Oct 27

Bravo: “La Tragédie de Carmen”

Presented by the Boston University Fringe Festival
Adapted from Georges Bizet’s opera by Marius Constant, Jean-Claude Carrière, and Peter Brook
Stage Directed by Jim Petosa
Conductor: William Lumpkin

October 8 – 26, 2014
BU Theatre, Lane-Comley Studio 210
264 Huntington Avenue
BU Fringe Festival on Facebook
CFA School of Theatre on Facebook

Review by Danielle Rosvally

(Boston, MA) Opera might be opera, but you’ve never seen opera like this before. The Fringe festival’s production of La Tragédie de Carmen is a fresh, energetic take on Brook’s gritty adaptation of Bizet’s piece with exciting voices full of promise.

One of the exhilarating things about seeing students perform opera is that they are singing machines. Conservatory, as a general rule, makes from semi-trained talent lean, mean, professional instruments with clarity and utterly perfect precision. As such, performances by these students are chock full of those qualities, as well as an exuberance and boundless energy that is simply thrilling to watch. These students are hungry to perform, and this brings the stakes of their performances through the roof. Continue reading

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Aug 20

Acoustica Electronica: Dance Theater for Club Kids and Social Butterflies

AcousticaElectronica: presented by toUch Performance Art

Club Oberon, August 3, 2012 to August 24, 2012, Fridays 10:30pm

toUch Performance Art                          toUch Performance Art Facebook Page

Review by Kitty Drexel

Photo Credit: toUch Performance Art

(Cambridge, MA) Acoustica Electronica (AE) is Dance Theater that blends music spanning 300 years, wrapped in operatic cellophane and wrapped in a pink party-kid ribbon. AE is realized as a club scene exuding the kind of immature sexual desperation usually found in strip joints. It has many elements that make up an excellent performance but together, these elements fall short of the experience AE hopes to create. Continue reading

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