Boston Playwrights’ Theatre & Boston University College of Fine Arts School and Theatre
By Livian Yeh
Directed by Kelly Galvin

October 13-23, 2016
Boston, MA
Boston Playwrights’ Theatre on Facebook
Boston University New Play Initiative

Review by Travis Manni

(Boston, MA) I’ve never seen the Vietnam Veterans Memorial, and never been to DC for that matter, but the storytelling in Livian Yeh’s Memorial is strong enough to make me believe I have. Continue reading

Oct 24

At the Hop: “Planet of the Warrior Bunnies”

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Presented by Unreliable Narrator
Written and Directed by Carl Danielson
Violence Design by Matt Arnold

October 21 – 29, 2016
Arlington Center for the Arts
41 Foster Street Arlington, MA
Unreliable Narrator on Facebook

Review by Danielle Rosvally

(Arlington, MA) In a world where a race of unkillable, honor-bound warrior bunnies roam the galaxy, there is only one bunny with the adventurous spirit of Luke Skywalker, the might of Obi Wan Kenobi, and the sheer awesomeness of Han Solo: K’tharr.  Planet of the Warrior Bunnies is a campy sci-fi tale of what happens when one bunny stands up to the forces of evil that threaten not only his home, but also that of his truest friend (the earth psychic Krista). Continue reading

Oct 24

Corpsed: “Cirque of the Dead”


Presented by The Boston Circus Guild
Script written by Tim Ellis, Ricky Hawkins, and Jeremy Warren
Circus direction by Michael “Mooch” Mucciolo
Choreography of finale by Ellen Waylonis
Band lead by eHawk
Online Program for More Credits

October 21 – 26, 2016
The Oberon
2 Arrow Street, Cambridge MA
Boston Circus Guild on Facebook

This show is 18+ only, due to graphic / disturbing content. Strobe lights are used in this production.

Review by Danielle Rosvally

(Cambridge, MA) Few things are as fun as a circus show, except perhaps a Halloween-themed circus show with zany scientists, colorful cohorts of demons, a jammin’ band, and a mid-show filked-up sing-a-long.  Cirque of the Dead is back for its third year at Club Oberon and it’s ready to wow you.  This thoroughly entertaining evening has your usual thrills, not terribly many chills, and a few non-lethal spills. Continue reading

Oct 17

Laugh Until You Hate Yourself Less: SILENCE! THE MUSICAL

Photo credit: Seth Albaum, Upsidemedia; Clarice and Hannibal getting close.

Photo credit: Seth Albaum, Upsidemedia; Clarice and Hannibal getting close.

Presented by Arts After Hours
Music and lyrics by Jon and Al Kaplan
Book by Hunter Bell
Directed by James Tallach
Music directed by Tim Lawton
Choreographed by Nicole Spirito

October 7 – 29, 2016
LynnArts
25 Exchange St
Lynn, MA
AAH on Facebook

Review by Kitty Drexel

(Lynn, MA) If there is a Hell, and I’m not sure if there is, then sitting through this musical may assure there’s have a seat saved for you. It is deeply offensive, crass, disrespectful, tacky and trashy. Equally dubious Heavens forgive me, I loved every minute of this explosive diarrhea of a shit show. We laughed our asses off. Continue reading

Oct 17

Sympathy for the Sinner: ABIGAIL/1702

Photo by Meghan Moore; Rachel Napoleon and Jon Kovach.

Photo by Meghan Moore; Rachel Napoleon and Jon Kovach.

Presented by Merrimack Repertory Theatre
Script by Roberto Aguirre-Sacasa
Directed by Tlaloc Rivas

October 12 – November 6, 2016
50 East Merrimack Street
Lowell, MA 01852
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) Ever notice that there aren’t many Academy Awards won for performances given in horror films? This might be because such scripts require a form of acting gymnastics – extreme emotion in some moments and the ability to deliver silly-sounding lines with a straight face in others. Continue reading

Oct 06

Figments of the Id: HERE ALL NIGHT

Presented by ArtsEmerson and Gare St Lazare Ireland
Conceived and created by Judy Hegarty Lovett, Paul Clark, Conor Lovett, Caoimhin O’Raghallaigh
Includes texts from Watt, The Unnamable, First Love, Words and Music, and Malone Dies by Samuel Beckett
Directed by Judy Hegarty Lovett
Composed/music directed by Paul Clark
Additional compositions by Caoimhin O’Raghallaigh

