Review by Kitty Drexel In the interest of full disclosure and transparency, I did audition for this play and was not cast. It is my firm belief that only a narcissistic ass would allow this to taint their review.
“Men are afraid that women will laugh at them. Women are afraid that men will kill them.”
(Somerville, MA) The Trojan Women was first produced in 415 BCE but might as well have been written last year. In it, the women of Troy (now Turkey) are grieving over their beloved fallen city, and the men who have died defending the city from the Greeks. Euripides so captured the trauma of a country torn by war, that his play has been made into a very famous 1971 film (featuring the alluring Katharine Hepburn as Hecuba, a brave and unusual choice) and has survived several adaptations and manipulations. The translation by Edith Hamilton remains the most popular for staging. The movie featuring Hepburn, Irene Papas, and Vanessa Redgrave, etc. is a classic. Continue reading →
Rich scene painting, solid theatre. Bravi tutti! PHOTO CREDIT – Richard Termine
My sincere apologies to the cast and crew of Siti Company and ArtsEmerson. This review is late because of the traumatic events of Friday, April 19. In my own personal turmoil, I was unable to write your review. I humbly beg your pardon!
presented by ArtsEmerson
adapted by Jocelyn Clarke from Trojan Women (After Euripides)
directed by Anne Bogart
created and performed by Siti Company
Original music composed and performed by the insanely talented Christian Frederickson
(Boston) The bodies of women are the casualties of wars. Even today in places such as The (Republic of) Congo, Uganda, Afghanistan, Syria, Steubenville and even late night in Harvard Square, women are held responsible for the violent decisions of men eager to wield their entitlement in public arenas. There is a political war in The Congo and every Spring there is a war against women on the streets. In any situation, women are blamed for the violence. Excuses range from acting in ways unbefitting a lady or luring men with our bodies. In reality, it is the perpetrators who are to blame. Rape, like other acts of violence, is never about sexuality; it is always about power. In Siti Company’s production of Trojan Women, this is still true. Continue reading →
(Boston, MA) The end of war is something that is looked on as a celebratory event. Images of servicemen returning home, country’s flags being raised, and a collective sigh of relief from the population are the usual symbols that are associated with victory. There is however always a losing side in a war who must deal with a devastated homeland, a shamed or exterminated army, and the loss of everything their civilization was or could ever be. Continue reading →
Trojan Women: May 18- June 2 at the Factory Theatre in Boston
Meg Taintor is the founding Artistic Director of Whistler in the Dark Theatre, for whom she has directed 13 productions. Also for Whistler, Meg produced three years of FeverFest, a new works festival dedicated to connecting adventurous audiences with young and vital theatre companies and artists in Boston. Meg has also directed for Mill6 Theatre and New Voices @ New Rep.
In 2009, Meg joined with other artists working in the small and fringe theatre scene to form the Small Theatre Alliance of Boston, where served for two years as President of the Board. She is now Chair of the Alliance Events Committee and a member of the Board for StageSource. Meg believes passionately in the necessity for a strong community of local artists supporting and challenging itself to do better and more exciting work.
Her regional theatre credits include the National Players, Rorschach Theatre, Olney Theatre Center, the Potomac Theatre Project and Washington Shakespeare Company. She holds a B.A. in Theatre and Women & Gender Studies from Middlebury College. (profile from website)