Sep 24

“Vicuña” or not “Vicuña,” That is the Question

(L to R) Evelyn Holley, Srin Chakravorty, Steve Auger, Arthur Barlas, and Jaime Hernandez in Zeitgeist Stage Company’s production of Vicuña. Photo by Joel Benjamin.

Presented by Zeitgeist Stage Company 
By Jon Robin Baitz
Directed by David J. Miller

September 14th – October 6th, 2018
Plaza Black Box Theater
Boston Center for the Arts
539 Tremont St
Boston, MA
Zeitgeist on Facebook

Review by Diana Lu

(Boston, MA) In Vicuña, the year is 2016, and Amir, a young Iranian-American tailor’s apprentice, gets thrown into the world of national politics when Kurt Seaman, the loose cannon business tycoon-turned underdog presidential candidate, drops in to order a special suit (made of fine vicuña wool) for his third debate against an unnamed female opponent. Caught between virtue and duty, flirting with Seamen’s daughter Ivanka—er, I mean Srilanka—and disaster, Amir must decide whether to make the suit and betray everything he believes in, or refuse and let his family and closest friends suffer the consequences of denying this powerful and dangerous man. Continue reading

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Sep 21

Kindness Can’t Kill Systemic Disease: “Between Riverside and Crazy”

Oswaldo and Pops at breakfast. Photo by Nile Scott Studios

Presented by SpeakEasy Stage Company
By Stephen Adly Guirgis
Directed by Tiffany Nichole Greene
Fight choreography by Greg Maraio
Dialect coaching by Kelly Sabini

Sept. 14 – Oct. 13, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

“I may look how i look. That don’t mean I am how I look.”  – Lulu

(Boston, MA) Fuck the police. Fuck them for killing Black people at unprecedented rates. Fuck them for killing gay/queer/trans people because they can. Fuck them for raping women while in uniform. Fuck them for #bluelivesmatter. Fuck the police and their scare tactics, faulty de-escalation training, and their playing to the sympathies of ignorant white people. No one should die of a routine anything because a trigger happy cop couldn’t keep their shit together. Fuck them for making small changes and expecting big credit. Fuck the police and the lame white horse they rode in on. Fuck the goddamn police. Continue reading

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Sep 12

One Ironic Goose Step At A Time; or Two Geeks, One Show: “Straight White Men”

Photo by Andy Brilliant/Brilliant Pictures. The cast in a moment of superficial contemplation.

Presented by New Rep Theatre
Written by Young Jean Lee
Directed by Elaine Vaan Hogue

Sept. 7 – 30, 2018
Mosesian Center for the Arts
Mainstage Theater
321 Arsenal St
Watertown, MA
New Rep on Facebook

Representation matters. Straight White Men is written by an Asian playwright. Noelani Kamelamela was asked to write a review in addition to the critique written by Kitty Drexel. Both are posted below.

Review by Noelani Kamelamela

(Watertown, MA) The synopsis of Straight White Men seems like it would be a Men’s Rights Activist’s nearest and dearest dream brought to life.  I imagine a white man in a polo shirt and khakis sitting down by the light of a tiki torch to read what would be a thoroughly delightful description: after all, the main action only involves four white men.  Yup. Four white men. No women. No people of color. This hypothetical straight white man would see the name Young Jean Lee and maybe remember sweet ole Robert E. Lee. Perhaps it hearkens him back to time before, when America was great.  “What a fine night of theatre!” this man in a barcalounger would remark aloud as he reached for his credit card and purchased a ticket to New Rep Theatre’s production which runs at the Mosesian Center for the Arts in Watertown through September 30th. Continue reading

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Aug 27

The Monkey is Omniscient: “Timbuktu, USA”

Top row (l-r): Karos, McMaster, Kaiss, Astudillo
Bottom row (l-r): Wiseman, Hillyer, Baltay; photo credit to David Marshall

Presented by Sleeping Weazel
Written and directed by Kenneth Prestininzi
Assistant direction from Teresa Cruz
Fight choreography by Drew Frayre

Aug. 25 – Sept. 1, 2018
Boston Playwrights’ Theatre
Boston, MA
Sleeping Weazel on Facebook
Review by Kitty Drexel

Trigger warning: references to bestiality, incestuous kissing

(Boston, MA) Sleeping Wezel’s Timbuktu, USA is an absurd political satire made digestible via the mechanics of a bedroom farce. There is opportunity a plenty to be delightfully offended by the comings and goings of Prestininzi’s chaotic neutral politicians. The buffoonery so closely resembles the US current political boondoggle that audience members may leave confused. Fear not, Timbuktu, USA is a diversion well worth any disorientation. Continue reading

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Aug 20

Fatal Attraction: Love, Friendship, and Ritual Sacrifice in the name of “Our Dear Dead Drug Lord”

Photo by Ally Schmaling. — with Gina Fonseca, Khloe Alice Lin, Lisa Joyce and Tatiana Isabel.

