Sep 07

Bodega Presents: The Intersection @ District Hall, Boston

Bodega Presents: The Intersection
Sun, September 23, 2018
7:00 PM – 9:00 PM EDT
$21.00

District Hall
75 Northern Avenue
Boston, MA 02210

Doors open at 7:00 pm. Show at 7:30 pm. Come by for some #FUNinBOS !
Somebody tell Permit Patty and BBQ Becky it’s going down in District Hall! Bodega has curated the most fearless and funniest performers in Boston for one night only. If you stay rooting for everybody Black, then this is the place to to The Intersection at District Hall in the Seaport for a night of comedy completely comprised of Boston creatives of color. Comedians, and improvisers will nourish your spirit and have you laughing until you snort. We promise.

Standups include Tooky Kavanagh, Reece Cotton and Sarah Francis.

The Intersection is part of the six day FUN festival hosted by the Greater Boston Chamber of Commerce and City Awake. For more ways to join the conversation and celebration of Boston’s Millennials of Color visit the festival site. Venue sponsored by the good folks at District Hall. Dinner and drinks available on-site at Gather restaurant.

FAQ: What are my transportation/parking options?
District Hall is closest to the MBTA Courthouse stop on the Silver Line. There are a number of bike racks available by the Seaport Boulevard entrance. In addition, DH is located right next to the Seaport Square station on the Hubway bikeshare network. If you drive in, there are a number of parking lots in the area: Pilgrim Parking – One Marina Park Drive Garage; LAZ Parking – Watermark Seaport; One Seaport Parking Garage.

May 22

Geeks Read Books: TCG Play Reviews

(Somerville, MA/NYC) Occasionally the New England Theatre Geek is invited to review plays. Theatre Communications Group (TCG) provides gratis paperback copies to NETG in exchange for objective reviews. The opinions stated here are not shared by TCG and are the author’s own. Continue reading

Mar 26

Harvard-Radcliffe Dramatic Club presents “The Laramie Project”

Harvard-Radcliffe Dramatic Club Presents THE LARAMIE PROJECT at A.R.T.’s Club OBERON

 Cambridge, MA – Tickets are now on sale for Harvard-Radcliffe Dramatic Club’s production of The Laramie ProjectPerformances will take place on Wednesday, April 11 and Thursday, April 12 at 7:30 PM, as well as Friday, April 13 at 3:00 PM and 8:00 PM. Performances are at the American Repertory Theater’s second stage, Club OBERON (2 Arrow Street, Cambridge, MA).

Tickets ($15-$35) may be purchased through the A.R.T. box office (64 Brattle Street, Cambridge, MA – (617) 547-8300), online (http://bit.ly/laramieatoberon), or at the door pending availability.

Facebook Event: http://bit.ly/laramie2018

About the Play – In 1998, Matthew Shepard was fatally injured and left for dead because he was gay. Following his death, the Tectonic Theater Project traveled to Laramie, Wyoming to understand the town which came to be defined by two men’s crime. The Laramie Project retells the words of Laramie’s residents verbatim, and in their retelling, begins to uncover the prejudices, both loud and quiet, that boil over into violent hate crime.

Join the ensemble of actors as they embody these stories, bringing the Laramie of 1998 to the immersive Club OBERON. Join them as they ask – what does Laramie have left to tell us? Continue reading

Oct 11

Geeks Read Books: 2017 Editions and “The Kilroys List”

On occasion, the New England Theatre Geek will review newly published plays. Below are reviews for Evan Hansen (the book)Speech & DebateSweat, and The Kilroys List… Volume One. All books are available via the TCG websiteContinue reading

Oct 02

Zeitgeist Stage Company presents “Faceless” thru Oct. 7, 2017

Photo by Reinhold Mahler

Presented by Zeitgeist Theatre Company
by Selina Fillinger
directed by David J. Miller

September 15 – October 7, 2017
Plaza Black Box Theater
Boston Center for the Arts
Boston, MA

Performance are Wednesday and Thursday at 7:30 PM, Friday at 8:00 PM, Saturday at 4 and 8 PM, and Sunday at 4 PM with talkbacks following the Sunday matinees.

Tickets are available at http://www.bostontheatrescene.com/season/Faceless/. Subscriptions and more information can be found at www.ZeitgeistStage.com.

In Faceless eighteen-year-old Susie Glenn is on trial for conspiring to commit acts of terrorism, and recent Harvard Law grad and practicing Muslim, Claire Fathi, has been brought on to prosecute. Though pitted against one another in the courtroom, these two young women are fighting a similar battle to defend their morals, motives and religious freedoms in this riveting and timely new drama. An explosion of identity politics, questions of faith, and a face-off between two seemingly diametrically-opposed women drives this compelling narrative.

