Jul 14

Thank you and Goodbye: MERRILY WE ROLL ALONG

Photo credit: FUDGE Theatre Co. (courtesy of Facebook)

Photo credit: Matt Phillips (courtesy of Facebook)

Presented by F.U.D.G.E. Theatre Company
Music and lyrics by Stephen Sondheim
Book by George Furth
Music direction by Steven Bergman
Directed by Joey DeMita

July 10 – 18, 2015
Arsenal Center for the Arts
321 Arsenal St
Watertown, MA 02472
FUDGE on Facebook

Review by Kitty Drexel

(Watertown, MAMerrily We Roll Along is Company meets Kiss Me Kate. This musical is what happens when Sondheim runs out of ideas and starts throwing what appear to be events based on an autobiographical story onto the stage. There’s singing, dancing and several broken hearts. This is a belty show with many great solos for singers. Mainly there’s a narcissist with his head so far up his own ass that he can’t tell when enough is finally enough. It’s also an incomplete mess that F.U.D.G.E. Theatre Co. did a pretty great job of making entertaining.      Continue reading

Jul 09

Team-Work at Play: An Open-Rehearsal Review of COLOSSAL

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Photo by Mona Maruyama

Photo by Mona Maruyama

Presented by Company One
An NNPN Rolling World Premier­­
Play by Andrew Hinderaker
Directed by Summer L. Williams

July 17 – August 15, 2015
Roberts Studio Theater at the BCA
527 Tremont St, Boston, MA
Company One on Facebook

Review by Danielle Rosvally

(Boston, MA) Last night, I had the opportunity to watch from the sidelines what promises to shape up into one of the more exciting theatre offerings that Boston has on tap this summer.  Company One hosted an open rehearsal of their summer blockbuster Colossal and the show (from what I saw last night) has great promise! Continue reading

Jul 01

People Can Only Be Who They Are As Written: THE WAKEVILLE STORIES

with Meg Di Maggio and Michael Kelly at Veterans' Memorial Cemetery. Photo credit: Matty Mae Theater Project

with Meg Di Maggio and Michael Kelly at Veterans’ Memorial Cemetery. Photo credit: Matty Mae Theater Project

The Wakeville Stories
Presented by Matty Mae Theater Project
Written by Laurence Carr
Directed by Kristin Carr

June 19-28, 2015
2 Venues:
1. Davis Square Theatre
255 Elm St
Somerville, MA

2.Somerville Veterans’ Memorial Cemetery
1330 Broadway
Somerville, MA
Wakeville Stories on Facebook

Review by Kitty Drexel

(Somerville, MA) The landscaping of the Somerville Veterans’ Memorial Cemetery with its high walls and leafy trees made a charming stage for The Wakefield Stories. The gardens of the cemetery were a vibrant contrast to the occasionally morbid script. The hum of bees accompanied actors’ dialogue on the effects of war on communities. The Matty Mae Theater Project performed this new work by Laurence Carr there and also in the Davis Square Theatre. I was not able to enjoy this production in the black box, but I can imagine that it was an entirely different experience.   Continue reading

Jun 23

Full STE(A)M Ahead: “The Farnsworth Invention”

Photo by Jake Scaltreto

Photo by Jake Scaltreto

Presented by Flat Earth Theatre
Written by Aaron Sorkin
Directed by Sarah Gazdowicz

June 12 – 27, 2015
Arsenal Center for the Arts
Watertown, MA
Flat Earth on Facebook

Review by Kitty Drexel

(Watertown, MA) It would be awesome for the good people at Epic Rap Battles of History to pit Philo Farnsworth against David Sarnoff. According to The Farnsworth Invention, these boys reached Telsa/Edison levels of rivalry. That would make for some great entertainment.

Sorkin’s play is an inaccurate account of the race to invent television. It is told via dual narration between David Sarnoff (Michael Fisher) and Philo Farnsworth (Chris Larson). As each man’s life is explained to the audience, we learn important historical facts about their discovery process as well as personal insights. Sarnoff is a stoic dick with classical tastes and standards. Philo Farnsworth is a happy-go-lucky genius with nervous tendencies. The cast’s ensemble play multiple characters, frequently in the same scene, who directly influence the grand discovery. This production is performed in the round, with minimal props and set pieces, and stark lighting.   Continue reading

Jun 23

“Dying City” Brought to Life in Small Space

Photo credit: Josephine Anes

Photo credit: Josephine Anes

Presented by Happy Medium Theatre Company
Part of the Home Grown Theater Project
Written by Christopher Shinn
Directed by Cameron Cronin

June 25 – July 11, 2015
Dates and seats are limited due to the nature of the production. More information can be found here.
Boston, MA
Happy Medium on Facebook

Review by Travis Manni

(Boston, MA) If less does is fact mean more, the Happy Medium Theatre’s production of Dying City has a lot of potential to surprise audiences.

