The only thing better than seeing a small theatre company be successful is to see it do so because it knows itself. The Last Five Years simply triumphs at Next Door Theatre Company; and you’ll want to be its neighbor before it disappears. Continue reading →
(Boston) I went into this show knowing one thing: given the subject matter and my background, I was either going to hate it or love it. There would be no in between.
I was mostly right. I hated some things, and loved others. Let’s go through these items one line at a time, shall we?
Let’s start with the writing: Minigan is definitely writing for Boston. Much like it’s hard to imagine Avenue Q played anywhere but New York, I have a hard time imaging that audiences in other parts of the country would connect to this show in the same way as Bostonians. This is doubly odd given that the show premiered at the Orlando Shakespeare Festival and continued on to the Utah Shakespeare Festival where, presumably, it did well enough that it’s back in Boston now. The dialogue is expertly put together, and it held me in a way that most contemporary pieces don’t (…and not just because it had a passing relationship with my man Will). My one fault with the piece was this: I left wondering “why?” Why did I just see this? Why did we go on this journey? What was beneath this tale? I felt like the story was too profound not to have a readily discernable crux; but I just couldn’t understand what that crux was. Continue reading →