Mar 26

Stronger Than Fear: FROM THE DEEP

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PHOTO BY MARC J. FRANKLIN

Presented by Boston Public Works Theatre Company
by Cassie M. Seinuk
Directed by Lindsay Eagle

March 12 – 28, 2015
Boston Center for the Arts
Boston, MA
Boston Public Works on Facebook

Review by Kitty Drexel

(Boston, MA) From the Deep is not about the war on terror. It’s not even about terrorists. It’s about two men attempting to do the best they can with the nasty cards they are dealt. In the realm in which we see them, there is only suffering or not suffering. So, they try to turn the moments in which they are not suffering into moments that are happy. Happiness becomes relative. So do stability and health. This production from Boston Public Works Theatre Co, is about Man’s capacity to understand existence within a capacity for pain. Continue reading

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Mar 19

Rebel When You Hear the Drums: THE COLORED MUSEUM

Photo: T. Charles Erickson. — at Huntington Theatre Company.

Photo: T. Charles Erickson. — at Huntington Theatre Company.

Presented by the Huntington Stage Co.
by George C. Wolfe
Directed/choreographed by Billy Porter
Music direction and arrangement by James Sampliner

March 6 – April 5, 2015
Avenue of the Arts
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

The Colored Museum is two hours short and presented without an intermission.

(Boston, MA) The majority of Black culture accessible to White people is appropriated into easily digestible, tepid hunks that wouldn’t scare a baby much less a conservative one percenter who thinks that an Azealia Banks is a deciduous shrub. The Colored Museum is like a trip on Disney’s It’s A Small World if the ride were devoted to the culture pacifying White people instead of world peace. It’s a powerful display of stereotype and the bleak truths that cement them into western society. Those with an understanding of race relations and the systematic control racism has on these relations will likely enjoy the romp. Those who think discussing race with their Starbucks barista is equal to having a race relation will have their mind blown. Continue reading

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Mar 09

The Harm that Lust Can Do: TRISTAN & YSEULT

overs Tristan (Dominic Marsh) with Yseult (Hannah Vassallo) Kneehigh’s Tristan & Yseult Photo by: Richard Termine

Lovers Tristan (Dominic Marsh) with Yseult (Hannah Vassallo).  Photo by:Richard Termine

Presented by ArtsEmerson
Directed and adapted by Emma Rice
Written by Carl Grose & Anna Maria Murphy
Performed by Kneehigh Theatre Company
Composed by Stu Barker
Sweet Band: Lizzy Westcott, Justin Radford, Pat Moran, James Gow

March 5 – 15, 2015
Cutler Majectic Theater
Boston, MA
ArtsEmerson on Facebook
Kneehigh on Facebook

Review by Kitty Drexel

(Boston, MA) In 2006 Twentieth Century Fox released a film bastardization of the Tristan and Isolde myth, Tristan & Isolde. It was headlined by James freakin’ Franco, directed by Kevin Reynolds, and produced by Ridley Scott. It was terrible but sweet, innocent youths flocked to the theater because, then “It” boy, James Franco (Tristan) participated in naked sexy times with Sophia Myles (Isolde) and they wanted to see it. These poor kids assumed that T&I were star crossed lovers with good intentions and bad luck. The truth lives thousands of miles away from the inane crud Reynolds and Franco brought to screen.

Kneehigh Theatre Company’s Tristant & Yseult presents a more true interpretation of the medieval French tale. Tristan (Dominic Marsh with a dodgy French accent), Yseult (Hannah Vassallo) and King Mark (Stuart Goodwin) are caught in a love triangle. Tristan loves and serves the English King Mark like a father. In return, Mark loves Tristan like a son. After defeating the Irish royal Morholt (Niall Ashdown),  Tristan sails to Ireland to capture Morholt’s sister, the fair Yseult, and bring her back to England at Mark’s behest. Upon seeing her for the first time, both men fall deeply in love with Yseult. Yseult gives her sensible heart to Mark but her hormonal lady bits to Tristan. The actions are narrated by the elegant White Hands (Kirsty Woodward) and the patrons of the Club of the Unloved, the omniscient ensemble dressed in snoods, thick glasses, and windbreakers (snood dudes). There’s betrayal and laughs aplenty. Continue reading

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Feb 24

The Intimacy of Lingerie: INTIMATE APPAREL

Photo by Glenn Perry.

Photo by Glenn Perry.