Cast: David Anderson, Aina Adler, Robert Orzalli, Ashley Risteen, Victor Shopov

ScenicDesign: David Miller
Lighting Design: Michael Clark Wonson
Sound Design: Jay Mobley
Costume Design: Elizabeth Cole Sheehan
Stage Manager: Margaret Umbsen

Publicity Photography: Reinhold Mahler
Production Photography: Richard Hall/Silverline Images

Sep 20

“5 to 9” Playing at Ramrod Center for the Performing Arts, Sept. 21 – 24

Presented by the Gold Dust Orphans
Written by Ryan Landry

September 21 through 24, 2017
8:00 pm Thursday – Saturday, 5:00 pm on Sunday
Machine Night Club/ The Ramrod Center for the Performing Arts
1254 Boylston Street
Boston, MA
Tickets
18+ ONLY

From the GDO: “5 to 9 is an uproarious comic take off on the current oval office and its endless hilarious hijinks.

Written by award-winning playwright, Ryan Landry, 5 to 9 is the story of three of Trumps overworked secretaries and how they end up getting even. You will simply never see political satire the same way again.

Along with Landry playing the Lily Tomlin role as Violet, 5 to 9 also stars drag legend Varla Jean Merman in the Dolly Pardon role as Dora Lee and Kiki Samko in the Jane Fonda role as Judy.

Based on the classic film, 9 to 5, 5 to 9 also features Penny Champayne (Gold Dust Orphans) as Kellyanne Conway and Larry Coen (Gold Dust Orphans) as Trump.
5 to 9 is ridiculous, silly, nonstop fun but it is NOT recommended for children.”

For the kids in the back, anyone under 18 years of age will not be admitted.

P.S. The Gold Dust Orphans are going to New York City with the their musical “GREECE.” Playing from October 13-15 at Theatre 80 St. Marks in the East Village. Interested parties can support this venture via the Kickstarter at https://www.kickstarter.com/projects/1037808882/bring-ryan-landrys-greece-to-new-york-city.

Queen’s Note:
We elected a thin-skinned Nazi to the office of the President who is turning our “democracy” into a fascist, totalitarian oligarchy dominated by the 1%. Trump is a monster. His policies, when he names them, are destructive. His narcissistic behavior is more so.

Congressional “negotiators” released a spending bill that saves the National Endowment for the Arts, the National Endowment for Humanities, and National Public Radio until September at which time, the President and his impotent cronies may still cut arts funding. It is ever important to remain vigilant. And, for the love of all that’s sacred, keep creating. If you need help, ask for it. Our existence is our resistance. May the force be with you. – KD

TCG has a list of things you can do to help.

Aug 28

MIT Musical Theatre Guild Presents: AVENUE Q

Music and Lyrics by Jeff Marx and Robert Lopez
Book by Jeff Whitty

Directed by Geoff Hegg ’17
Music directed by Matt Putnam ’09
Puppet mastery by Elisa Boles ’18
Assistant puppet mastery by Mandy Fike ’19

Kresge Little Theatre
48 Massachusetts Ave
Cambridge, MA 02139

September 1, 2, 7-9, & 14-16, 2017 at 8 PM, and September 3, 2017 at 2 PM
Tickets are:
$6 – MIT and Wellesley students
$10 – MIT faculty, staff, and community; all other students; seniors and children
$15 – General public
Reserve tickets online.
Discounts available for groups of 10 or more people.

Winner of the Tony “Triple Crown” for Best Musical, Best Score and Best Book, Avenue Q is part flesh, part felt and packed with heart.

The laugh-out-loud musical tells the timeless story of a recent college grad named Princeton, who moves into a shabby New York apartment all the way out on Avenue Q. He soon discovers that, although the residents seem nice, it’s clear that this is not your ordinary neighborhood. Together, Princeton and his new-found friends struggle to find jobs, dates and their ever-elusive purpose in life.

Filled with gut-busting humor and a delightfully catchy score, not to mention puppets, Avenue Q is a truly unique show that has quickly become a favorite for audiences everywhere. Although the show addresses humorous adult issues, it is similar to a beloved children’s show; a place where puppets are friends, Monsters are good and life lessons are learned.

Production Staff and Cast

Queen’s Note:
We elected a thin-skinned Nazi to the office of the President who is turning our “democracy” into a fascist, totalitarian oligarchy dominated by the 1%. Trump is a monster. His policies, when he names them, are destructive. His narcissistic behavior is more so.

