Credit: Benjamin Rose Photography
Presented by Speakeasy Stage Company
By Max Wolf Friedrich
Directed by Marianna Bassham
Jan 16 – Feb 7, 2026
Stanford Calderwood Pavilion at the Boston Center for the Arts
539 Tremont St
Boston, MA 02116
Critique by Helen Ganley
Approximate run time: 1 hour 20 minutes with no intermission.
This production contains strong language, gun use, and discussions of trauma, violence, and abuse. Distressing sounds are used and were ethically sourced. Strobing effects and red and green flashing lights are also used.
BOSTON — “Everyone needs therapy.” As a 24-year-old woman living in Boston, it’s a phrase you hear tossed around constantly. It might be invoked while unpacking a friend’s toxic ex, a coworker’s strained family dynamics, or a roommate’s own internal battles. The phrase carries an easy confidence that there is a place for these stories to go, a person trained to receive them, and a clean separation between the one who speaks and the one who listens.
Job unsettles that assumption. Its patient is a content moderator, professionally tasked with absorbing the internet’s most disturbing images so others don’t have to encounter them. If therapy depends on the idea that pain can be transferred without consequence, Job asks what happens when both people in the room are already doing that work for a living. What begins as a therapeutic exchange becomes a hall of mirrors, where emotional labor reflects endlessly back on itself. Continue reading