Presented by Lyric Stage Company of Boston
Written by Lynn Nottage
Directed by Summer L. Williams
Music directed/compositions by Allyssa Jones

Feb. 13 – March 14, 2015
140 Clarendon St
Boston, MA
Lyric Stage on Facebook

Review by Kitty Drexel

(Boston, MA) Intimate Apparel is a complicated show that discusses history, race, class, education, and gender in approximately two hours. It is summarized as being a play about a seamstress who crafts fancy underpants. She plans to open a beauty parlor but marries a man she’d only met through letters. It is so much more. Nottage gives a face to the women that history so frequently forgets: the sex workers, the day laborers, the socialites. The history books are filled to capacity with men who’ve changed history. Continue reading

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Feb 24

Because He Could: ALBATROSS

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Presented by the Poets’ Theatre in collaboration with Ocean Conservancy
Directed by Rick Lombardo
Written by Matthew Spangler & Benjamin Evett
Based on “The Rime of the Ancient Mariner” by Samuel Taylor Coleridge
The poem can be read here.

Feb. 13 – March 1, 2015
The Jackie Liebergott Black Box Theatre
Emerson/Paramount Center
Boston, MA 02111
Poets’ Theatre on Facebook
Ocean Conservancy on Facebook

Trigger Warnings: graphic violence, harsh language

Review by Kitty Drexel

(Boston, MA) Disney’s Captain Jack Sparrow is a poster boy for pirates. He’s grimy, clever thief with a heart of tarnished gold. Jack likely smells rank but has an unmistakable charisma that drives audiences  wild. Some want to be him; some want to f^ck him, etc. It’s no wonder that this franchise made so much money.

Sparrow is a lie. He is the Hollywood equivalent of a romantic adventure on the high seas with creatures great and majestic during a time that never was. Pirates are not charming; they are brutal criminals capable of unthinkable acts. Historically, pirates sailing the Atlantic sacked and ravaged rival merchant ships. Cruelty was de rigueur. Continue reading

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Feb 16

WORLD MUSIC/CRASHarts PRESENTS: “The Son of the Sheik”

(c) Courtesy of World Music/CRASHarts

(c) Courtesy of World Music/CRASHarts

WORLD MUSIC/CRASHarts PRESENTS:

Performing the Boston premiere of its live score for the silent film
The Son of the Sheik
Saturday, March 7, 8pm, Somerville Theatre

For additional information, please visit:
http://www.alloyorchestra.com/
http://www.facebook.com/group.php?gid=38827091910

Boston, MA — World Music/CRASHarts presents Alloy Orchestra performing the Boston premiere of its live score for the silent film The Son of the Sheik on Saturday, March 7, 8pm at the Somerville Theatre, 55 Davis Square, Somerville. Tickets are $25, reserved seating. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

The world-renowned Alloy Orchestra presents the Boston premiere of its live musical score to the 1926 classic silent film The Son of the Sheik, directed by George Fitzmaurice and starring Rudolph Valentino, Vilma Bánky, and George Fawcett. Valentino died suddenly just as the film was being released, unleashing an outpouring of love and support for the deceased actor along with his last and perhaps finest film. This wonderful swashbuckling romance is being presented in a beautifully restored print along with one of Alloy Orchestra’s best original scores.

(c) Ivan Singer

(c) Ivan Singer

Rudolph Valentino’s last film, The Son of the Sheik, is a film of passion, betrayal, and redemption. He is often cited as the silver screens greatest lover, and this film demonstrates why this reputation is justly deserved. In The Son of the Sheik, Valentino plays an unusual dual role of both the Sheik and his son. The film was a huge hit, grossing a million dollars in the first year, and critics have deemed it the greatest work of the actor’s career. Alloy Orchestra premiered their new score for The Son of the Sheik, along with the new 2k digital restoration of the film by sister company Box 5, at a special event of the San Francisco Silent Film Festival on September 20, 2014. Continue reading

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Feb 11

Totally Rad To The Max: Bogart and Lement’s “PINOCCHIO”

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Photo by by Kippy Goldfarb.

