Oct 09

The Post-Meridian Radio Players Present: “Tomes of Terror: Nevermore”

The Post-Meridian Radio Players Present:

Tomes of Terror: Nevermore

(Somerville, MA) — The Post-Meridian Radio Players bring you the chilling sensation of Hallowe’en with Tomes of Terror: Nevermore, a selection of Edgar Allan Poe’s most well known tales, newly adapted for The Golden Age of Radio with actors in front of mics and live sound effects on stage!

Where:
Responsible Grace
204 Elm Street
Somerville, MA

Performance Schedule:
Friday, October 24, 2014 at 8:00pm
Saturday, October 25, 2014 at 2:00pm (matinée)
Wednesday, October 29, 2014 at 8:00pm
Thursday, October 30, 2014 at 8:00pm
Friday, October 31, 2014 at 8:00pm
Saturday, November 1, 2014 at 8:00pm

Ticket Information:
You can make a reservation to pay at the door or buy tickets in advance!
$15, $12 Students & Seniors
Direct link to tickets: http://pmrp.org/tickets Continue reading

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Sep 23

Patients Are People Too: THE FORGETTING CURVE

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Presented by Bridge Repertory Theatre & Theatrum Mundi Productions
in association with Alan Swanke, Cole Burden & Playhouse Creatures Theatre Co.
Information resourced from Memory’s Ghost: The Nature of Memory and the Strange Tale of Mr. M, by Phillip J. Hilts

By Vanda
Directed by Kimerly Loren Eaton

Sept. 4 – 27, 2014
Wimberly Stage
Calderwood Pavilion at the
Boston Center for the Arts
527 Tremont St, Boston
Bridge Rep on Facebook

Review by Kitty Drexel

Trigger Warnings: vintage sexism, reenactment of seizures/chronic illness, sweet lesbian love

(Boston, MA) The Forgetting Curve is about a family whose trust is abused by doctors. Patient HM (Henry Gustav Molaison, Feb. 26, 1926 – Dec. 2, 2008) suffered seizures as a teenager. To stop his otherwise untreatable epilepsy, surgeons removed the anterior two thirds of his hippocampi and other areas of his brain. At the time, doctors were unaware that, by removing his hippocampi, HM would essentially be incapable of retaining new memories. They turned HM into a high school educated goldfish with their experiments. Continue reading

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Jun 30

Revamped *Cough* Vampire Comedy for Modernity: DER VAMPYR

Photo © OperaHub

Presented by OperaHub
1828 music by Heinrich Marschner
1828 German libretto by Wilhelm August Wohlbrück
1828 libretto based on the play Der Vampir oder die Totenbraut by Heinrich Ludwig Ritter
2014 arrangement by Moshe Shulman
2014 libretto by John J King
Music direction by Lina Marcel Gonzalez
Stage direction by Christie Lee Gibson

June 19 – 28, 2014
Boston Center for the Arts
Plaza Theatre
Boston, MA

Review by Kitty Drexel

Trigger warnings: Light smut, Feminism

(Boston) Der Vampyr is a decadently feminist adaptation of Marschner’s original. This new arrangement presented by OperaHub tackles the difficult truths of male entitlement, victim blaming and rape culture that all women face on a daily basis. If you, the reader, do not believe in gender equality, this opera is not for you. If you believe that rape culture is not a pervasive truth all women face, then this opera is not for you. It would be best if you pulled your fedora over your eyes and stopped reading this review now. Continue reading

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Jun 23

He Who Watches the Watchers: PATTERN OF LIFE

Nael Nacer as Rahmat Lewis D. Wheeler as Carlo; Photo: Courtesy of New Repertory Theatre.

Handsome devils: Nael Nacer as Rahmat, Lewis D. Wheeler as Carlo; Photo courtesy of New Rep/BCAP Facebook page.

