Nov 08

The Writing Is On The Wall: “New and Dangerous Ideas”

Sarah Leach, Phoenyx Williams, and Christopher Johnson in the world premiere of “New and Dangerous Ideas” by Christopher Johnson at The Wilbury Theatre Group. Photo by James Lastowski.

Presented by Wilbury Theatre Group
Written by Christopher Johnson
Directed by Josh Short

November 2nd through 18th, 2017
Wilbury Theatre Group, 40 Sonoma Ct
Providence, Rhode Island  02909
WTG on Facebook

Reviewed by Bishop C. Knight

(Providence, Rhode Island)  Lately I’ve been listening to JAY’s most recent album 4:44 when I’m driving, and one of my favorite tracks is “Smile,” partly because of the following lyric:  A loss ain’t a loss, it’s a lesson / Appreciate the pain, it’s a blessin’.  JAY’s album – released in response to Beyoncé’s Lemonade – is a reflection of the current state of Black American manhood, and right now you can hear that same lyric echoed by Black men throughout all the creative spheres.  The two men starring in New and Dangerous Ideas were certainly grappling with the lessons that we all can learn from the losses of rampant racism. Continue reading

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Nov 06

It Starts in the Home: “3/Fifths’ Trapped in a Traveling Minstrel Show”

Wesley T. Jones, Vienna Carroll, Michael Bryan; Photo credits: David Marshall

Presented by Sleeping Weazel
Conceived and written by James Scruggs
Directed by Mark Rayment

Nov. 3-11, 2017
Nicholas Martin Hall
Boston Center for the Arts
Boston, MA
Sleeping Weazel on Facebook

Review by Kitty Drexel

(Boston, MA) 3/Fifths’ Trapped in a Traveling Minstrel Show reclaims appropriated Black culture so to spit racism into the faces of oppressors. It’s beautiful and horrifying. Potential audience members please be aware that 3/Fifths’ contains nudity, graphic violence, and the unvarnished, unadulterated truth of what it is to be a Black man in America. Gunshots and police video are used because violence is our legacy and our future. 3/Fifths’ is a mirror showing us who we already are. Continue reading

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Oct 30

Moby Dick, Disassembled in [or, the whale]

Photo courtesy of imaginary beasts’ Facebook page.

Presented by imaginary beasts
Written by Juli Crocket
Directed by Matthew Woods
Musical Composition by Kangaroo Rat Music (Anna Bell & Tim Desrosiers)
Movement Coaching by Molly Kimmerling and Amy Meyer

October 14-November 4, 2017
Charlestown Working Theater
Charlestown, Massachusetts
[or, the whale] on Facebook

Review by Gillian Daniels

(Boston, MA) “No one remembers an Ahab with two legs,” SHE (Raya Malcolm) tells the third member of the Ahab chorus, Danny Mourino, before sweeping him through a door that exudes a blue, haunting light. This disassembled retelling of Moby Dick is similarly haunting, stylish, and similarly full of light, specifically light slapstick, cheerful music, and a cast of tumblers on a colorful, creepy set complete with giant whale ribs. It’s delightful and strange, and I would expect nothing less from imaginary beasts. Continue reading

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Oct 24

Fractured Mirrors of Friendship: “A Guide for the Homesick”

Presented by Huntington Theatre Company
Directed by Colman Domingo
Written by Ken Urban

October 6 thru November 4, 2017
Stanford Calderwood Pavilion at Boston Center for the Arts
527 Tremont Street, Boston, Massachusetts 02116
Huntington Theatre on Facebook

Reviewed by Bishop C. Knight

(Boston, Massachusetts) Sometimes friends party together, and sometimes friends talk about sex, and sometimes friends will live together.  Some friends from Massachusetts lovingly label each other as fellow Massholes, and there is nothing like the spark of instantaneous friendship when two strangers come from the same homeland.  A Guide for the Homesick is about two Bostonians abroad whose paths converge, who get drunk together, who discuss sex, have sex, and who share a holiday affair that neither will ever forget. Continue reading

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Oct 17

A Drunken and Rowdy Roar for Sh!t-Faced Shakespeare’s “The Taming of the Shrew”

Presented by Magnificent Bastard Productions
Written by William Shakespeare (possibly)
Produced by Magnificent Bastard Productions

October 14 through November 25, 2017
The Rockwell  ↭  Davis Square Theatre
255 Elm Street, Somerville, MA  02144
MBP on Facebook

Review by Bishop C. Knight

* WARNING:  nudity, inebriation, and foul language

(Somerville, Massachusetts)  Sh!t-Faced Shakespeare has ruined me.  No, I did not become an alcoholic after attending their performance of The Taming of the Shrew.  However, I now require theatre experiences where the cast enjoys themselves as much as the audience.  The easygoing actors began the evening with basically a stand-up routine that had absolutely nothing to do with English theatre, but we the patrons loved this opening act, and I am pretty sure William Shakespeare himself would have loved it too.   Continue reading

