Jun 21

Cirque du Soleil: Serenity Under the Big Top

photo credit: Evan Witek

Totem, Cirque du Soleil, Marine Industrial Park, 6/10/12-7/15/12, http://www.cirquedusoleil.com/en/shows/totem/default.aspx.

(Boston, MA) It’s not logical or, frankly, believable that a circus featuring so many acrobats in body stockings could be capable of such grace.  In performance, style, and message, though, Cirque du Soleil’s Totem is enthralling.  I found the show unique and lovely among Boston’s other attractions this month. Continue reading

Jun 19

A Chorus Line: Meant for One, Singular Audience (That May Not Be You)

Allison Russell as Maggie, Aimee Doherty as Sheila and Hannah Shihdanian as Bebe in A CHORUS LINE at Reagle Music Theatre June 15-24, photo credit Herb Philpott.

A Chorus Line, music by Marvin Hamlisch, lyrics by Edward Kleban, book by James Kirkwood and Nicholas Dante, Reagle Music Theatre, 6/15/12-6/24/12, http://www.reagleplayers.com/current.html.

Reviewed by Gillian Daniels

(Waltham, MA) The Reagle Music Theatre is a supportive, intimate venue I remember with pleasure from when I visited it to review Christmas Time.  Reagle puts on the same high quality production in A Chorus Line, too, despite some difficulty with the microphones halfway through the play I sat through.

A Chorus Line fits for the Reagle even if the original material hasn’t aged well. Continue reading

Jun 11

Happy Medium Theatre’s The American Plan

The American Plan by Richard Greenberg, Happy Medium Theatre Company, Factory Theatre, 6/8/12-6/16/12, http://www.happymediumtheatre.com/.

Feature by Gillian Daniels

Happy Medium Theatre’s The American Plan starts off light.

Set during an early-1960’s summer, a young couple meet cute and begin a hesitant courtship near a resort in the Catskill Mountains.  The first act sets up initially simple obstacles, mysterious pasts and disapproving parents.  By the second act, the play finally bears its teeth, revealing far more bile for the age than its nostalgic exterior would suggest. Continue reading

May 27

Connecting with the Cheerfully Cheesy “Xanadu”

McCaela Donovan and Ryan Overberg, Photo: Craig Bailey/Perspective Photo

Xanadu, book by Douglas Carter Beane, music and lyrics by Jeff Lynne and John Farrar, Speakeasy Stage Company, Roberts Studio Theatre at the Boston Center for the Arts, 5/11/12-6/9/12, http://www.speakeasystage.com/doc.php?section=showpage&page=xanadu.

Reviewed by Gillian Daniels

Xanadu, the 1980 film featuring Olivia Newton John and music by the Electric Light Orchestra, is well known for being a critical flop.  The chief crime of this cinematic musical, however, is in creating entertainment that doesn’t connect with its audience.  After all, it’s a movie about disco released a year after the genre died a largely un-mourned death.  I’m hard pressed to find a better image of disconnection than that.

In being brought to the stage, Xanadu has finally found its correct medium.  The show not only finds its audience but winks at it furiously throughout the course of the story. Continue reading

May 07

Juventas New Music Ensemble-A Company to Watch

Juventas New Music Ensemble‘s upcoming events:

Illuminations Release Party, Saturday, May 12 at 8:00pm, Futura Productions – Roslindale, MA
Juventas performs music by Polina Nazaykinskaya, Florie Namir, Moshe Shulman and others. at Rachmaninoff Festival May 26-27
New Music on the Lake, June 9 at 3pm
AND WHY YOU SHOULD GO SEE THEIR PERFORMANCES:
Folklore Shapes and Splinters The Fiddler and the Old Woman of Rumelia
retrospective by Gillian Daniels

Deep in the Balkans, a wandering gypsy woman, Roma (Hilary Anne Walker), meets and agrees to share a week of travel with Hajduk (Kevin Kees), an outlaw. They are not characters, really, but character archetypes who have drifted from their respective stories. Now they seek an audience. Continue reading

May 01

Familiar Territory Retread in A PICASSO

Photo credit: Salem Theatre Company

A Picasso by Jeffrey Hatcher, Salem Theatre Company, 4/26/12-5/19/12, http://www.salemtheatre.com/on_stage.htm.

