Oct 13

Pretty is Currency: “Miss Penitentiary”

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Photo credit: Tanner Tinso

Presented by Maiden Phoenix Theatre Company
Written by Laura Neubauer
Directed by Alyce Householter
Choreography by Kaitee Tredway

Oct. 2 – 17, 2015
Boston Playwrights Theater
Boston, MA
Maiden Phoenix on Facebook

Review by Kitty Drexel

Trigger Warning: Feminism

Disclaimer: Ms. Drexel auditioned for Miss Penitentiary and was not cast. She firmly believes that only an ass would allow something like this is taint a review.

(Boston, MA) The prisoners of the International Penitentiary of the Individually Incarcerated are us. If Miss Penitentiary is a creepy show, it’s because western society’s standards of beauty for women are creepy. If the characters remind you of inmates in a mental health facility, it’s because women are held to such impossible beauty goals that they make themselves crazy attempting to obtain them. Like the guests of the “Hotel California,” women can check out any time we like but we may never leave. Continue reading

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Jun 06

Unrelable Narrator presents “Human Contact: Short Sci-Fi Plays”

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Unrelable Narrator presents Human Contact: Short Sci-Fi Plays
Written by Carl Danielson

(BOSTON) Performances are July 11-19 at Boston Playwrights’ Theatre.  Tickets are $15/$12 for students and seniors at http://www.unreliable-narrator.com or call (866) 811-4111. Check out humancontactshorts.tumblr.com for more information, and follow us on Twitter @unarrator or like “Unreliable Narrator” on Facebook!

Danielson’s Human Contact: Short Sci-Fi Plays is an evening of five thought-provoking one-acts that ask whether technology robs the soul or augments it.  These original tales explore the evolution of the nature of humankind as we confront aliens, time travel, self-directed evolution, and more.  With well-crafted stories performed by a large cast of Boston’s finest actors, Human Contact is a unique vision of the 21st Century’s future.

Founded in 2008, Unreliable Narrator produces strange homemade theater in and around Boston. They are best known for creating 2010: Our Hideous Future: The Musical!, which began at Boston Playwrights’ Theatre and played at various theatres, bars, and sci-fi conventions in the Northeast from 2010-2012. Other Unreliable Narrator productions include 2008’s Schmolitics, 2009’s Paranormal, and 2011’s The Way of the Warrior-Bunny.

The plays of Human Contact: Continue reading

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Mar 31

Uneven Edits: CUT

Alyce Householter, Liz Rimar, Stewart Evan Smith Jr — photo credit: Apollinaire Theatre

Cut by Crystal Skillman, Apollinaire Theatre Company, Chelsea Theatre Works, 3/30/12-4/21/12, http://www.apollinairetheatre.com/ productions/productions.html, in repertory with Smudge by Rachel Axler.

Review by Craig Idlebrook

(Chelsea, MA) Reality programming might be so attractive to TV. watchers because its slick production values and clean edits hold out the hope that we can make some sense out of life. As the central protagonists of our own dramas, we want the chance for playbacks and edits to gain some introspection, or at least to come off looking good. But as the characters of Chelsea Theatre Works’ Cut learn, God is a lousy editor, and life doesn’t wrap up neatly when the cameras stop rolling.

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