Tag Archives: MA

Apr 02

Smudge: Parental Nightmare Thinly Disguised with Sci-Fi

Posted on by

Alison Meirowitz and Mr. Limbs, photo credit Apollinaire Theatre Company

Smudge by Rachel Axler, Apollinaire Theatre Company, Chelsea Theatre Works, 3/23/12-4/21/12, http://www.apollinairetheatre.com/productions/productions.html, in repertory with Cut by Crystal Skillman.

Reviewed by Gillian Daniels

(Chelsea, MA) New parents Colby (Allison Meirowitz) and Nick (Chris LaVoie) find themselves with a newborn of monstrous description.  Multi-colored feeding tubes pour upward out of her bassinet and occasional beeps indicate a life support system, but said child is never seen.  We’re only told she has one eye and a body that narrows to a single limb.  Characters imply the baby may not even be human, but regardless of what she is, the newborn certainly isn’t what was expected. Continue reading →

Apr 01

A Pleasant Surprise: EXPECTING

Posted on by

Danni, Mom, and Gabrielle at the mall — with Jo d'Angelo and Jenny Reagan., photo credit: Boston Actors' Theatre

Expecting by Noah Tobin, Boston Actors’ Theatre, Boston Playwrights’ Theatre, 3/30/12-4/7/12,    http://www.bostonactorstheater.com/.

Reviewed by Kate Lonberg-Lew

(Boston, MA) Have you ever found your cell phone lying on the back seat after ripping open the box of the replacement? Or perhaps you found your watch at the bottom of the hamper after strapping on your new Swatch? Somehow, we always manage to find what we’re looking for the moment we stop looking for it. This is what Expecting, currently at the Boston Actors Theater, is all about and the experience is wonderfully complex. Continue reading →

Apr 01

Grey Gardens: Lavish, Detailed Musical for a Small Stage

Posted on by

photo credits go to Brigid Davis

Grey Gardens, book by Doug Wright, music by Scott Frankel, lyrics by Michael Korie, Arlington Friends of Drama, 3/30/12-4/15/12, http://afdtheatre.org/greygardens.html.

Reviewed by Gillian Daniels

(Arlington, MA) With expert costuming and stage design, The Arlington Friends of the Drama succeed wildly in cramming the Broadway production of Grey Gardens onto its stage.

But Grey Gardens isn’t one musical Continue reading →

Apr 01

rogerandtom: Pardon My Fourth Wall

Posted on by

 

Stephen Radochia and Anna Waldron, Photo by Diane Libby.

rogerandtom by Julien Schwab, Simple Machine Theatre, Davis Square Theatre, 3/30/12-4/7/12, http://www.simplemachinetheatre.com/productions.html. (one spoiler–marked)

Reviewed by Becca Kidwell

(Somerville, MA) Julien Schwab takes the idea of a play within a play to a new level.  Exploring drama and its tools, rogerandtom pulls, tears, twists, and turns its melodramatic plot cleverly until its end. Continue reading →

Mar 31

Uneven Edits: CUT

Posted on by

Alyce Householter, Liz Rimar, Stewart Evan Smith Jr — photo credit: Apollinaire Theatre

Cut by Crystal Skillman, Apollinaire Theatre Company, Chelsea Theatre Works, 3/30/12-4/21/12, http://www.apollinairetheatre.com/ productions/productions.html, in repertory with Smudge by Rachel Axler.

Review by Craig Idlebrook

(Chelsea, MA) Reality programming might be so attractive to TV. watchers because its slick production values and clean edits hold out the hope that we can make some sense out of life. As the central protagonists of our own dramas, we want the chance for playbacks and edits to gain some introspection, or at least to come off looking good. But as the characters of Chelsea Theatre Works’ Cut learn, God is a lousy editor, and life doesn’t wrap up neatly when the cameras stop rolling.

Continue reading →

Mar 29

Textured Clowning: TOMÁŠ KUBÍNEK: CERTIFIED LUNATIC & MASTER OF THE IMPOSSIBLE

Posted on by

Photo Credit: d.a. Hill

TOMÁŠ KUBÍNEK: CERTIFIED LUNATIC & MASTER OF THE IMPOSSIBLE, ArtsEmerson, Paramount Theatre, 3/29/12-4/1/12, http://alturl.com/255s3.

