Jan 20

Lithgow Survives a Train-wreck: THE MAGISTRATE

John Lithgow (Aeneas Posket) and Dandies. Photo by Johan Persson

John Lithgow (Aeneas Posket) and Dandies. Photo by Johan Persson

Simulcast at the Coolidge Corner Theatre
Presented by the National Theatre in London

by Arthur Wing Pinero
directed by Timothy Sheader
lyrics by Richard Stilgoe
music by Richard Sisson
choreography by Liam Steel

Brookline, MA
January 17th and February 3rd, 2013

Review by Craig Idlebrook

(Brookline) I defy you to dislike John Lithgow on stage or film. The veteran actor has had one of the most vibrant careers in film, staring in everything from the campy 80’s classic the Adventures of Buckaroo Banzai Across the 8th Dimension to the bloody television show Dexter. While Lithgow has amazing acting chops, much of his allure is that he appears to thoroughly enjoy himself in every role, showing the same joy as a child might upon getting his first role in a school production. His joy for acting can sometimes get in the way of his more miserable roles, but it’s impossible not to enjoy watching; his character may be dying of Alzheimer’s in Rise of the Planet of the Apes, but Lithgow still seems to be having the time of his life doing so.

It is Lithgow’s ability to have fun while acting that is the only fun thing worth watching in the Simulcast production of The Magistrate, beamed from the National Theatre in London. This unfunny comedy is a testament that a play can be terrible even though it’s English and based on an antique script. John Lithgow is Posket, the judge in question, an honest man who marries into a family that harbors one little secret that will upend their sense of decency. His wife, Agatha (Nancy Carroll), lied about her age when they first met, and her lie shaved five years off the age of her son from a previous marriage, as well. Everyone thinks the youth, Cis (Joshua McGuire), is a precocious 14-year old, including himself, but he actually is a normal and randy young adult. Hilarity is supposed to ensue as this secret is in danger of being revealed, but hilarity doesn’t. Continue reading

Oct 13

Murder Has Never Been so Adorable: “Senseless! A Brick Foley Adventure”

Photo Credit: Aurora Broadcasting Network

written and directed by Elizabeth Hara
October 12-13, 2012 @8pm
Puppet Showpace Theatre
32 Station St
Brookline, MA

Puppet Showplace Theatre Facebook Page

Review by Kitty Drexel

(Brookline) Someone has been murdering the blind/deaf students of the Helen Keller School of Music and Brick Foley, blind detective, is on the job to find out who. Was it the gentle and sweet teacher, Jane Allgood? Was it Chancellor Daniels or his nemesis Dr. Children? Could it even have been sexy vixen Bea Baxter? With his sidekick, Office Murphy, Detective Foley navigates the in’s and out’s of this puppet show/radio play and finds out who done it! (Brought to you by Price’s Powdered Ham.)

This short noir radio play cum puppetry show SHOULD NOT be missed! The Aurora Broadcasting Network has created an adult comedy that will melt the hearts of even the most cynical of theater goers. The troupe exudes a light jovial atmosphere that is founded on a sincere love of their craft. The 5 member team moves as one like a seemingly effortless machine. Although they do not use traditional puppets (a la Mr. Roger’s Neighborhood perhaps) their creative use of props and physical comedy leaves nothing to be desired. In fact, it’s a damn shame that the show isn’t longer than the allocated hour.

This show has it all: it’s a little naughty and is not appropriate for young children, the troupe employs character voices and perfected noir archetypes, minty fresh musical stylings begin and end the show, there’s a speedy and engaging plot and, best of all, the audience is encouraged to participate!

Please be advised that there is a 2 row splash zone. If flying meat products alarm you, it may be best to stand in the back.

There is an after-show with the ravishing Ruby Rose Fox, drinks and dancing.

—–

Elizabeth Hara has worked as a puppet builder for the Jim Henson Company, Sesame Street, and Avenue Q. She has also built costumes for The Lion King, Shrek the Musical, and most recently, Spider-man: Turn Off the Dark. She is a Vassar graduate, and has performed at the Edinburgh Fringe Festival and the Puppeteers of America National Festival.

‘Senseless’ features the performing talents of Brendan Yi-Fu Tay (The Puppet Kitchen,) Sarah Lafferty (Castleton Opera Festival,) Katrina Denney (Fundamental Theatre Group), Emmy Award-winner Michael Schupbach (Sesame Street, Johnny and the Sprites) Eric Wright (The Puppet Kitchen, The Metropolitan Opera, The Public Theatre) and David Brown (poorbutsexydc.combit.ly/ufofactory)