Presented by New Repertory Theatre and Boston Center for American Performance (BCAP)
By Walt McGough
Directed by Bridget Kathleen O’Leary

June 14 – 29, 2014
Boston University Theatre – Lane-Comley Studio 210
264 Huntington Avenue
Boston, MA
New Rep on Facebook
BCAP on Facebook

Review by Kitty Drexel

(Boston) President Obama has received flak from all political sides for his decision to back govt.-sourced  drone proposals. It has been 5 years and 5 months since the CIA conducted the first strike during Obama’s term and he shortly thereafter ramped up the attacks in Pakistan, Somalia and Yemen. He went so far as to say that “he wrestle[s] with civilian casualties. But, he said, he has a solemn duty and responsibility to keep the American people safe. That’s my most important obligation as President and Commander-in-Chief. And there are individuals and groups out there that are intent on killing Americans — killing American civilians, killing American children, blowing up American planes.” (Huffington Post) While drone attacks have decreased once his numbers started suffering, attacks have not stopped entirely. Clearly, Obama “wrestles” with casualties enough to make a statement but not enough to discontinue drone use. Continue reading

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Jun 17

The Future is the Present and It’s Dystopian: READER

Photo found on the Flat Earth Facebook page.

Photo found on the Flat Earth Facebook page.

Presented by Flat Earth Theatre
By Ariel Dorfman
Directed by Jake Scaltreto

June 13 – 21, 2014
Arsenal Center for the Arts
Watertown, MA
Flat Earth on Facebook

Trigger Warning: Some light cursing, conservative politics, implied torture

Review by Kitty Drexel

(Watertown) If dystopian science fiction is any indication, our future is bleak. In the future, rich people are very rich and the poor are very poor. The politicians are corrupted,  we have no global resources, and the ecosystem has gone to pot. The good news is that there is always an hero to save us… eventually. The future sounds a lot like the present.

Not unlike Terry Gilliam’s 1985 film Brazil, Dorfman’s Reader is a story within a story set in a future where all potentially unpleasant emotional elements of life have been stripped away. Violence and sexiness are routinely scrubbed from all media sources. The government occupies all spaces. There is no true freedom of expression. Daniel (the handsome Robin Gabrielli) is a suave yet dirty government censor who discovers that the most recent novel to cross his desk parallels his own life. In this novel, Daniel is Don Alfonso an unscrupulous censor working on film scripts. He is rightly paranoid and begins a short-lived journey towards redemption. Continue reading

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Jun 10

Securing the Myth-ing Link: GIDEON’S KNOT

Presented by Bridge Repertory Theater
By Johnna Adams
Directed by Karen MacDonald

June 5 – 22, 2014
the Boston Center for the Arts
Stanford Calderwood Pavilion
Boston, MA
Bridge Rep on Facebook

Review by Kitty Drexel

Trigger Warnings: Graphic depiction of rape and violence, controversial and political arguments, full-body hugging

“Turn him to any cause of policy,
The Gordian Knot of it he will unloose,
Familiar as his garter”
(Shakespeare, Henry V, Act 1 Scene 1. 45–47)

(Boston) Alexander the Great is famous for marching through Asia and Africa in the name of Greece when he was 18 years old. He was a merciless conqueror and much of his work shaped the known BCE world. According to popular myth, in 333 BCE Alexander was shown a intricate knot in tying a chariot to a pole left by the sloppy founder of the city of Gordium. It was foretold that only the future ruler of Asia could untie the knot. Alexander, being the sensitive and thoughtful boy he wasn’t, instead hacked through the knot with his sword. Earlier versions of the myth imply Alexander first tries cunning to sort out the mess but eventually uses the pointy end of a sword to solve the riddle. These are the origins of the term “cutting the Gordian Knot.” It has come to mean using creative measures (cheating) in order to solve an convoluted problem. Continue reading

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Jun 06

Unrelable Narrator presents “Human Contact: Short Sci-Fi Plays”

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Unrelable Narrator presents Human Contact: Short Sci-Fi Plays
Written by Carl Danielson

(BOSTON) Performances are July 11-19 at Boston Playwrights’ Theatre.  Tickets are $15/$12 for students and seniors at http://www.unreliable-narrator.com or call (866) 811-4111. Check out humancontactshorts.tumblr.com for more information, and follow us on Twitter @unarrator or like “Unreliable Narrator” on Facebook!

