Presented by the Boston University Fringe Festival
Adapted from Georges Bizet’s opera by Marius Constant, Jean-Claude Carrière, and Peter Brook
Stage Directed by Jim Petosa
Conductor: William Lumpkin
Review by Danielle Rosvally
(Boston, MA) Opera might be opera, but you’ve never seen opera like this before. The Fringe festival’s production of La Tragédie de Carmen is a fresh, energetic take on Brook’s gritty adaptation of Bizet’s piece with exciting voices full of promise.
One of the exhilarating things about seeing students perform opera is that they are singing machines. Conservatory, as a general rule, makes from semi-trained talent lean, mean, professional instruments with clarity and utterly perfect precision. As such, performances by these students are chock full of those qualities, as well as an exuberance and boundless energy that is simply thrilling to watch. These students are hungry to perform, and this brings the stakes of their performances through the roof. Continue reading