Reviewed by Craig Idlebrook

(Boston, MA) Funny is a funny thing.  You can be mean and be funny.  You can shock and be funny.  You can do knock-knock jokes and be funny, at least to a five-year old.  Or you can just be super-talented, a bit caustic and kind of weird and be funny.  Tomáš Kubínek has chosen the last option to deliver a memorable and nicely brief one-man show for ArtsEmerson at the Paramount Theatre. Continue reading →

Mar 24

Lovely Confusion: MRS. WHITNEY

Posted on by

Deirdre Madigan, Photo by Meghan Moore

Mrs. Whitney by John Kolvenbach, Merrimack Repertory Theatre, 3/15/12-4/8/12, http://www.merrimackrep.org/season/show.aspx?sid=107.

Reviewed by Kate Lonberg-Lew

(Lowell, MA) Unless you are lucky enough to have met your soulmate at fifteen and lived happily ever after (and if you have, please take a moment to pinch yourself and make sure you’re real) then you will relate to the feelings of loneliness, love and the existence of your own romantic Achilles heel in this superb production of Mrs. Whitney at the Merrimack Repertory Theater in Lowell. Continue reading →

Mar 24

Pride and Prejudice: Stage Proves a Better Home for the Classic Satire Than Film

Posted on by

Pride and Prejudice, based on the novel by Jane Austen, adapted by Elizabeth Hunter, Theatre@First, Somerville Theatre, 3/22/12-3/31/12,   http://www.theatreatfirst.org/shows/pride_prejudice/pride_prejudice.shtml.

 

Reviewed by Gillian Daniels

(Somerville, MA) Elizabeth Hunter adapts, directs, and brings an enormously funny Pride and Prejudice to the stage.  Longtime Austen-fans should rejoice at their good fortune.  The thorough play is probably closest to my own imagining of the classic 1813 novel.

The book is a smart satire of the husband-hunting rat race that young women engaged in during the Georgian Era when inheritances were more likely to pass to sons.  Continue reading →

Mar 22

‘Ma Rainey’ Sings the Music of the Soul

Posted on by

Yvette Freeman and Corey Allen in August Wilson’s MA RAINEY’S BLACK BOTTOM. March 9 – April 8, 2012 at the BU Theatre. huntingtontheatre.org. Photo: T. Charles Erickson.

Ma Rainey’s Black Bottom by August Wilson, Huntington Theatre Company, 3/9/12-4/8/12, http://www.huntingtontheatre.org/season/production.aspx?id=10262&src=t.

Reviewed by Becca Kidwell

(Boston, MA) Music breathes and pulses as each note is played.  The blues provide a voice for the inexpressible feelings of the human experience.  The blues celebrate the good, the bad, and the ugly parts of life in its entirety; it is neither surprising that the blues came out of the African American spiritual tradition, nor that soul, r&b, and hip-hop were derived from the blues and at the core of the best is the heart and soul of the artist.  What happens when that soul is taken away?  Can the heart survive?

This question permeates the existence of each of the characters in August Wilson’s play Ma Rainey’s Black Bottom.  Continue reading →

Mar 20

The Man From Earth: A Mystery of History

Posted on by

Photo by Reid Gilman

Jerome Bixby’s The Man From Earth by Richard Schenkman, Hovey Players, 3/9/12-3/24/12, http://www.hoveyplayers.com/news/2011-2012-season/jerome-bixby%E2%80%99s-the-man-from-earth/.

Reviewed by Anthony Geehan

(Waltham, MA) The phrase “history is written by the victors” is a saying that shows a built in flaw in the study of our past. The idea that a subject that must be completely impartial and factual is weakened when records that are worked with could be exaggerated at some points and completely falsified at others. This concept of incomplete information is the main theme of Jerome Bixby’s The Man From Earth, the science fiction mystery piece currently being performed by Waltham’s The Hovey Players at The Abbot Memorial Theater. Continue reading →