Nov 17

Faith, Family, and Fireworks: BAD JEWS

Craig Bailey/Perspective Photo

Photo by Craig Bailey/Perspective Photo

Presented by Speakeasy Stage Company
By Joshua Harmon
Directed by Rebecca Bradshaw

October 24 – November 29, 2014
Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
October 24th – November 29th, 2014
SpeakEasy on Facebook

Review by Kate Lew Idlebrook

(Boston) Bad Jews asks a question that is fundamental to so many young “Jew-ish” Jews. Are we bad Jews? Are we letting our faith, our traditions, our race die out? Now, in a time when it has arguably never been safer or easier to be Jewish, are we sitting by and letting our very culture die? Continue reading

Share with Your Audience
Jul 15

Is God Laughing With You or At You?: FIDDLER ON THE ROOF

Photo Credit: Reagle Music Theatre; Scott Wahle sings “If I Were a Rich Man.”

presented by Reagle Music Theatre
book by Joseph Stein and a score by Jerry Bock and Sheldon Harnick
based on the stories by Sholem Aleichem
directed by Kirby Ward
choreography by Jerome Robbins, recreated by Susan M. Chebookjian
music directed by Dan Rodriguez
conducted by Jeffrey Leonard

Waltham, MA
July 11th – July 21st, 2013
Reagle Music Theatre Facebook Page

Review by Craig Idlebrook

(Waltham) The tradition of Jewish wit has been honed through years of hardship, and the best productions of Fiddler on the Roof capture that teetering line between joy and pain.  It’s not an easy task.  To pull it off, you need an expert master of ceremonies to play Tevye, the central protagonist; through his lens, we are pulled into the world of a hardscrabble Jewish village eking out an existence on the margins of pre-revolutionary Russia.  The task is made more difficult by the fact that the 1971 film version of the play features an iconic portrayal of Tevye by Israeli actor Chaim Topol.  Topol kills it with an original scene-chewing performance, creating a man at once both larger than life and lost in the currents of change.  To go down Topol’s beaten path for Tevye is folly, even though that is what most audience-members expect, and many productions succumb to this error. Continue reading

Share with Your Audience