Aug 20

Indian Sarod Master, Amjad Ali Khan: Sept. 15, 7:30PM

Photo care of World Music/CRASHarts Press Center

WORLD MUSIC/CRASHarts presents INDIAN SAROD MASTER, AMJAD ALI KHAN
Sunday, September 15, 7:30pm, Berklee Performance Center
Amjad Ali Khan Website
Amjad Ali Khan Facebook
World Music/CRASHarts Facebook

BOSTON, MA — World Music/CRASHarts presents Amjad Ali Khan, from India, on Sunday, September 15, 7:30pm at the Berklee Performance Center, 136 Massachusetts Ave., Boston. Tickets are 48, $42, $37 or $28, reserved seating. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

In a career spanning 50 years, Amjad Ali Khan has single-handedly elevated the sarod to one of the most popular instruments in the Northern Indian tradition. Trained by his father, the legendary Haafiz Ali Khan, Amjad Ali Khan is the sixth in an uninterrupted lineage of music masters. Joining him are his sons, Amaan Ali Khan and Ayaan Ali Khan, who are already beloved as the next generation of masters on this ancient instrument. Two tabla virtuosi will add percussive richness to the ensemble sound.

In the West, the sitar has become better-known than the sarod, but in India both string instruments are held in the highest regard. The sarod is much smaller than the sitar and its sound has a lithe muscularity that is lean and clean, with less of the sitar’s prominent jangling of sympathetic strings. The sarod comes from the Afghan rubab, a folk instrument which still dominates Afghan music today. Amjad Ali Khan’s great great great grandfather, Mohammad Hashmi Khan Bangash brought the rubab to India about 200 years ago, and it was his descendants who gradually transformed the rubab into the sarod as it is known today. The name sarod comes from the Persian ‘sarood’ meaning ‘melody,’ alluding to its more melodic tone.

The sarod has four strings used for playing the melody, plus four drone and rhythm strings and 11 steel sympathetic strings. The strings are plucked with a small plectrum, which can be a hammer or a feather, and the fingerboard is covered with a smooth metal plate which makes it easy to slide from note to note. The range of colors that a player like Amjad Ali Khan can get out of the instrument is truly incredible, justifying the instrument¹s important role in classical Indian instrumental music.

For More Information:

About World Music/CRASHarts
World Music, a non-profit organization established in 1990, is New England¹s premier presenter of global culture, featuring music and dance from the far and near corners of the globe. In 2001, World Music launched CRASHarts as a division of World Music dedicated to presenting a contemporary performing arts series in greater Boston. World Music/CRASHarts strives to offer audiences an opportunity to share in many different cultural and artistic expressions and seeks to foster an atmosphere of discovery and exploration. The organization presents approximately 70 concerts and 15 educational programs per year. For more information, call (617) 876-4275 or visit www.WorldMusic.org.

World Music/CRASHarts is funded in part by the Massachusetts Cultural Council, a state agency which also receives support from the National Endowment for the Arts.

Aug 02

Bread & Puppet Theater descends on the Cambridge Common: September 1, 2013

BnPCircus2013

photo by Mark Dannenhauer

Total This & That Circus

Cambridge Common
Sunday, September 1st, 3 pm

(Cambridge, MA 02138) Bread & Puppet Theater: Total This & That Circus. Held outdoors on Sunday, September 1st at 3 pm. On the Cambridge Common, near the intersection of Mass. Ave. and Waterhouse St., Cambridge. Free performance [pass-the-hat donations welcome], rain or shine. For further details, call the Boston-area Bread & Puppet Theater information line 617-286-6694 or log onto www.breadandpuppet.org.

As part of a world-wide birthday celebration of “50 Years of Sublime Arsekicking Puppetry,” the award-winning Bread & Puppet Theater from Vermont’s Northeast Kingdom presents their Total This & That Circus on the Cambridge Common, a public space they used to frequent prior to the mid-1980’s. For the past few years, the company has once again revived its descent upon the park, resurrecting that age old Harvard Square tradition of outdoor theatrical political rabble rousing. Continue reading

May 20

How May I Connect You?

Since their debut with What Are You Doing Here? Project:Project has been asking questions. What is our relationship to technology? How do we use it? Why do we cling to things that are obsolete? How May I Connect You (Or, Scenes in the Key of D:\) takes our play making to another level.

HMICY? explores our current hyper-connectivity, as well as how our relationships and communication styes have changed over the past years due to technology. We’ve been interviewing people from ages 17-70, and HMICY? is a direct result with songs, dances, and stories devised directly from those inspirational conversations.

Your contribution will fund the following components of our show:
1) Space Rental at the Calderwood Pavilion at the Boston Center for the Arts (because it’s the most conducive space to the story we’re telling).

2) Provide Stipends for our design team (because paying people for their work is the right thing to do).

Your contribution ensures that we can tell this story in the best possible way with the best possible people. Doing what’s right is important to us, and we hope you feel the same way.

Leading up to our performance in September we’re continuing to create an ensemble based, collaborative piece of theatre that will evolve until opening night.

MISSION STATEMENT
Project: Project is a troupe producing ensemble-created, original stories that combine scripted material with improvisation. Preferring creating to interpreting, we explore and experiment with form, storytelling, and the role of the audience.

CORE MEMBERS:
Louise Hamill
Harry McEnerny
Max Mondi
Jeffrey Mosser
Vicki Schairer
Sophia Shrand

If you can’t give at this point, we hope you’ll join us in spreading the word.

Facebook: www.facebook.com/ProjectProjectBoston
Twitter: @PP_Boston

We can’t thank you enough!