Reviewed by Gillian Daniels

(Salem, MA) With nowhere to go, two characters bounce off each other, alternating between affection and violence. Their relationship follows a familiar trajectory. The World War II bunker where both are trapped is a well-mined setting, too. Still, it’s satisfying to watch Pablo Picasso (Stephen Cooper) and his German interrogator, Ms. Fischer (Linda Goetz), scrape each other raw in The Salem Theatre Company’s production of A Picasso.

Continue reading

Apr 29

Joyful Absurdity in Trog and Clay: An Imagined History of the Electric Chair

Trog (Cameron Beaty Gosselin) and Clay (Louise Hamill) dream of their elusive next meal. Photo by Sunny M. Rissland

Trog and Clay: An Imagined History of the Electric Chair by Michael Vukadinovich, Fresh Ink Theatre, The Factory Theatre, 4/27/12-5/12/12, http://www.freshinktheatre.com/on-stage.html.

Reviewed by Gillian Daniels

(Boston, MA) Fresh Ink Theatre Company’s Trog and Clay crackles with manic energy from its first moments.  Actors throw themselves into their roles with performances that range from amusingly campy to blindly sincere.  Continue reading

Apr 16

Luck of the Irish: Race Warfare in the 20th and 21st Centuries

Nikkole Salter and McCaleb Burnett in Kirsten Greenidge’s THE LUCK OF THE IRISH. March 30 – April 29, 2012 at the Calderwood Pavilion at the BCA. huntingtontheatre.org. Photo: T. Charles Erickson.

The Luck of the Irish by Kirsten Greenidge, Huntington Theatre Company, Boston Center for the Arts Virginia Wimberly Theatre, 3/30/12-5/6/12, http://www.huntingtontheatre.org/season/2011-2012/The-Luck-of-the-Irish/.

Reviewed by Gillian Daniels

(Boston, MA) When the upwardly mobile Lucy and Rex Taylor (Nikkole Salter and Victor Williams, respectively) are unable to buy a house in Boston because they’re black, they turn to Patty Ann and Joe Donovan (Marianna Bassham and McCaleb Burnett) to buy one for them during the 1950’s.  The complex relationship this creates between them bleeds over into the early 2000’s when the Harrisons’ grandchildren discover the elderly Donovans want the house back.  The drama that results is tight and enjoyable. Continue reading

Apr 02

Smudge: Parental Nightmare Thinly Disguised with Sci-Fi

Alison Meirowitz and Mr. Limbs, photo credit Apollinaire Theatre Company

Smudge by Rachel Axler, Apollinaire Theatre Company, Chelsea Theatre Works, 3/23/12-4/21/12, http://www.apollinairetheatre.com/productions/productions.html, in repertory with Cut by Crystal Skillman.

Reviewed by Gillian Daniels

(Chelsea, MA) New parents Colby (Allison Meirowitz) and Nick (Chris LaVoie) find themselves with a newborn of monstrous description.  Multi-colored feeding tubes pour upward out of her bassinet and occasional beeps indicate a life support system, but said child is never seen.  We’re only told she has one eye and a body that narrows to a single limb.  Characters imply the baby may not even be human, but regardless of what she is, the newborn certainly isn’t what was expected. Continue reading

Apr 01

Grey Gardens: Lavish, Detailed Musical for a Small Stage

photo credits go to Brigid Davis

Grey Gardens, book by Doug Wright, music by Scott Frankel, lyrics by Michael Korie, Arlington Friends of Drama, 3/30/12-4/15/12, http://afdtheatre.org/greygardens.html.

Reviewed by Gillian Daniels

(Arlington, MA) With expert costuming and stage design, The Arlington Friends of the Drama succeed wildly in cramming the Broadway production of Grey Gardens onto its stage.

But Grey Gardens isn’t one musical Continue reading