May 04

High Velocity Surrealism or, Buckle Up, It’s Going To Be A Bumpy Night: “The Grand Parade (of the 20th Century)”

This video has been slowed down considerably to protect the innocent.

Presented by ArtsEmerson
Produced by Double Edge Theatre
Conceived, designed, and directed by Stacy Klein
Composed by Alexander Bakshi
Music and vocal direction by Lyudmila Bakshi

April 30 – May 3, 2015
Emerson/Paramount Center Mainstage
Boston, MA
ArtsEmerson on Facebook

Review by Kitty Drexel

Trigger warning: Strobe effect, Gunshots

One hour with no intermission.

(Boston, MAStacy Klein writes in her director’s note that Grand Parade (of the 20th Century) pairs the dream-like works of Marc Chagall with the “extreme conflicts” of the twentieth century. Images from his paintings are reflected in the troupes’ depiction of significant events in American history. Her intention as designer, director and co-creator was to “(reflect) history through (the creators’) own eyes” as “the only way to speak to (their) desires for the future.” If what Klein and Double Edge presented is their vision of the future, we are doomed; Grand Parade is a hot mess. Continue reading

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Jan 26

No More Love on the Run*: Purcell’s THE INDIAN QUEEN

Purcell Queen

presented by the Handel and Haydn Society
Harry Christophers, Artist Director
Aisslinn Nosky, Concert Master
John Finney, Chorusmaster

January 25 & 27, 2013
Jordan Hall & Sanders Theatre
Boston, MA
Handel and Haydn Facebook Page

There are some culture-lovers reluctant to attend an evening of opera. Some fear pomp and stuffiness; others fear boredom. These fears encumber the uninitiated with false bias against the excellence that only classical music can convey. H&H’s performance of The Indian Queen was entirely lacking in snobbery and the program notes were jam packed with enough historical trivia to entertain a fidgety toddler. The music of Purcell was warm and gentle. It wrapped around the audience like an electric Snuggie; a balm for the bitter winter chill.   Continue reading

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