Mar 02

On the realistic level: “The Night of the Iguana”

Presented by the American Repertory Theater
Written by Tennessee Williams
Directed by Michael Wilson

Current-March 18, 2017
ASL Interpreted, Mar. 12, 2PM & Mar. 15, 7:30PM
Audio Described, Mar. 16, 7:30PM & Mar. 18, 2PM
Open Captioned Logo Open Captioned, Mar. 16, 7:30PM & Mar. 18, 2PM
Loeb Drama Center
Cambridge, MA
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Review by Noelani Kamelamela

(Cambridge, MA) One may not immediately think of The Night of the Iguana as an American classic even though the film version is considered a classic and it was a success by every measure.  Tennessee Williams fans themselves are content to see it or hear of it onstage maybe once a decade, if even that frequently since its debut in 1961.   The A.R.T.’s recent production pays homage to the time period without becoming a stale museum piece.  Tennessee Williams may not be a favored son of every American, but he is a recent one.  Loeb Drama Center had a clever setup when I attended which allowed the audience to ponder correspondence  from archives as well as attempt to bang some literary work out with Royal typewriters rented out by Arlington’s own Cambridge Typewriter.    Continue reading

Jul 29

Losing to Win: LOVE’S LABOUR’S LOST

The players. Photo by Andrew Brilliant/Brilliant Pictures.

The players. Photo by Andrew Brilliant/Brilliant Pictures.

By William Shakespeare
Presented by Commonwealth Shakespeare Company
Directed by Steven Maler

July 20 – August 7, 2016
Boston Common
Boston, MA
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Review by Danielle Rosvally

(Boston, MA) Every year, I find a way to haul myself out to the Common to see Boston’s free Shakespeare under the stars.  Every year, I find something to like about the performance (even if some years it’s just the signature Ben & Jerry’s sundae which, by the way, is once again delicious).  This year, I was pleasantly surprised to find that I didn’t have to dig deep to find something to like.  CSC’s 2016 production of Love’s Labour’s Lost is not one to be missing; it’s easily the best production I’ve seen CSC put up since my move to Boston in 2011. Continue reading

Sep 08

“Sweeney Todd” Delights in Dire Tragedy

Christopher Chew, Paul C. Soper. Photo by Mark S. Howard

Photo by Mark S. Howard. Christopher Chew, Paul C. Soper.

Presented by the Lyric Stage of Boston
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed & Staged by Spiro Veloudos
Music Director, Jonathan Goldberg

Sept. 5 – Oct. 11, 2014
140 Clarendon Street
Boston, MA 02116
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Review Gillian Daniels

(Boston, MA) In today’s entertainment landscape, probably the most surprising thing about The Lyric Stage’s production of Sweeney Todd: The Demon Barber of Fleet Street is how un-sexy it makes murder. No, grisly death probably shouldn’t be attractive as a rule, but television shows like Hannibal and Dexter and even some thriller novels give serial killers a stylized warmth. Blood is splashed artfully over plastic tarps and cannibalized flesh is prepared with exquisite attention to detail for unsuspecting dinner guests. Stephen Sondheim’s infamous musical gives us only Sweeney Todd’s icy vengeance, spinning more out of control with every throat he slits in his barber’s chair, and Mrs. Lovett’s questionable baking skills. Continue reading

Sep 14

The Hound of the Baskervilles: Romping on the Moors

Bill Mootos as Dr. Watson and Remo Airaldi as Sherlock Holmes in The Hound of the Baskervilles performing September 7 - October 2, 2011 at Central Square Theater, 450 Massachusetts Avenue, Cambridge, MA. Photo: Elizabeth Stewart/Libberding Photography.

The Hound of the Baskervilles by Steven Canny and John Nicholson, Central Square Theatre, 9/7/11-10/2/11, http://www.centralsquaretheater.org/season/11-12/the-hound-of-the-baskervilles.html.

Reviewed by Becca Kidwell

(Cambridge, MA) From the moment the lights go down…and up…and down…it is evident that Steven Canny, John Nicholson, and Thomas Derrah have studied two of the preeminent literature scholars:  The Reduced Shakespeare Company and Monty Python.  This spoof of Sir Arthur Conan Doyle’s The Hound of the Baskervilles’ hilarity starts from the theatre notifications and does not end until the final bows.  Central Square Theatre’s new season starts off with a bang (well..just don’t let Dr. Watson hold the gun). Continue reading