Presented by Off the Grid Theatre Company
Written by Alexis Scheer
Directed by Rebecca Bradshaw

August 17 – September 1, 2018
Calderwood Pavilion
Roberts Studio Theatre
Boston Center for the Arts
527 Tremont St. Boston, MA 02116
Off the Grid on Facebook

Review by Diana Lu

(Boston, MA) It is 2008, a momentous year for the United States, and especially for four teenage girlfriends in suburban Florida. This radical, ambitious, creative squad grapples with identity, relationships, and adult responsibility using the occult as a metaphor…or is it anything but? Continue reading

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Aug 17

A Love Letter, inspired by “A Good Death”

Photo credit: Colleen Moore

Presented by Also Known As Theatre
Written by Shelley M. Hobbs
Directed by Alexandra Smith
Produced by Kelly Smith

August 17 through September 2
Fridays and Saturdays at 8:00PM
Sundays at 2:00PM
Calderwood Pavilion at Boston Center for the Arts
527 Tremont Street, Boston, Massachusetts 02116
The Stanford Calderwood Pavilion on Facebook

Written by Bishop C. Knight

(South End, Boston, MA)  OOH child, nothing but praise for A Good Death!  I’m about to provide a review that’s emotionally charged with encouragement – for you to see this play and to bring loved ones; especially for you to bring religious relatives you have trouble communicating with.  I’ll use the words love and queer repeatedly, because it is a play about lesbian companions who are platonic life partners.  I’ll show why Boston is damn lucky to have Also Known As Theatre (AKA) as it newest independent theatre company.  I want AKA to flourish. I want Alison Bechdel to attend. I want YOU to attend, and here’s why: Continue reading

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Aug 15

Frothy Fun and B-Side Moments: MAMMA MIA

Tari Kelly (Tanya) with Tiffani Barbour (Rosie) and Erica Mansfield (Donna) in MAMMA MIA! live on stage at North Shore Music Theatre thru September 2. Photo©Paul Lyden

Presented by North Shore Music Theatre
Directed & Choreographed By: Kevin P. Hill
Music Direction By: Bob Bray
Music And Lyrics By: Benny Andersson & Björn Ulvaeus And Some Songs With Stig Anderson
Book By: Catherine Johnson
Originally Conceived By: Judy Cramer

August 2 – September 2, 2018
North Shore Music Theatre
Beverly, MA
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) There is a reason why the musical Mamma Mia has become such a phenomenon – I mean, aside from the fact that a group of Swedes sold their souls to the devil to make the most earworm-y music of the 20th century. The story is one long, sexy summer party that showcases the current or past foibles of our twenties. A young woman secretly invites her three potential fathers to her island wedding without telling her mother about it – it’s as if someone set out to re-envision Midsummer Night’s Dream with platform shoes. Continue reading

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Aug 10

“Leftovers” and the Balance Between Wishes and Truths

Photo by Paul Fox.

Presented by Company One Theatre
Written by Josh Wilder
Directed by Summer L. Williams
Developed by C1 PlayLab

July 21 – August 18, 2018
The Strand Theatre
543 Columbia Road, Boston, MA 02125
The Leftovers on Facebook

Review by Gillian Daniels

(Boston, MA) When a giant dandelion bursts out of the ground in their Philadelphia yard, Kwamaine (the charming Christian Scales) is enchanted while his older brother, Jalil (Kadahj Bennett, who pulls some of the best humorous faces I’ve seen on any given stage), is understandably baffled. Their harassed mother, Raquelle (Lyndsay Allyn Cox), is mostly just annoyed. Writer Josh Wilder and director Summer L. Williams deliver an odd, funny city-based fable that becomes a magic realist quest through systemic poverty, race, The Cosby Show, and the insulating nature of fantasies. Continue reading

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Aug 06

A State of Virginal Ecstasy; Or, Needs More Snakes in Bowls: “Dark Room”

Ensemble | Photo Credit, Andrew Brilliant

Presented by Bridge Repertory Theater
Written by George Brant
Inspired by the life, death, and photography of Francesca Woodman
Directed by Olivia D’Ambrosio
Associate director and dramaturgy by Alexander Platt
Choreography by Doppelgänger Dance Collective

July 27 – August 16, 2018
In residence at the Multicultural Arts Center
Cambridge, MA
Bridge Rep on Facebook

Review by Kitty Drexel

Disclaimer: I auditioned for this production, and was not cast. It is my opinion that only a jackass would allow rejection, a natural process of auditioning, to taint their review.

(Cambridge, MA) Producer and director, D’Ambrosio gives an important, informative speech before Dark Room to guide audience expectations. She suggests we allow the performance to wash over us. Should we become puzzled by the actions onstage, rather than self-interpret what we see, we should allow the performance to explain itself through continued observance. I’d further posit that audience members do proper research before attending. The chiaroscuro style of Francesca Woodman is emphatically stirring. To fully absorb the performance, it behooves an audience to google Woodman’s art. Continue reading

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Aug 03

“Richard III”: Uncomfortably Mirroring a Summer of Our Discontent

Faran Tahir (Richard III) and the cast of Richard III (photo by Evgenia Eliseeva)

Presented by the Commonwealth Shakespeare Company
Written by William Shakespeare
Directed by Steven Maler

July 18 – August 5, 2018 
Parkman Bandstand
Tremont Street & Winter Street
Boston, MA 02108
CSC on Facebook

Review by Gillian Daniels

(Boston, MA) The Commonwealth Shakespeare Company brings an arresting production of Richard III to Boston’s Common. The grim story of a happily evil king is enlivened by the performance of Faran Tahir as he swaggers, lies, and simpers his way to a throne that might as well be soaked in blood. The play is grounded in real world anger toward a cartoonish villain who disintegrates into a self-doubting coward. It’s a cathartic watch, one that both moved me and concerned me in the way it compliments and comments on topical news items. Continue reading

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