May 15

Captivating Recollections: “My 80-Year-Old Boyfriend”

Photo by Meghan Moore

Presented by Merrimack Repertory Theatre
By Christian Duhamel and Edward Bell
Conceived and performed by Charissa Bertels
Directed by Sean Daniels

April 26 – May 21, 2017
Merrimack Repretory Theatre
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) A one-person play is like a long blind date – you are stuck with a stranger for the evening, so you inwardly pray beforehand that you’ll like them. But when that one person is actress Charissa Bertels performing her passion project, My 80-Year-Old Boyfriend, you might find yourself cursing time for flying so fast through an entertaining evening. Continue reading

May 12

The Federation of Belligerent Writers Presents The Gauntlet of Belligerence

The Federation of Belligerent Writers Presents The Gauntlet of Belligerence
Rockwell Theatre in Somerville
Saturday, May 13th
Doors at 9:30pm, 21+
$13.50 online, $15 at the door.

Facebook Event

Promo by Gillian “Demoness Bixen” Daniels

(Somerville, MAThe Federation of Belligerent Writers is back at the Rockwell on Saturday, May 13th! I hope you’re ready to chant, dance, and throw things at the stage!

Who are we? FBW!
The Federation is a bracketed style, masked writing tournament. We started as a luchador wrestling-inspired contest at Ralph’s Rock Diner in Worcester. Now we’re so much more. Want to come drink and party with us?

Here’s this months matches:
Match 1: Princess Consuela Bananahammock vs. Shithead the Clown!
The Disney-esque and sublime push-up princess goes head to head with a brand-new competitor, who definitely is not an evil hell clown.

Match 2: Demoness Bixen vs. Space Casey!
Yours truly, trying her best to be despicable and almost certainly failing while wearing demon horns, fights the spaciest, burger-shirt wearing man in the galaxy.

Match 3: Fumblebee vs. El Hermano del Semental!
A sweet, little, murderous bumblebee takes on a horse of a different color, specifically a brony.

Match 4: Amazing vs. Kevin, the FBW Intern!
Innocent, put-upon fangirl goes against innocent, put-upon intern. Who will out-awkward the other?

How does this work?
During each round, two competitors take the stage, one in the red corner, the other in the blue. Three words are chosen at random by MCs Cassie Tai Tortorici as Becky, a Starbucks-and-gin-swilling, foul-mouthed stage manager, and Ethan White as “El Locutor Fabulso,” also known as “That Guy.”

Competing writers have five minutes to write virtually anything in any style within the scope of their characters as long as they use said words. During the round, the audience is encouraged to throw balls at the stage and dance.

At the end of five minutes, each writer is asked to share what they’ve committed to paper, laptop, or memory. Then, the audience votes on who will advance and who will not.

Buy a drink, pull up a chair, and come decide their fate this Saturday

Queen’s Note:
We elected a thin-skinned bigot to the office of the President dead set on turning our “democracy” into a fascist, totalitarian oligarchy dominated by the 1%. Trump is a monster. His policies, when he names them, are destructive. His narcissistic behavior is more so.

Congressional “negotiators” released a spending bill that saves the National Endowment for the Arts, the National Endowment for Humanities, and National Public Radio until September at which time, the President and his impotent cronies may still cut arts funding. It is ever important to remain vigilant. And, for the love of all that’s sacred, keep creating. If you need help, ask for it. Our existence is our resistance. May the force be with you. – KD

TCG has a list of things you can do to help.

#blacklivesmatter #translivesmatter #brownlivesmatter #yellowlivesmatter #lgbtqialivesmatter #immigrantlivesmatter #muslimlivesmatter #disabledlivesmatter #theatreartsmatter #NODAPL

May 12

“I, Snowflake” Attempts to Catch the World on Fire

Photo found on Anthem’s Facebook page.

Devised and presented by Anthem Theatre Company
Conceived, written and directed by Bryn Boice

May 11 – 14, 2017
Charlestown Working Theater
Charlestown, Massachusetts
Anthem on Facebook

Review by Gillian Daniels

(Boston, MA) I, Snowflake is an airing of grief. It’s a response to the triumph of a boldly and casually racist America that was always there, like groundwater nourishing the trees. In fragmented pieces—commuters loudly reacting to headlines on a train, a café of women discussing the importance of their diets and dates, a family circle miming eating—we are given a portrait of a moment in our shared history. And that moment is raw and tender as an exposed nerve.  Continue reading

May 12

Love Flusters Money: ANNIE

Presented by Troika Entertainment, LLC
Book by Thomas Meehan
Music by Charles Strause
Lyrics by Martin Charnin
Based on the “Little Orphan Annie,” a comic strip by Harold Gray which was based on the 1885 poem “Little Orphant Annie” by James Whitcomb Riley
Directed by Martin Charnin
Choreographed by Liza Gennaro
Music directed and conducted by Keith Levenson
Animals wrangled by William Berloni

May 9 – 21, 2017
The Wang Theatre operated by Boch Center
Boston, MA
Boch Center on Facebook

Review by Kitty Drexel

(Boston, MAI’m a stoic deeply bruised by current events, but Annie at the Wang is such an uplifting show that I was able to smile and think of happier times. This production is a fast-paced, clean cut piece of theatre. Escapism isn’t always productive, but this particular dose isn’t doing anyone any harm.   Continue reading

May 10

“La Llorona”: Myth, Music, and Motherhood

Photo by Paul Fox

Presented by Fresh Ink Theatre
By Cecelia Raker
Directed by Stephanie LeBolt
Music Composition by Geraldine Barney

May 5-20, 2017
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Fresh Ink Theatre on Facebook and Twitter

Review by Travis Manni

(Boston, MA) Mythologies can become difficult to trace and define as stories change from generation to generation. In a Fresh Ink Theatre premier production, playwright Cecelia Raker attempts to give life to the myth of a mourning mother in the multi-genre, multicultural play La Llorona. Continue reading

May 10

Canary in the Mine: “Yellow Bird Chase”

Photo by Chris McIntosh; the cast.