Danielson’s Human Contact: Short Sci-Fi Plays is an evening of five thought-provoking one-acts that ask whether technology robs the soul or augments it.  These original tales explore the evolution of the nature of humankind as we confront aliens, time travel, self-directed evolution, and more.  With well-crafted stories performed by a large cast of Boston’s finest actors, Human Contact is a unique vision of the 21st Century’s future.

Founded in 2008, Unreliable Narrator produces strange homemade theater in and around Boston. They are best known for creating 2010: Our Hideous Future: The Musical!, which began at Boston Playwrights’ Theatre and played at various theatres, bars, and sci-fi conventions in the Northeast from 2010-2012. Other Unreliable Narrator productions include 2008’s Schmolitics, 2009’s Paranormal, and 2011’s The Way of the Warrior-Bunny.

The plays of Human Contact: Continue reading

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May 16

Right is Better Than Nice: INTO THE WOODS

Photo by Mark S. Howard. The cast; kicking ass and taking names in The Woods.

 

Presented by Lyric Stage Company of Boston
Music & lyrics by Stephen Sondheim
Book by James Lapine
Directed & staged by Spiro Veloudos
Music directed by Catherine Stornetta

May 9 – June 15, 2014
140 Clarendon Street
Boston, MA 02116
The Lyric on Facebook

Review by Kitty Drexel

(BostonInto the Woods is a tough nut to crack. On the one hand, it’s a classic and butts will fill seats faster than Satan fills a church on Sunday. On the other, it’s a classic and everyone who loves this show will have an opinion that they swear it’s the only legit one because they saw that Broadway performance that one time… on DVD. The Lyric Stage Co’s production is good but not good enough to silence the naysayers (the lines to the bathrooms were all atwitter with sarcasm). The audience community of Boston is protective of their favorite shows. This one falls under the blanket of shows that the community will fight for to the death (of their subscription). Continue reading

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Apr 29

Richly Developed Heroines: BECOMING CUBA

Presented by Huntington Theatre Co
Written by Huntington Playwright-in-Residence Melinda Lopez
Directed by M. Bevin O’Gara

March 28 – May 3, 2014
Calderwood Pavilion at the BCA
Boston, MA
Huntington Co on Facebook

Review by Kitty Drexel

(Boston) Becoming Cuba at the Huntington Theatre is about blood origins. It is about the effect blood-ties have on our decisions, and the indirect way our origins affect the world around us. Specifically, it is about sisters Adele (Christina Pumariega) and Martina (Rebecca Soler) who run a pharmacie in Spanish-occupied Cuba. Adele attempts to remain neutral as war threatens the country she loves: her family fights in the rebellion; her husband died fighting for Spain. As Adele cares for the people of Havana, she comes to understand that loyalty is a complex beast. Love and loyalty can be divided while still remaining whole. Continue reading

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Jul 11

Theatre@First Presents “Picasso at the Lapin Agile”

Bare Bones 11: Picasso at the Lupin Agile

Presented by Theatre@First

ONE NIGHT ONLY!
Thursday, July 25th at 8pm
Picasso at the Lapin Agile will be presented at Unity Somerville, 6 William Street, Somerville, MA 02144
Suggested Donation $5 – General Admission – No reservations required

About the Play:
Written by Steve Martin and directed by Santiago Rivas

What if the greatest scientific mind of the 20th century met the greatest artist at a bar in Paris before they became famous? Picasso at the Lapin Agile is a comic drama about a meeting of the minds as this hypothetical question is answered. In a Parisian bar in 1904, Albert Einstein is introduced to Pablo Picasso. They, along with the local patrons, discuss the creativity process in their respective roles in science and art. With brushstrokes and equations, a bond between the icons is forged as they approached the new century.

Cast

Michael DeFillippi playing Freddy
Jason Merrill playing Gaston/Sagot/Charles Dabernow Schmendiman/Visitor
Kitty Drexel playing Germaine
Daniel Gonzalez playing Albert Einstein
Andrea Aptecker playing Suzanne/Countess/Admirer
Carlos Nogueras playing Pablo Picasso

Bare Bones: Staged Readings at Theatre@First offers directors, casts and audiences the chance to explore a wide variety of plays in a spare, intense setting.

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