Apr 29

Richly Developed Heroines: BECOMING CUBA

Presented by Huntington Theatre Co
Written by Huntington Playwright-in-Residence Melinda Lopez
Directed by M. Bevin O’Gara

March 28 – May 3, 2014
Calderwood Pavilion at the BCA
Boston, MA
Huntington Co on Facebook

Review by Kitty Drexel

(Boston) Becoming Cuba at the Huntington Theatre is about blood origins. It is about the effect blood-ties have on our decisions, and the indirect way our origins affect the world around us. Specifically, it is about sisters Adele (Christina Pumariega) and Martina (Rebecca Soler) who run a pharmacie in Spanish-occupied Cuba. Adele attempts to remain neutral as war threatens the country she loves: her family fights in the rebellion; her husband died fighting for Spain. As Adele cares for the people of Havana, she comes to understand that loyalty is a complex beast. Love and loyalty can be divided while still remaining whole. Continue reading

Oct 10

“The Company We Keep” by Jaclyn Villano

Boston Playwrights’ Theatre

Presented by Boston Playwrights’ Theatre
October 4 – 21, 2012
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215

(Boston) Boston Playwrights’ Theatre presents its 31st season of new plays in Boston starting with recent BPT alumna Jaclyn Villano’s The Company We Keep. We can joke about attorneys and sharks, but here the metaphor is apt. New to Georgetown with a law professorship and a freshly renovated home, attorneys Harry and wife Ellie are having difficulty settling their 12-year-old son into the new school. When their best friends Katherine and Greg come to the housewarming with surprises of their own, what ensues tests the bonds of friendship, marriage, and parenthood in this vicious, biting comedy of manners. This one is not to miss.

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Apr 16

Luck of the Irish: Race Warfare in the 20th and 21st Centuries

Nikkole Salter and McCaleb Burnett in Kirsten Greenidge’s THE LUCK OF THE IRISH. March 30 – April 29, 2012 at the Calderwood Pavilion at the BCA. huntingtontheatre.org. Photo: T. Charles Erickson.

The Luck of the Irish by Kirsten Greenidge, Huntington Theatre Company, Boston Center for the Arts Virginia Wimberly Theatre, 3/30/12-5/6/12, http://www.huntingtontheatre.org/season/2011-2012/The-Luck-of-the-Irish/.

Reviewed by Gillian Daniels

(Boston, MA) When the upwardly mobile Lucy and Rex Taylor (Nikkole Salter and Victor Williams, respectively) are unable to buy a house in Boston because they’re black, they turn to Patty Ann and Joe Donovan (Marianna Bassham and McCaleb Burnett) to buy one for them during the 1950’s.  The complex relationship this creates between them bleeds over into the early 2000’s when the Harrisons’ grandchildren discover the elderly Donovans want the house back.  The drama that results is tight and enjoyable. Continue reading

Dec 10

Great Acting While on a Treadmill: The Merry Wives of Windsor

Photo Credit: Stratton McCrady

The Merry Wives of Windsor by William Shakespeare, Actors’ Shakespeare Project, Davis Square Theatre, 12/7/11-1/1/12, http://www.actorsshakespeareproject.org/events/merry-wives-windsor-0.

Reviewed by Craig Idlebrook

(Somerville, MA) It’s one thing for a young theater troupe to be ambitious, but it’s something else to watch the troupe succeed in its ambition.

In its early history, the Actors’ Shakespeare Project has decided to skip the low-hanging fruit of the Bard’s body of work and reach for some of his more obscure works.  (Hands up for anyone who knows a single line from Troilus and Cressida, which the troupe performs in the spring.) Continue reading

Oct 12

Twelfth Night: Foolish Games of Greatness

James Andreassi (Sir Toby), Steven Barkhimer (Feste) & Doug Lockwood (Sir Andrew). Photo by Stratton McCrady

 

Twelfth Night by William Shakespeare, Actors’ Shakespeare Project, Plaza Theatre at the Boston Center for the Arts, 9/27/11-10/22/11,  http://www.actorsshakespeareproject.org/season8/twelfth_night.html.

Reviewed by Becca Kidwell

(Boston, MA) With the help of the magical playground designed by Christina Todesco, Actors’ Shakespeare Project creates an entertaining evening of romance and folly.  The production touches the joy and pain of being.  And a fool shall lead them all…

Upon entering the theatre, the audience immediately encounters an abstract tempest upon a spacious performance area.  Something that seems to be a trademark of Christine Todesco’s designs, there is a ramp that ends up being used as a slide.  In addition, the columns on stage provide reflective surfaces for the characters to get lost in their own self-interest as imagined by the director, Melia Bensussen. Continue reading