Congressional “negotiators” released a spending bill that saves the National Endowment for the Arts, the National Endowment for Humanities, and National Public Radio until September at which time, the President and his impotent cronies may still cut arts funding. It is ever important to remain vigilant. And, for the love of all that’s sacred, keep creating. If you need help, ask for it. Our existence is our resistance. May the force be with you. – KD

TCG has a list of things you can do to help.

 

Jul 20

Governor Charlie Baker Slashes FY17 Massachusetts Cultural Council Budget

Despite recent promises to the Massachusetts arts community, Gov. Charlie Baker has issued a budget veto that would decimate funding for the arts, humanities, and sciences again. You can contact him HERE to express your anger and disappointment.

The following links detail his hypocrisy:
Mass Cultural Council: http://www.massculturalcouncil.org/news/Governor_Veto_FY17.asp and http://www.massculturalcouncil.org/news/advocacy.asp (more MCC articles and releases)
Mass Creative: https://www.votervoice.net/MAARTS/campaigns/53655/respond

The good news is that  State Senator Adam Hinds of Pittsfield and Representative Cory Atkins of Concord have our backs. You can thank Senator Hinds HERE, and Representative Atkins HERE.

Jun 11

Geeks Read Books: “Lazarus” & “Oslo”

Reviews by Kitty Drexel

Copies are available on the TCG website, and everywhere that dramatic literature is sold. Or, you could try your local library.  Continue reading

May 26

Theatre On Fire Presents: THE CABINET OF CURIOSITIES

THE CABINET OF CURIOSITIES is a genre-defying festival of theatre, movement, music, puppetry and more, united under one theme: take a risk.

Experience one last weekend of chaotic and dangerous, new and re-imagined work where we’ve challenged artists to present work that “scares” them. Featuring one-act and full-length pieces from Imaginary Beasts, Anthem Theatre, Sleeping Weazel, The American Family Happily Institute, Heart & Dagger Productions, Alley Cat Theater, Exiled Theatre, Mass. Theater Experiment, Ingrid Oslund, Fool’s Journey, Travis Amiel & Riley Fox Hillyer, Laura Detwiler, Daniel Morris, and Libby Schap & Caitlin Brzezinski.

Purchase tickets HERE.
Staged readings in the Cabinet Workshop Series are free and open to the public.
When ordering tickets for the readings, use the code FREE.
442 Bunker Hill Street
Charlestown, MA 02129
TOF on Facebook
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Friday, May 26
A trio of performances starting at 8:00pm​
Sleeping Weazel: Nocturne and Nina
Libby Schap and Caitlin Brzezinksi: Flying Lessons
Fool’s Journey: Singing Bones

Pianist and composer Kirsten Volness will play Nocturne, her electroacoustic piece inspired by Madison Cawein’s poem of the same title, and Nina, a three-song cycle tribute to jazz great Nina Simone composed by Judah Adashi.
Flying Lessons is told through shadow puppetry using moving screens and found object puppetry to examine three stories exploring identity and female relationships, inspired by the artwork of Audrey Niffenegger.
Singing Bones is an experimental, devised performance which focuses on direct physical engagement with traditional songs that have personal and/or ancestral significance to the performers.

Saturday, May 27
Mass. Theater Experiment: The Country Wife – 2:00pm
A workshop performance of a modern, sexy adaptation of William Wycherley’s The Country Wife. The smash hit of 1675 London was created in a period of artistic tolerance , but was later considered too immoral to perform. This imaginative, energetic, and spirited ensemble gives the Wife a trim and shapely makeover and adds a few curves of their own; part of the Cabinet Workshop Series.

Daniel Morris: I Am My Own Wife – 5:00pm
The fascinating tale of Charlotte von Mahlsdorf, a real-life German transvestite who managed to survive both the Nazi onslaught and the repressive East German Communist regime. Actor Gabe Graetz takes on more than 30 characters, staged up close and personal in CWT’s upstairs second stage.

A trio of performances starting at 8:00pm​
Sleeping Weazel: Nocturne and Nina
Libby Schap and Caitlin Brzezinksi: Flying Lessons
Fool’s Journey: Singing Bones

Pianist and composer Kirsten Volness will play Nocturne, her electroacoustic piece inspired by Madison Cawein’s poem of the same title, and Nina, a three-song cycle tribute to jazz great Nina Simone composed by Judah Adashi.
Flying Lessons is told through shadow puppetry using moving screens and found object puppetry to examine three stories exploring identity and female relationships, inspired by the artwork of Audrey Niffenegger.
Singing Bones is an experimental, devised performance which focuses on direct physical engagement with traditional songs that have personal and/or ancestral significance to the performers.