Dec 04

High-Voltage Holiday Cheer: A Christmas Carol: A Musical Ghost Story

David Coffee (Ebenezer Scrooge) and Gordon Baird (Jacob Marley). Photo by Paul Lyden.

A Christmas Carol:  A Musical Ghost Story. adaptation by Jon Kimbell, North Shore Music Theatre, 12/2/11-12/23/11, http://www.nsmt.org/.

Reviewed by Craig Idlebrook

(Beverly, MA)  

There are two types of Christmas displays you can create with those dangly lights from the hardware store.  You can hang a string or two on a bush or you can cover every inch of your home’s exterior with sequenced glitz that spells out the lyrics of “Jingle Bells” and blinks a tableau of Santa feeding a reindeer.  Either option can be beautiful or ugly, depending on how it’s done.

The same holds true with staging Charles Dickens’ A Christmas CarolContinue reading

Nov 23

A Confused Classic: A Christmas Carol

Brian McEleney as Ebenezer Scrooge and the cast of the 35th annual production of Dickens' A Christmas Carol, adapted by Adrian Hall and Richard Cumming, directed by Christopher Windom, presented by Cardi’s Furniture with supporting sponsor Amica Insurance. Performances will be November 18 - December 30 in the Chace Theater. Set design: Michael McGarty; Costume Design: William Lane; Lighting Design: John Eckert. Photo by: Mark Turek.

A Christmas Carol, adapted from Charles Dickens’ novel by Adrian Hall and Richard Cumming, original music by Richard Cumming, Trinity Repertory Company, 11/18/11-12/30/11, http://www.trinityrep.com/on_stage/current_season/ACC.php.

Reviewed by Craig Idlebrook

(Providence, RI) At first glance, it seems easy to perform A Christmas Carol; just round up the usual characters from last year and dust off the crutch.  But staging a play that everyone knows can present a challenge because of audience dogma; everyone has an idea of the way the play should go. A director can be ridden out on a rail if s(he) strays too far from the collective idea of the play.

Confronted with such a double-edged sword, directors have two options.  They may either decide to stage the play faithfully, trying to bring out bits of nuance to keep theater-goers and actors from falling asleep, or stage the play in a new way that helps the audience examine why it has become such a cultural icon.  Continue reading