Tag Archives: Boston

Jun 28

Spider Cult’s Tangled Webs of B-Movie Burlesque Pastiche

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The Sweethearts via their website www.theslaughterhousesweethearts.com/

The Sweethearts, photo via their website www.theslaughterhousesweethearts.com/

Presented by Jade Sylvan and Fem Bones
Starring the Slaughterhouse Sweethearts
Created by Jade Sylvan (playwright & producer) Fem Bones (creator, director, & choreographer), Catherine Capozzi (composer, guitarist, & band leader)

June 24 at 6:30PM, 10PM
June 26 at 5PM, 8:30PM
The Oberon
Cambridge, MA
Spider Cult: The Musical Facebook Page
Spider Cult: The Musical Soundtrack

By Gillian Daniels

(Cambridge, MA) Spider Cult: The Musical is deep fried pulp, beer-battered in burlesque and costume blood. This is a certain kind of creepy, specifically a Boston kind, certainly my kind. The choreographed fight scenes and blood shed are as enthusiastic as the stripping. While the plot didn’t need to be anything other than be a skeleton on which one could hang a few themed, stylish burlesque routines, Jade Sylvan and Fem Bones gives us violence, pathos, and insight into human relationships—a many-legged beast of a story. Continue reading →

Jun 23

By the time you notice her, you’re already caught in the web: “Spider Cult the Musical”

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13227041_1709956299255837_8492057768646383105_nScripted and Produced by Jade Sylvan
Created, Directed, Choreographed and Produced by Fem Bones
Music by Catherine Capozzi

June 24 6:30 pm and 10:30 pm
June 26 5 pm and 8:30 pm
Club Oberon
Cambridge, MA
Spider Cult on Facebook

Review by Noelani Kamelamela

(Cambridge, MA) Back in 2012, a Kickstarter campaign funded quite a bit of Fem Bones’ Revenge of the Battle Robot Nuns, a sci-fantastical burlesque show birthed by the Slaughterhouse Sweethearts, possibly New England’s only horror burlesque troupe.  Spider Cult: The Musical is a spin-off set in the same universe and  it retains quite a lot of the slashes of the macabre and deviant sexuality that made Revenge so memorable. Initially, Jade Sylvan pitched Scout’s story to Fem Bones as a spin-off movie after seeing Revenge.  Jade was enamoured of Revenge because the action reminded them of discovering weirdness and sexuality for the first time as a queer individual.  Instead of creating a movie, Jade banged out a script for a live show which gets translated by the indomitable Fem Bones and the Slaughterhouse Sweeties with special guests onto the Oberon stage this Friday and Sunday for one weekend only.   Fans and other supporters of fringe theatre stepped up via Kickstarter yet again to fund the first reading as well as the creation of the show. Continue reading →

Jun 18

No One is Exempt From Pain:”I Was Most Alive With You”

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© T Charles Erickson Photography; Russell Harvard and cast.

© T Charles Erickson Photography; Russell Harvard and cast.

Presented by the Huntington Theatre Co. 
Directed and written by Craig Lucas

Through June 26, 2016
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

This is a bilingual production; the text is expressed in English and ASL through interpreters. My heartfelt thanks to the crew of the Huntington for respecting the limitations of the hearing community.

(Boston, MA) Bad things happen to people. They just do. Religious pessimists might believe that the Powers That Be punish sinners but even good people experience tragedy. Piety provides no exemption. Bad things happen because they do. If we could understand why, maybe we could prevent them from happening. Continue reading →

Jun 09

Cirque du Soleil’s “Kurios” Packed with the Usual Curiosities

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Presented by Cirque du Soleil 
Written and directed by Michel Laprise
Director of creation – Chantal Tremblay
Compositions and music direction by Raphaël Beau
Compositions and arrangements by Guy Dubuc and Marc Lessard
Acrobatic choreography by Andrea Ziegler, Rob Bollinger, Yaman Okur, Ben Potvin, Sidi Larbi Cherkaoui, Susan Gaudreau, Germain Guillemot, Boris Verkhovsky, Danny Zen

May 26th (premier) – July 10th, 2016
Suffolk Downs
525 McClellan Highway
East Boston, MA 02128
Kurious on Facebook

Review by Gillian Daniels

(Suffolk Downs, Boston, MA) Kurios, unlike the other two Cirque du Soleil shows I’ve reviewed for The New England Theatre Geek, is tied to a world of technology and innovation. In 2012, Totem offered meditations on natural history, complete with frogs. Amaluna came to Boston in 2014 and involved a shipwreck on an island wild with magic, a loose adaptation of The Tempest. Kurios, though, is centered on 19th century trains, gramophones, laboratories, and aerial machines. Continue reading →