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Dec 24

Monkeys On My Mind: JOURNEY TO THE WEST

Presented by The Nora Theatre Company & Underground Railway Theater
Adapted by Mary Zimmerman from the translation by Anthony C. Yu of “Hsi Yu Chi”
Directed by Lee Mikeska Gardner
Choreography by Judith Chaffee
Fight choreography by Andrew Moss
Composition, Percussion & Music Collaborations by Ryan Meyer

Nov. 25 – Dec. 31, 2016
Central Square Theater
Cambridge, MA
Central Square Theater on Facebook

Review by Kitty Drexel

Trigger warnings: gender fluid casting, non-Christian religions that existed before the birth of Christ

(Cambridge, MA) Journey to the West is excellent family theatre. It has joyful storytelling, runs a little long, but delivers an epic myth in child-sized bites. There are bouncing monkeys, kings and queens, educational morals, and integrated behavioral psychology lessons. It has a little something for every intelligent, open-minded liberal.   Continue reading

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Dec 12

A Ted Williams After-School Special: “Going to See the Kid”

Joel Colodner, Veronika Duerr, John Gregorio. Going to See the Kid. Photo by Meghan Moore.

Joel Colodner, Veronika Duerr, John Gregorio. “Going to See the Kid.” Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
By Steven Drukman
Directed by Alexander Greenfield

November 30th – December 24th, 2016
50 East Merrimack Street
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) Sometimes, you get the sense in the opening minutes that a play is going to be so bad that you steal yourself to feel sorry for the actors. It is a testament to the professionalism of director Alexander Greenfield and the cast of Going to See the Kid that I didn’t cringe much for them onstage as they crisply worked with the material they had, but the script was just as cringe-worthy as I had feared. Continue reading

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Dec 05

Begin the Pegeen: MAME

The cast of Mame (2016). Photo Credit: Nile Hawver/Nile Scott Shots.

The cast of Mame (2016). St. George center stage, looking exquisite in red. Photo Credit: Nile Hawver/Nile Scott Shots.

Presented by the Stoneham Theatre
Book by Jerome Lawrence & Robert E. Lee
Music & lyrics by Jerry Herman
Based on the novel by Patrick Dennis, and the play Auntie Mame by Lawrence and Lee
Directed and choreographed by Ilyse Robbins
Music direction by Matthew Stern

Nov. 25 – Dec. 23, 2016
Stoneham Theatre
395 Main Street, Stoneham, MA
ST on Facebook

Review by Kitty Drexel

“Put the blame on Mame, boys
Put the blame on Mame
Mame gave a chump such an ice-cold “No”
For seven days they shovelled snow
So you can put the blame on Mame, boys
Put the blame on Mame”

Put the Blame on Mame,” from the film “Gilda” (1946), by Allan Roberts & Doris Fisher

(Stoneham, MA) Stoneham Theatre’s production of Mame dazzles. It’s a classic show with all the trimmings. Themes of classism and resulting conflicts will be only slightly offensive to gossipy, snooty attendees. It’s a nearly perfect Christmas/Chanukah/Kwanzaa/etc. treat that anyone from any doctrine can enjoy. Continue reading

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Dec 02

Looocy, You Got Some ‘Splaining to Do: Heart & Dagger’s SWEENEY TODD

Promotional Art by Heart & Dagger

Promotional Art by Heart & Dagger

Presented by Heart & Dagger Productions
Music and lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed by Joey C. Pelletier
Music direction by Michael Amaral

Nov. 19 – Dec. 4, 2016
Stanford Calderwood Pavilion
Boston Center For The Arts
527 Tremont St
Boston, MA 02116
H&D on Facebook

Review by Kitty Drexel

(Boston, MAHeart & Dagger’s approach to Sweeney Todd: The Demon Barber of Fleet Street is highly unusual. It’s design harkens back to the original “Penny Deadfuls” in a way fancy pants professional productions don’t. It revels in its everyday horrors. It’s design brings creative license to the next level. Many strong, risky choices were made in this production. Most of them paid off. Unfortunately, some of the bigger ones did not. Continue reading

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Nov 30

Too Many Words: AMADEUS

Moonbox Productions - AMADEUS (L-R) Matthew Zahnzinger - "Antonio Salieri", Cody Sloan - "Amadeus Mozart" Photographer: Earl Christie

Moonbox Productions – AMADEUS, (L-R) Matthew Zahnzinger – “Antonio Salieri”, Cody Sloan – “Amadeus Mozart”
Photographer: Earl Christie

Presented by Moonbox Productions
By Peter Shaffer
Directed/choreographed by Allison Olivia Choat
Music direction by Dan Rodriguez
Period music consultation by Thomas Carroll

Nov. 25 – Dec. 17, 2016
Plaza Theatre
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

(Boston, MA) Moonbox’s Amadeus is a delightful tragedy. Tragic because Mozart dies. Also tragic because playwright Shaffer likes to hear his own words spoken aloud. It’s made a delight by the elegant, classically lined staging by Choat, and the performances from the cast.   Continue reading

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