Oct 10

Amazing Acrobatics: “Sequence 8”

Photo credit: Les 7 doigts de la main

 Les 7 doigts de la main Production
Cutler Majestic Theatre
219 Tremont St., Boston, MA 02116
September 27 – October 7, 2012

Les 7 doights de la main Facebook Page

Review by Kate Lonberg-Lew

(Boston) Sequence 8, playing at the Arts Emerson’s Cutler Majestic Theatre, is not a play. What it is is a fabulous, entertaining and interactive demonstration of exactly what the human body is capable of doing. The young men and woman of the Les 7 doigts de la main troupe contort their bodies in the most amazing and graceful ways. This group is so talented and strong, you can’t help but walk away feeling you’ve
neglected to make use of all but the smallest fraction of your body’s capabilities. So, consider yourself warned. That said, if you miss an opportunity to see this production, you had better have one heck of an excuse. Continue reading

Oct 04

Looking for Heaven in All Places: “A Bright New Boise”

Photo by Richard Hall/Silverline Images

Photo by Richard Hall/Silverline Images; The Cast acting the crap out of “A Bright New Boise.”

 

by Samuel D. Hunter
presented by Zeitgeist Stage Company
directed by David J. Miller

Boston Center for the Arts
Plaza Black Box Theatre
September 28 – October 20

Zeitgeist Stage Company Facebook Page

Review by Kitty Drexel

(Boston) A Bright New Boise, is the tale of one man seeking redemption in the break-room of a craft store by reconnecting with his son. It is equal parts hilarious and heartbreaking.  The hero, soft-spoken and prodigal father, Will (Victor Shopov), reconnects with his son Alex (Zach Winston) after a successful interview at Hobby Lobby. Pauline (Janelle Mills), the manager, introduces the two and things start to go downhill, slightly uphill and then furiously downhill. They are joined by characters Anna (Dakota Shepard) and Leroy (David Lutheran), Alex’s brother. Continue reading

Oct 01

“Ragtime”: Bravo to the Cast and Crew!

The Company in “Till We Reach That Day”
Photos by Matt McKee

Presented by Fiddlehead Theatre Company in conjunction with The American Civil Liberties Union

Book by Terrence McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
based on the novel Ragtime by E.L. Doctorow

Directed by Meg Fofonoff
Musical Direction by Matthew Stern
Choreography by Anne McAlexander

September 28 – October 7, 2012
The Strand Theatre
543 Columbia Rd, Dorchester, MA

Fiddlehead Theatre Company Facebook Page
The American Civil Liberties Union Facebook Page

Review by Kitty Drexel

(Dorchester) Ragtime is an enormous success for The Strand Theatre and Fiddlehead Theatre Company! Bravo to the entire cast and the artistic staff! Your interpretation of the Flaherty/Ahrens/McNally script and music is spot on. You should be very proud of your performances. Continue reading

Sep 26

“Immaterial Girl” as an Old-Fashioned Haunted House (Episode 1 of Blood Rose Rising)

Photo Credit: Honest Ghost Productions LLC

Episode 1 of Blood Rose Rising
presented by Honest Ghost Productions
Fridays, Saturdays, and Sundays, starting September 14 – November 18
NAGA Nightclub, Central Square
450 Massachusetts Avenue
Cambridge, MA 02139

Blood Rose Rising Facebook Page

Review by Gillian Daniels

(Cambridge) A real gothic story isn’t about tragic romance, torture, or death, but houses. Houses with long histories and dark secrets. In the contemporary setting of Cambridge, Immaterial Girl offers the beginning to an old-fashioned gothic serial centered on the haunted Blackwood Manor. Continue reading

Sep 25

9/30 Huntington​’s Humanities Forum Features Globe Reporter Billy Baker

Image Credit: Huntington Theatre Co.

Huntington Theatre co.’s GOOD PEOPLE Humanities Forum

September 30 FEATURES Boston Globe REPORTER AND

SOUTH BOSTON NATIVE BILLY BAKER

WHAT: Huntington Theatre Company’s Good People Humanities Forum to feature Billy Baker of The Boston Globe.
WHEN: Sunday, September 30, 2012 at approximately 4pm. Immediately following the 2pm performance of Good People
WHERE:    The Huntington’s main stage on the Avenue of the Arts / Boston University Theatre, 264 Huntington Avenue, Boston
TICKETS: FREE and open to the public. Tickets to Good People are sold separately at huntingtontheatre.org/goodpeople. Continue reading

Sep 24

Redemption in the Motherf**cker with the Hat

Photo Credit: SpeakEasy Stage Company

by Stephen Adly Guirgis
Directed by David R. Gammons

presented by Speakeasy Stage Company
539 Tremont Street, Boston, Massachusetts 02116
SpeakEasy Stage Company Facebook Page
September 14 – October 13, 2012

Review by Gillian Daniels

(Boston) Speakeasy Stage’s The Motherf**ker with the Hat is a dark comedy that never quite tips over into bleak. Its main characters are addicts, recovering and otherwise, but they either have a sense of humor about it or have learned to accept their shortcomings. Fresh out of jail, Jackie (Jaime Carrillo) tries to break the tight circuit of repeating behaviors that has him locked into a pattern of loving, drinking, and messing up. Continue reading

Sep 24

Half-Baked Silliness: LUMBERJACKS IN LOVE

Photo Credit: Carla Donaghey.

BOOK AND LYRICS BY: Fred Alley
MUSIC BY: James Kaplan
STORY BY: Fred Alley & James Kaplan

presented by Stoneham Theatre
Stoneham, MA
September 13th – 30th, 2012
Stoneham Theatre Facebook Page

Review by Craig Idlebrook

(Stoneham) There is nowhere to hide with a new musical. Unlike a fresh drama, where an audience can be tricked into going along if there’s enough shouting, as soon as an actor opens her mouth to start singing, the audience can tell whether the song enhances or detracts from the plot, usually with disastrous results. Continue reading