The only thing better than seeing a small theatre company be successful is to see it do so because it knows itself. The Last Five Years simply triumphs at Next Door Theatre Company; and you’ll want to be its neighbor before it disappears. Continue reading →
Presented by Moonbox Productions
Music & lyrics By Stephen Sondheim
Book by George Furth
Orchestrations by Jonathan Tunick
Directed by Allison Olivia Choat
Music directed by Dan Rodriguez
Super fun choreography by Rachel Bertone
February 7 – March 1, 2014
Nancy and Edward Roberts Studio Theatre Boston Center for the Arts
527 Tremont Street, Boston’s South End
Moonbox on Facebook
(Boston) They say that Stephen Sondheim is one of those composers that people either love or hate. I disagree. There is so much in his catalogue that there could easily be something for everyone. Company, like Sondheim himself, is one of those shows that people have decided others love or hate. Again, I disagree. There are many moments in Company that are golden. Some are not. Depending how much one enjoys Sondheim (or not) opinion fluctuates greatly. This production by Moonbox has several golden moments that I feel reflect the truths Sondheim sharing in his musical. Other moments are not so effective. Continue reading →
Photo Credit: Reagle Music Theatre; Scott Wahle sings “If I Were a Rich Man.”
presented by Reagle Music Theatre
book by Joseph Stein and a score by Jerry Bock and Sheldon Harnick
based on the stories by Sholem Aleichem
directed by Kirby Ward
choreography by Jerome Robbins, recreated by Susan M. Chebookjian
music directed by Dan Rodriguez
conducted by Jeffrey Leonard
Waltham, MA
July 11th – July 21st, 2013
Reagle Music Theatre Facebook Page
Review by Craig Idlebrook
(Waltham) The tradition of Jewish wit has been honed through years of hardship, and the best productions of Fiddler on the Roof capture that teetering line between joy and pain. It’s not an easy task. To pull it off, you need an expert master of ceremonies to play Tevye, the central protagonist; through his lens, we are pulled into the world of a hardscrabble Jewish village eking out an existence on the margins of pre-revolutionary Russia. The task is made more difficult by the fact that the 1971 film version of the play features an iconic portrayal of Tevye by Israeli actor Chaim Topol. Topol kills it with an original scene-chewing performance, creating a man at once both larger than life and lost in the currents of change. To go down Topol’s beaten path for Tevye is folly, even though that is what most audience-members expect, and many productions succumb to this error. Continue reading →
(Watertown) Blue Spruce Theatre’s Faerie Tales has a bit of charm, some nice music, and an engaging visual style. None of these things, however, manage to carry the show on their own. This is very sad as there are elements in the play, like fairies and the importance of family, that I adore when utilized in other media.
Faerie Tales uses two different stories that overlap in theme. The first act is devoted to adapting Christina Rossetti’s poem, Goblin Market, to the stage. Laura (Teresa Winner Blume) and Lizzie (Abigail Clarke) are sisters who stumble on a magical fairy marketplace. Lizzie shies away from eating the market food and going near the animal-like creatures, but Laura is too taken with their strangeness and is immediately seduced into spending a night among the goblins. When her sister returns and begins to grow ill, Lizzie struggles to find a cure. Continue reading →
A musical based on the actual life experience of composer William Finn. This engaging and fast-paced musical by the author of Falsettos and The 25th Annual Putnam County Spelling Bee recounts the life-changing experience of fictional composer, Gordon Schwinn. Barely enduring a frustrating job working on a children’s TV show, Gordon suffers a sudden life-threatening brain disorder which sends him into emergency surgery. The tumultuous, comical and surreal ordeal that engulfs Gordon and those closest to him — his mother, partner and publicist — teaches everyone, especially Gordon, something profound about what is truly important in life, and in love.
Approximate Running Time: 1 hour, 45 minutes with no intermission. Continue reading →
(Waltham, MA) I’ve always enjoyed seeing shows at Waltham High School’s Robinson Theatre. The audience space is ample, clean and comfortable, the orchestra pit plenty big enough for a mid-size ensemble, the technical facility is as good as or better than many professional theatres, and the acoustics are good. Which brings me to the sound quality of the orchestra. Winds and strings went together as tightly as I recall ever hearing a show orchestra play, with volume to fully envelop the listeners. So much so that I worried about the actors having to belt when they should soften, or being overpowered altogether. But worries were unfounded. Music Director Dan Rodriguez and Conductor Jeff Leonard made sure that the orchestra did what any good show orchestra should do – support and enhance the action. Continue reading →
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