Dec 02

Charm Conquers All: CAMELOT

Photo credit: Andrew Brilliant/Brilliant Pictures

Photo credit: Andrew Brilliant/Brilliant Pictures

Presented by New Repertory Theatre
Books and lyrics by Alan Jay Lerner
Music by Frederick Lowe
Original production directed and staged by Moss Heart
Based on “The Once and Future King” by TH White
Directed and choreographed by Russell Garrett
Musical direction by David McGrory
Dance Captain – Maurice Emmanuel Parent
Fight Captain – Michael J Borges

Nov. 23 – Dec. 22, 2013
Charles Mosesian Theater
Arsenal Center for the Arts
Watertown, MA
New Rep on Facebook

(Watertown) The Director’s Notes by Russell Garrett are excellent. An audience member desiring nostalgic information correlating Camelot to the anniversary of JFK’s assassination will be well pleased. For this purpose, I will not dwell on the JFK’s Camelot as Mr. Garrett has already done an excellent job of doing so in the programme. If you’d like to know more, see the show.

Considering the weight that the Kennedy Family carries in the US, one might expect Camelot to be a more serious show. Lerner and Lowe’s fluffy hit does examine some heavy issues but the majority of the script and lyrics are intended to entertain rather than educate. The sugary sweet production by New Rep does not fail in its mission to cheer Baby Boomers and to indoctrinate younger generations in classic musical theatre. Continue reading

Oct 21

Rage Against the Love Machine: ROMEO AND JULIET

http://www.actorsshakespeareproject.org/sites/default/files/gallery/Stratton_McCrady_201310010235.jpg?download=1

Stratton McCrady Photography 2013

Presented by Actors’ Shakespeare Project
By William Shakespeare
Co-directed by Bobbie Steinbach and Allyn Burrows

October 2nd – November 3rd, 2013
The Strand Theatre
Dorchester (Boston), MA
Actor’s Shakespeare Project on Facebook

Review by Craig Idlebrook

(Boston) We are so insane for love that we co-opt works of art that vilify love and turn them into romantic propaganda.  It happens with every generation.  I grew up with The Police song “Every Breath You Take” as the best love song of 1983, even though it was clearly about a stalker

Romeo and Juliet has become a stand-in for romance, so much so that Bugs Bunny and Pepe LePew could do the balcony scene and 4-year-olds would get the joke.  But while any college freshman with a dye job can enjoy the irony that this iconically romantic story could easily be considered a black comedy, few theatre companies can stage “R + J” productions that can cut through the “Will U Be Mine” ethos we smear on the play. Continue reading

Jan 24

“At the Mountaintop” Delivers Unexpected, Unwelcome Twist

Presented by Underground Railway Theater

Presented by Underground Railway Theater

Produced by Underground Railway Theater

By Katori Hall
directed by Megan Sandberg-Zakian

January 10 – February 3, 2013
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
Central Square Theater Facebook Page

Review by Gillian Daniels

(Cambridge) Sometimes, there’s a moment in a show that can make or break it. When that moment comes, the audience will divide accordingly. Maybe this turn is cheesy, too scary, or just a little off-kilter with the rest of the story. When it happens in At the Mountaintop, and the audience will know when it does, it redefines the sort of narrative being watched. The show starts out smart but softens into a peculiar if interesting mess.

Katori Hall’s two-man play concerns the late and well-loved Dr. Martin Luther King, Jr. (Maurice Emmanuel Parent) and his conversations with a hotel maid, Camae (Kami Rushell Smith). Like A Picasso by Jeffrey Hatcher, performed by The Salem Theatre Company last year, Central Square Theater’s At the Mountaintop concerns two personalities bouncing off each other in a contained space. Also like A Picasso, one happens to be famous and respected while the other, an intrigued woman, has slipped
through the cracks of history. Continue reading

Sep 24

Redemption in the Motherf**cker with the Hat

Photo Credit: SpeakEasy Stage Company

by Stephen Adly Guirgis
Directed by David R. Gammons

presented by Speakeasy Stage Company
539 Tremont Street, Boston, Massachusetts 02116
SpeakEasy Stage Company Facebook Page
September 14 – October 13, 2012

Review by Gillian Daniels

(Boston) Speakeasy Stage’s The Motherf**ker with the Hat is a dark comedy that never quite tips over into bleak. Its main characters are addicts, recovering and otherwise, but they either have a sense of humor about it or have learned to accept their shortcomings. Fresh out of jail, Jackie (Jaime Carrillo) tries to break the tight circuit of repeating behaviors that has him locked into a pattern of loving, drinking, and messing up. Continue reading