Presented by Liars and Believers
Conceived and Directed by Jason Slavick
Written by the LAB Ensemble
In Collaboration with Luminati led by Johnny Blazes

May 4th – 21st, 0217
Calderwood Pavilion at the Boston Center for the Arts
527 Tremont Street
LAB on Facebook

Review by Danielle Rosvally

(Boston, MA) Every now and again, a piece comes along that’s so far out of the box it defies most reasonable explanation.  Liars & Believers has a history of creating such pieces, integrating clowning with storytelling and adventure in original works that thrill and excite. Yellow Bird Chase is a creative and vibrant exploration of the imagination.  For that, I found the piece a bit confused (and confusing). Continue reading

May 09

Squirrel for Your Thoughts: OTP’s “Fear Project”


Presented by Open Theatre Project
Created by Lynda Backman, Molly Gilbert, Zahra A. Belyea, Sarah Jacobs, Rosie Mcinnes, Robin Abrahams, Hal Halper, J. Deschene, Lydia Jane Graeff, Athena-Gwendolyn Baptiste
Directed by Lynda Bachman and Molly Gilbert

April 28 – May 13, 2017
St. John’s Church
Jamaica Plain, MA
OTP on Facebook

Review by Kitty Drexel

(Jamaica Plain, MA) OTP’s Fear Project tells human stories of insecurity and fragility. It is comprised in two halves of short vignettes strung to make a unified narrative. They slowly reveal the interconnected fears of an estranged brother and sister struggling to maintain their family ties. They suffer their secrets alone even as they project the same fears. Continue reading

May 05

When History Comes Alive: “The Trial of Anthony Burns”

Image found on Theatre Espresso’s Facebook page

Presented by Theatre Espresso
Wendy Lement, Producer
Shelley Bolman, Artistic Director
Kortney Adams, Managing Director
May 4th, 2017
Faneuil Hall
Theatre Espresso on Facebook

This play was commissioned by “Discovering Justice: The James D. St. Clair Court Education Project.”

Review by Danielle Rosvally

(Boston, MA) Theatre Espresso is an incredible company with a mission that has become more important now than ever: to make history come alive and, through this, to engage young people in active and potent civil discourse.The Trial of Anthony BurnsThe rare opportunity to see one of Theatre Espresso’s shows was an exquisite treat, and I only wish that the public could see more of their pieces. Continue reading

May 04

“Desire”: Revealing the Depths of Our Secrets

Sam Terry, Eric McGowan, Margaret McFadden and Alexander Rankine in “The Resemblance Between a Violin Case and a Coffin” by Beth Henley. Photo by Richard Hall/Silverline Images.

Presented by Zeitgeist Stage Company
Adapted from the short stories of Tennessee Williams
Written by Elizabeth Egloff, Marcus Gardely, Rebecca Gilman, David Grimm, John Guare and Beth Henley.
Directed by David Miller

April 28 – May 20, 2017
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Polly Goss

(Boston, MADesire is a haunting collection of six short stories adapted into one act plays, performed by the talented Zeitgeist Stage Company at the Boston Center for the Arts. This ensemble performance casts a spell over the audience, as we watch a symphony of tortured souls battling with their secret desires. A couple of the plays’ attempt to modernize Williams’ fiction falls short, but overall the cast perform these conflicted characters with real empathy and vigour. Desire provides a fascinating insight into the creative process of a literary master and is well worth a watch. Continue reading

May 03

The MIT Gilbert and Sullivan Players present “Yeoman of the Guard”

Presented by The MIT Gilbert and Sullivan Players 
Stage Direction by Cailin Doran
Music Direction by Lorraine Fitzmaurice
MITGSP on Facebook

All performances take place in La Sala de Puerto Rico Ballroom in the MIT Stratton Student Center

The Yeomen of the Guard
​September 1940. Under the relentless blitzkrieg of German bombers, everyday life around the Tower of London is threatened daily. In a new exploration of the Gilbert and Sullivan classic The Yeomen of The Guard, Londoners prove they can “Make Do And Mend” no matter the cost. Featuring Sullivan’s grandest score and Gilbert’s razor sharp wit, Yeomen jibes and jokes while offering a glimpse into how much we are willing to sacrifice for a cause.

PERFORMANCE SCHEDULE:
Friday, May 5th at 8:00 PM
Saturday, May 6th at 8:00 PM
Sunday, May 7th at 2:00 PM
Thursday, May 11th at 8:00 PM
Friday. May 12th at 8:00 PM
Saturday, May 13th at 2:00 PM

TICKETS:
Reservations can be made using the following link:
http://gsp.mit.edu/reservations/
$15 – General Public
$10 – Students, Seniors, and MIT/Wellesley Community
FREE – MIT/Wellesley Students (with ID) Continue reading