Nov 23

A Confused Classic: A Christmas Carol

Brian McEleney as Ebenezer Scrooge and the cast of the 35th annual production of Dickens' A Christmas Carol, adapted by Adrian Hall and Richard Cumming, directed by Christopher Windom, presented by Cardi’s Furniture with supporting sponsor Amica Insurance. Performances will be November 18 - December 30 in the Chace Theater. Set design: Michael McGarty; Costume Design: William Lane; Lighting Design: John Eckert. Photo by: Mark Turek.

A Christmas Carol, adapted from Charles Dickens’ novel by Adrian Hall and Richard Cumming, original music by Richard Cumming, Trinity Repertory Company, 11/18/11-12/30/11, http://www.trinityrep.com/on_stage/current_season/ACC.php.

Reviewed by Craig Idlebrook

(Providence, RI) At first glance, it seems easy to perform A Christmas Carol; just round up the usual characters from last year and dust off the crutch.  But staging a play that everyone knows can present a challenge because of audience dogma; everyone has an idea of the way the play should go. A director can be ridden out on a rail if s(he) strays too far from the collective idea of the play.

Confronted with such a double-edged sword, directors have two options.  They may either decide to stage the play faithfully, trying to bring out bits of nuance to keep theater-goers and actors from falling asleep, or stage the play in a new way that helps the audience examine why it has become such a cultural icon.  Continue reading

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Apr 24

Steel Magnolias is a tease

L to R : Rachael Warren (Truvy), Anne Scurria (Ouiser), Madeleine Lambert (Shelby) and Janice Duclos (M'Lynn) in Robert Harling's Steel Magnolias. Directed by Brian Mertes, the show runs through May 15, 2011 in the Chace Theater. Set design by Michael McGarty, lighting design by Dan Scully, costumes by William Lane. (Photo: Mark Turek)

Steel Magnolias by Robert Harling, Trinity Repertory Company, 4/15/11-5/15/11.  http://www.trinityrep.com/on_stage/current_season/OC.php

Reviewed by Becca Kidwell

Most women know if they fix their hair and get it perfect, they shouldn’t mess with it.  Unfortunately, this production has sat too long coiffing itself after it already was looking good.  The beautiful script by Robert Harling and the talented ladies of the Trinity Repertory Company get lost in gimmicks and empty space.  Perhaps, in trying to distance itself from the movie, Mertes tried to make the production “new” and “fresh”, Trinity Rep’s production of Steel Magnolias loses the intimacy that the script requires. Continue reading

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