(Lowell, MA) Unless you are lucky enough to have met your soulmate at fifteen and lived happily ever after (and if you have, please take a moment to pinch yourself and make sure you’re real) then you will relate to the feelings of loneliness, love and the existence of your own romantic Achilles heel in this superb production of Mrs. Whitney at the Merrimack Repertory Theater in Lowell. Continue reading →
(Somerville, MA) Elizabeth Hunter adapts, directs, and brings an enormously funny Pride and Prejudice to the stage. Longtime Austen-fans should rejoice at their good fortune. The thorough play is probably closest to my own imagining of the classic 1813 novel.
The book is a smart satire of the husband-hunting rat race that young women engaged in during the Georgian Era when inheritances were more likely to pass to sons. Continue reading →
(Boston, MA) Music breathes and pulses as each note is played. The blues provide a voice for the inexpressible feelings of the human experience. The blues celebrate the good, the bad, and the ugly parts of life in its entirety; it is neither surprising that the blues came out of the African American spiritual tradition, nor that soul, r&b, and hip-hop were derived from the blues and at the core of the best is the heart and soul of the artist. What happens when that soul is taken away? Can the heart survive?
This question permeates the existence of each of the characters in August Wilson’s play Ma Rainey’s Black Bottom. Continue reading →
(Waltham, MA) The phrase “history is written by the victors” is a saying that shows a built in flaw in the study of our past. The idea that a subject that must be completely impartial and factual is weakened when records that are worked with could be exaggerated at some points and completely falsified at others. This concept of incomplete information is the main theme of Jerome Bixby’s The Man From Earth, the science fiction mystery piece currently being performed by Waltham’s The Hovey Players at The Abbot Memorial Theater. Continue reading →
(Boston, MA) James and the Giant Peach follows a young orphan boy and the charming crew of insects he befriends on an entertaining and hilarious trans-Atlantic journey aboard a gigantic piece of fruit.” If you have read the story, or have been read the story, you know and probably love it already. If not, WHERE HAVE YOU BEEN HIDING?! And you also will love the story in full live presentation. Continue reading →
(Boston, MA) Many have tried to dramatize depression to mixed results. The problem tends to be that depression by it’s very nature is a passive thing-the person doesn’t want to do anything. Heart & Dagger escapes the trap of a dry, clinical look at depression by presenting two one acts that cut to the visceral core of despair and the fight to survive.
Foreground: Chris Caron and Kerry A. Dowling. Rear from Left: Michael Tacconi, Christopher Chew, Sarah Drake, and Michael Levesque in a scene from the SpeakEasy Stage Company production of Next to Normal, running now thru April 15th at the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street, in Boston’s South End. Tix/Info: 617-933-8600/www.SpeakEasyStage.com. Photo: Craig Bailey/Perspective Photo.
(Boston, MA) To be a gay teen often has meant living every moment in hostile territory, where everything you do is wrong because of who you are. Too often, it has meant years of enforced isolation and violence.
This is what the Boston Children’s Theatre production of Reflections of a Rock Lobster does best, creating the claustrophobia of a gay teen’s world where everything feels hostile, including one’s own feelings. The play, put on by the Boston Children’s Theatre with a few grown-ups thrown in the mix, chronicles the true story of a pair of trailblazing gay teens who in 1980 challenged their school’s ban on same-sex couples at the prom and made the world a little bit less hostile. Continue reading →
(Boston, MA) There is a fine line to walk when it comes to groundbreaking plays. It’s difficult to keep a thought-provoking issue from swallowing the play. The result can be a diatribe at worst, or an afterschool special at best. The only way to keep a play that handles heavy-hitting social issues on track is to populate it with characters who are drawn razor-sharp and true to life. Continue reading →