Jun 07

More Fun Than Interviewing Pigeons: “The Birds and the Bees”

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Presented by Sleeping Weazel
Written by Kate Snodgrass (Bark), Adara Meyers (Birds), Charlotte Meehan (Beesus)
Directed by Melia Bensussen (Bark & Beesus), Shana Gozansky (Birds)

June 2 – 11, 2016
Plaza Black Box Theater
539 Tremont St
Boston, MA
Sleeping Weazel on Facebook

Review by Kitty Drexel

(Boston, MA) The Birds and the Bees: A Festival of New Plays is good albeit strange theatre. Play #1, The Last Bark is the most concrete of the three plays that make up this production. Birds is post post-modern theatre. Beesus & Ballustrada is even more abstract than Birds. The performances are compelling. The scripts are perplexing. Continue reading →

Jun 07

Tracing Lines of Humanity in “Brilliant Traces”

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Photo credit: Kyler Taustin

Photo credit: Kyler Taustin

Presented by Brown Box Theatre Project
By Cindy Lou Johnson
Directed by Kyler Taustin

June 4-12, 2016
All performances are free to the public
Atlantic Wharf, 290 Congress Street
Boston, MA
Brown Box Theatre Project on Facebook

Review by Travis Manni

(Boston, MA) A remote cabin in Alaska during a treacherous snowstorm is the perfect setup to isolate the characters in Cindy Lou Johnson’s Brilliant Traces. And while having one of these two people burst in wearing a wedding gown was quite shocking, what was even more captivating about this play was the emotional depths to which it was willing to plunge. Continue reading →

Jun 04

Keep Going: “Killer Maples: The Musical”

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The Cast of "Killer Maples," photo via http://www.yellingmantheatre.com/

The Cast of “Killer Maples,” photo via http://www.yellingmantheatre.com/

Presented by Yelling Man Theater
Book and lyrics by Trip Venturella
Music by Andres Ramos
Directed by John Scala

June 3-5, 2016
POP Allston
Allston, MA
Yelling Man on Facebook

Review by Kitty Drexel

(Allston, MA) Killer Maples is a cute chamber musical with exceedingly raw potential. It will eventually be a diamond in the rough. It’s still pressurized coal right now. The creators have a lot of work ahead of them if that’s something they are interested in. The performances set for this weekend are a preview of what the show can become with edits and rewrite for emotional and plot clarity. Continue reading →

Jun 01

Caravan Palace is Here for All Your Science Fictional Swing Dance Needs

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Presented by WORLD MUSIC/CRASHarts
CARAVAN PALACE
Sunday, May 22, 8:00 pm
House of Blues Boston
15 Lansdowne St., Boston
World Music/CRASHarts on Facebook
Caravan Palace on Facebook

Review by Gillian Daniels

(Boston, MA) Caravan Palace came out strong the other night when it started its engagement at House of Blues with, “Comics.” The song, simultaneously upbeat and chilling, is a rhythmic single off of their latest album, <|°_°|> [Robot Face]. The energy brought the room up to a high that stayed there through the entirety of the show and two encores. Continue reading →

May 25

“Mud Blue Sky”: A Comedy About Turbulent Lives

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Photo by Marc J. Franklin

Photo by Marc J. Franklin

Presented by Bridge Repertory Theater of Boston
By Marisa Wegrzyn
Directed by Bridget Kathleen O’Leary

May 15-June 5, 2016
Deane Hall, Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
Bridge Repertory Theater on Facebook

Review by Travis Manni

(Boston, MA) I tend to get bored easily when watching comedic plays. They need to be clever but relatable, funny but with strokes of brutal honesty. Most times, shows fail to live up to my expectations, but I continue to see them because when one does I have an amazingly good time. Thankfully, Marisa Wegrzyn’s Mud Blue Sky was a perfect example of the latter. Continue reading →

May 24

Cirque du Soleil’s “Kurios”: Raising the Tent

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Photo by Gillian Daniels

Photo by Gillian Daniels

Exposé by Gillian Daniels

(East Boston, MA) The day I watch the tent raised in Boston, the sky is blue and cloudless. The tent itself is partially up but looks like a deflated balloon. Men and women in hard hats stand around the interior circumference, speaking French Canadian-accented and Boston-tinged English. Continue reading →