Oct. 5 – 9, 216
Emerson/Paramount Main Stage
Boston, MA
Arts Emerson on Facebook
Gare St Lazare Ireland on Facebook

Review by Kitty Drexel

(Boston, MA) Here All Night is a chamber opera with women’s ensemble based on the works of Irish playwright Samuel Beckett. Let that sink in; it’s a contemporary opera with source texts by the man who wrote Waiting for Godot (among other abstractions). This is not a “normal” piece of pleasant theatre. Buckle your seatbelts and gird your loins, it’s going to be a bumpy night. Continue reading

Oct 04

Lizzie is Not Herself Today: Angela Carter’s “The Fall River Axe Murders”

Presented by imaginary beasts
Adapted from the short story by Angela Carter
Directed by Matthew Woods

Oct. 1-22, 2016
Plaza Black Box Theater
Boston Center for the Arts
Boston, MA
Imaginary beasts on Facebook

Review by Kitty Drexel

(Boston, MA) Anyone who lives in NE and isn’t familiar with the Lizzie Borden story, can’t call themselves a native. On August 4, 1892, Lizzie Borden allegedly murdered her father and stepmother with an axe. An axe any family of the times would have kept to chop wood for the kitchen or other necessary household fires. The Borden axe was spectacular for its extracurricular activities only. Continue reading

Oct 03

“Carmen” Triumphs, Seduces, and Saddens

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© T Charles Erickson Photography; Carmen (Jennifer Johnson Cano) scrawls “love” on the chest of solider Joseph Yonaitis.

Presented by Boston Lyric Opera and San Francisco Opera
Conducted by David Angus
Production by Calixto Bieto
Music by Georges Bizet
Libretto by Henri Meilhac and Ludovic Halévy

September 23 – October 2, 2016
Boston Opera House
539 Washington Street
Boston, MA 02111
BLO on Facebook

Review by Gillian Daniels

(Boston, MA) So, okay, say you know this girl, right? More of a “broad,” maybe—flirts with the boys but won’t take shit from them, never lies to appease some dude’s ego, takes lovers and throws them away with ease. Say she gets in a tough situation—but it’s hard to say what’s tough for her, really, she’s not from a great background. But she’s in this situation, right? And it’s either go to prison or go home at the end of a long work day at the cigarette factory. So she flirts some with the poor, idiot small town officer that has her captive. Naïve guy, sweet enough. Continue reading

Oct 02

Rebel Theatre Without Activism is as Pointless as Sending Thoughts and Prayers After a Tragedy: “The Plough and The Stars”


Presented by A.R.T.*
Abbey Theatre on Tour in association with Cusack Projects Limited
Written by Sean O’Casey
Directed by Sean Holmes
Voice direction by Andrea Ainsworth

Loeb Drama Center
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

Trigger warnings: gun fire, siren and other loud effects, punk rock

(Cambridge, MA) Ladies and gentlemen, Unions are legal and necessary. Unions are one of the only protections low to middle income wage earners have against power-hungry suits with no regard for struggles that aren’t their own. Please support your local unions to ensure that they remain strong, honest, and transparent. Continue reading

Sep 29

Strange Women Laying in Ponds: SPAMALOT


Presented by Bill Hanney’s North Shore Music Theatre
Book and Lyrics by Eric Idle
Music by John du Prez & Eric Idle
Lovingly ripped off from the film “Monty Python and the Holy Grail”
Directed and Choreographed by Billy Sprague, Jr.
Music Direction by Jesse Warkentin

September 27 – October 9, 2016
62 Dunham Road
Beverly, MA
Bill Hanney’s North Shore Music Theatre on Facebook

Review by Danielle Rosvally

(Beverly, MA) Hey guys, did you know that there’s a Broadway-quality equity theatre dedicated to bringing glittering seasons of musicals to the North Shore just a stone’s throw from Boston?  Maybe it’s because I’m non-native, but until last night I definitely did not.  I count myself among the most unhappy of masses to have missed what I’m certain were previous spectacular seasons at Bill Hanney’s North Shore Music Theatre.  Spamalot, their current offering, is a treat for any Python-head, musical enthusiast, or person with even a tiny sense of humor. Continue reading