(Boston, MA) I firmly believe that there is space for all artists, at every stage of their artistry, to create. That can mean creating, and producing art not quite ready for greater public consumption in order to grow. Women Writers’ Suicide Club (WWSC) succeeds in combining many artists to create one show. It succeeds in communicating the frustrations that womanhood places upon artistry. It is not so successful in its execution. Continue reading →
Melanie Garber has a dancer’s sensibility of direction with Heart & Dagger Productions’ A Dream Play, but this is not a surprise. She has shown this intricate direction in Actor’s Shakespeare Project’s Medea, Fresh Ink Theatre Company’s Priscilla Dreams The Answer, and Heart & Dagger’s Crave. Not only does Ms. Garber make words come alive, but she also brings life to words. From the initial moments of each of the productions, she chooses specific, distinct movements that create the environment of the play. Continue reading →
(Boston, MA) Many have tried to dramatize depression to mixed results. The problem tends to be that depression by it’s very nature is a passive thing-the person doesn’t want to do anything. Heart & Dagger escapes the trap of a dry, clinical look at depression by presenting two one acts that cut to the visceral core of despair and the fight to survive.