Aug 18

“Knoxville: Summer of 1915” and the Voyage of Nostalgia

Soprano/Vocals by Sarah Moyer
Piano by Timothy Steele
Artistic Direction by Ryan Turner
Composed by Samuel Barber
Based on prose poem by James Agee

Emmanuel Music
15 Newbury Street
Boston, MA 02116
YouTube

Review by Gillian Daniels

ZOOM — You are here and you are not here. You are waiting in your bedroom for your next Zoom meeting to start, you are in the shower taking fifteen minutes for yourself away from your kids, or you are putting on your mask, ready to head into work where you’re considered essential staff, but not essential enough for customers to remember to wear their masks when you take their order.

Simultaneously, your mind is thinking about your family road trips to Iowa, the raucous laughter of your friends in eighth grade, and traveling, once, to Paris. It’s been months since you’ve seen your family all in one place. You’re in your body, living through a strange time and a terrifying plague, simultaneously overwhelmed and bored while sitting in your room for the ninth hour in a row, feeling the spray from the showerhead, or sitting as far as you can from other masked people on the T, some of whom let their masks sit beneath their nostrils because, apparently, the smell of the train is that important. But you’re also encapsulated in your memories.

You are inside a refuge of the mind, the kind Knoxville: Summer of 1915 invokes with Sarah Moyer’s voice and the parred down instrumentation of Timothy Steele. Knoxville: Summer of 1915 is performed as part of a series called Summer Sessions from Emmanuel Music. Continue reading

Jul 03

Please, Make the Music Stop: THE MUSIC MAN

Photo by Paul Lyden.

Presented by North Shore Music Theatre
Book by Meredith Willson and Franklin Lacey
Music by Meredith Willson
Direction by Bob Richard
Music direction by Milton Granger
Choreography by Diane Laurenson

June 6 – June 18, 2017
North Shore Music Theatre
Beverly, MA
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) Sometimes, a play gets to an awkward age where it needs to be taken out of circulation for a while so it can age properly and can come back as a nostalgic piece. The Music Man, which was performed recently  at the North Shore Music Theatre, is one of those plays. In the age of Trump, this play’s racist and rape-culture overtones hit too close to home to be enjoyable. Continue reading