Performed in the literal living room of actors Kiki Samko and Michael Underhill, a married couple, Dying City opens on Kelly, a widow in her late twenties living in New York City. As she packs up some of her belongings, her estranged brother-in-law, Peter, who also happens to be her deceased husband’s identical twin, arrives without warning, much to Kelly’s discomfort. Continue reading

Jun 16

Sanitized Motown: DREAMGIRLS

Photo©Paul Lyden

Photo©Paul Lyden

Presented by North Shore Music Theatre
Book & lyrics by Tom Eyen
Composed by Henry Krieger
Directed & choreographed by Nick Kenkel
Music direction by Jesse Vargas

June 2-14, 2015
North Shore Music Theatre
62 Dunham Road
Beverly, MA 01915
NSMT on Facebook

Review by Craig Idlebrook

Sometimes, a musical is cursed with potential. The action on stage may be enough to bring the crowd to its feet, but you can still walk away thinking it should have been something more. Continue reading

Jun 12

Don’t Image Search ‘Felching’: “After All The Terrible Things I Do”

© T Charles Erickson Photography

© T Charles Erickson Photography

Presented by Huntington Theatre Co.
Written by A. Rey Pamatmat
Directed by Peter DuBois

May 22 – June 21, 2015
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) Huntington Theatre’s production of  After All The Terrible Things I Do has a start so rough that it was surprising that it ended so well. Our first impression is of the glorious stage by Clint Ramos. The bookstore set where are heros interact evokes the recognizable bittersweet nostalgia of favored reading holes. There are nooks and crannies, patches of light and dark. It’s nearly perfect. All it needs is a fat tabby napping on a pillow of paperbacks. Continue reading

Jun 09

Who Doesn’t Like Penis Stuff? : THREE

Adulthood blows. Enjoy your youth now. Photo Credit: Ron Spalletta

Adulthood blows. Enjoy your youth now. Photo Credit: Ron Spalletta

Presented by Boston Public Works Theatre Company
By Emily Kaye Lazzaro
Directed by A. Nora Long

June 5 – 20, 2015
Boston Center for the Arts
Plaza Black Box
Boston, MA
BPW on Facebook

Review by Kitty Drexel

(Boston, MA) Hollywood characterizes women like they’re mysterious flowers incapable of raunch or, conversely, like unsexy raunch-machines that repel penises. Theatre is kinder to us by generally allowing us our humanity, albeit a fragile one that must be guarded… unless characterizing us as a Strong Female Character who is impervious to nurturing. The unjust stereotypes abound. Why can’t we be complicated people who attempted to appropriately abide the status quo while farting into a void? This is who we are. You know, just like dudes.    Continue reading

Jun 01

No Parrots Were Harmed in the Making of This Production: LIGHT UP THE SKY

The cast of Light Up the Sky. Photo: Mark S. Howard.

The cast (in their finery) of Light Up the Sky. Photo: Mark S. Howard.

Presented by Lyric Stage Co. of Boston
By Moss Hart
Directed by Scott Edmiston
Music direction by Will McGarrahan

May 15 – June 13, 2015
Boston, MA
Lyric on Facebook

Review by Kitty Drexel

(Boston, MA) If one scratches the surface of theatre history, information on Moss Hart and his great effect comes spilling forth like a Texan hitting oil in his backyard. He was beloved by most, if not all, for his contributions. He worked with greats such as George S. Kaufman, Kurt Weill, and Ira Gershwin. He co-wrote countless musical reviews (I’d Rather Be Right), directed some hits (Camelot), and wrote several award winning screenplays (A Star Is Born). He was a gentleman, a scholar and pretty great guy. Continue reading

May 30

Don’t Trust the Process: THE SUBMISSION

Photo via Zeitgeist Facebook page

Presented by Zeitgeist Stage Co.
by Jeff Talbott
Directed by David J. Miller

May 5 – 30, 2015
Plaza Black Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MA) Let me preface this review with the following: It is near impossible to have a frank discussion about institutional oppression and personal culpability/responsibility without becoming defensive or offended. If you are a white person who hasn’t closely examined your personal involvement as either an actual or potential racist, it is highly likely that you engage in racist behavior and don’t even know it. If you think it’s OK to affect a lisp and ridicule gay people because you “have gay friends,” you’re likely a homophobe. If you treat either gay people and/or people of color as not “normal,” you’re probably one, the other, or both. Casual racism/homophobia isn’t a POC/LGBTQ+ issue. It’s a failing of the white/hetero, cis members of society convinced that the fight against oppression ends when it becomes inconvenient to fight. It is possible to consider yourself a good person and still be rotten with racism or homophobia. Continue reading