Presented by Wheelock Family Theatre
Adapted by Steven Bogart and Wendy Lement
Based on the book The Adventures of Pinocchio by Carlo Collodi
Directed by Steven Bogart
Music directed/composed by Mary Bichner
Choreographed by Patricia Manalo Bochnak
Dramaturg: Kate Snodgrass
Sign Performers: Jola Leary, Adrianna Kathryn Neefus, Desiree Weems Sheppard

Jan. 30 – Feb. 22, 2015
ASL/Audio description: Feb 12,20,22
200 The Riverway
Boston, MA
Wheelock on Facebook

Review by Kitty Drexel

(Boston, MA) Many years ago, when I was a burgeoning opera singer, I attempted to read Collodi’s Pinocchio in the original Italian to learn the language. Pinocchio, originating as a series of short stories in an Italian magazine, is a convoluted tale of dramatic proportions about a little wooden puppet-boy who gets into scrapes only to be saved by those who inexplicably love him. Pinocchio has no social skills, no respect, and no discipline. Yet,his father Geppetto and the Blue Fairy are devoted anyway. I read about ¾ of the book on my journey towards bilingualism. Considering my penchant for justice and the frequency in which Pinocchio is rewarded for his bad behavior, I’m surprised I slogged through as much as I did. Continue reading

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Feb 02

Where the Shadows Run from Themselves*: ECHOES

echoesPresented by Brown Box Theatre Co.
Written by N. Richard Nash
Directed by Kyler Taustin
Brown Box on Facebook

January 30-February 1 & February 5-8
Atlantic Wharf @ 7:30
290 Congress Street, Boston, MA

February 13-16
Ocean City Center for the Arts @ 7:30
502 94th Street, Ocean City, MD

Review by Kitty Drexel

Trigger Warning: Panic Attacks, emotional violence, minor physically violent episodes – While the majority of the events are non-violent, actions depicted on stage may also trigger PTSD.

(Boston, MA) I must caution that extra-sensitive individuals or individuals with a negative associations with in-patient mental health facilities carefully consider attending Echoes. I mention this because the acting is very good, very realistic and, for this reason, potentially triggering. The play by N. Richard Nash focuses on the how the brain copes with trauma when faced with an unsafe reality. It is also about taking the first impossibly difficult steps from that reality towards treatment. This is difficult enough in real life. This production may impede the good work one has done outside of the theatre. Not attending this production falls under the category of  “self-care to stay safe and stable.” Everyone else and their Mom’s uncle’s sister should attend. Continue reading

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Jan 30

That Which Makes Us Different Makes Us Beautiful: BREATH & IMAGINATION

Elijah Rock, Nehal Joshi and Harriet D. Foy Photo credit: Mike Ritter

Elijah Rock, Nehal Joshi and Harriet D. Foy
Photo credit: Mike Ritter

Presented by ArtsEmerson
Created/written by Daniel Beaty
Directed by David Dower
Music directed/accompanied/arranged/additional music by Jonathan Mastro

Jan 27 – Feb 08, 2015
Paramount Center Mainstage
Boston, MA
ArtsEmerson on Facebook
Roland Hayes (School of Music) on Facebook, Wiki

Review by Kitty Drexel

(Boston, MA) Black lives matter: Racism is alive and thriving everywhere. “But it’s 2015,” people will cry. Right, it’s 2015 and racism is still alive and thriving in Boston. To prove a point: check out which art makes the most money. For an institution greatly concerned with artistic expression, remaining significant in an ever modernizing world, and pushing boundaries, opera tends to steer clear of non-White people. Opera includes POCs in its casting but its stories are mostly about White people. Roland Hayes, first Black man to sing a concert at Symphony Hall would be an excellent subject for an opera.  Thank the great goodness that there’s Breath & Imagination to educate the masses. Continue reading

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Jan 23

Bombasted by Science: COPENHAGEN

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Presented by Porpentine Players
By Michael Frayn
Directed by Jon Taie

January 21 – 31, 2015
Nave Gallery
155 Powderhouse Blvd
Somerville, MA
Porpentine on Facebook

Review by Kitty Drexel

(Somerville, MA) Science is having a moment in the public sphere; thanks to actors such as  Eddie Redmayne and Benedict Cumberbatch, physics and math are sexy and everyone wants a piece of these oh so marketable, oh so male institutions. Suddenly it’s very chic to flout one’s comprehension of STEM studies. While I’m grateful that movies such as The Theory of Everything  and The Imitation Game exist, the media forget that the theories discussed in these films aren’t as digestible as the script treatments suggest. Science and math are complicated beasts. So complicated that most American elementary and high school students have difficulty grasping remedial skills. Thus, a delicate balance must be maintained when explaining scientific and mathematical theory via the media to the hoi polloi. It must  educate while still communicating the advancement of skill required for application. Hollywood tends to over-simplify. Frayn’s Copenhagen, as produced by the Porpentine Players keeps in complicated. Continue reading

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