Aug 06

A State of Virginal Ecstasy; Or, Needs More Snakes in Bowls: “Dark Room”

Ensemble | Photo Credit, Andrew Brilliant

Presented by Bridge Repertory Theater
Written by George Brant
Inspired by the life, death, and photography of Francesca Woodman
Directed by Olivia D’Ambrosio
Associate director and dramaturgy by Alexander Platt
Choreography by Doppelgänger Dance Collective

July 27 – August 16, 2018
In residence at the Multicultural Arts Center
Cambridge, MA
Bridge Rep on Facebook

Review by Kitty Drexel

Disclaimer: I auditioned for this production, and was not cast. It is my opinion that only a jackass would allow rejection, a natural process of auditioning, to taint their review.

(Cambridge, MA) Producer and director, D’Ambrosio gives an important, informative speech before Dark Room to guide audience expectations. She suggests we allow the performance to wash over us. Should we become puzzled by the actions onstage, rather than self-interpret what we see, we should allow the performance to explain itself through continued observance. I’d further posit that audience members do proper research before attending. The chiaroscuro style of Francesca Woodman is emphatically stirring. To fully absorb the performance, it behooves an audience to google Woodman’s art. Continue reading

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Jul 17

“Waiting for Waiting for Godot”

Photo by Tim Gurczak; costumes and puppy by Chelsea Kerl; the corgi isn’t part of it but she should be.

Presented by Hub Theatre Company of Boston
Written by Dave Hanson
Directed by Paula Plum

July 14 – 29, 2017
Club Cafe
209 Columbus Ave
Boston, MA
Hub on Facebook

Review by Kitty Drexel

Trigger warnings: bathroom use without washing hands

(Boston, MAWaiting for Waiting for Godot (WfWfG) is Beckett fanfiction through the lense of a Durang play. It’s confusing, absurd, and ultimately very funny. Hub Theatre Co of Boston does a fine job with Dave Hanson’s script. Continue reading

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