Feb 05

Lead Me On to the Light: “The Bluest Eye” at The Huntington

The cast in The Huntington’s production of The Bluest Eye by Lydia R. Diamond; Photo by T Charles Erickson.

Presented by The Huntington 
Based on the American classic novel by Toni Morrison
Written by Lydia R. Diamond
Directed by Awoye Timpo
Choreography by Kurt Douglas
Music direction by David Freeman Coleman
Original music by Justin Ellington 
Dramaturgy by Sandy Alexandre 
Intimacy direction by Ayshia Mackie-Stephenson

January 28 – March 13, 2022
Digital access available through March 27, 2022
ASL-INTERPRETED PERFORMANCE: Friday, February 11 at 8pm.
OPEN CAPTIONED PERFORMANCE: Tuesday, February 15 at 7:30pm.
AUDIO-DESCRIBED PERFORMANCE: Saturday, February 26 at 2pm
Calderwood Pavilion at the BCA
Boston, MA
The Huntington on Facebook

The Bluest Eye plays in approximately one hour and 40 minutes with no intermission.

Content warning: every kind of violence amidst a Black community

Critique by Kitty Drexel

“Coming together in a circle to tell a story is essential to our humanity. That’s what we’re inviting the community into with The Bluest Eye.” – Director Awoye Timpo

Boston, MA — The synopsis for The Bluest Eye would have a newcomer believe that the play is about unattainable, western i.e. colonialist beauty standards. It is, but The Bluest Eye is about much more. 

Pecola Breedlove (Hadar Busia-Singleton) has come to stay with Claudia (Brittany-Laurelle) and Freida (Alexandria King). We learn through Claudia’s narration all about the Breedloves.  Mrs. Breedlove (McKenzie Frye, who tears the roof off in her role) and Mr. Cholly Breedlove (Greg Alverez Reid) are scarred from growing up in the Midwest. 

Through an examination of their stories, we come to understand Pecola and why she dreams of having blue eyes. Ramona Lisa Alexander,  Brian D. Coats and Lindsley Howard round out the cast. The cast is excellent together and individually in their own right.
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Jul 03

Please, Make the Music Stop: THE MUSIC MAN

Photo by Paul Lyden.

Presented by North Shore Music Theatre
Book by Meredith Willson and Franklin Lacey
Music by Meredith Willson
Direction by Bob Richard
Music direction by Milton Granger
Choreography by Diane Laurenson

June 6 – June 18, 2017
North Shore Music Theatre
Beverly, MA
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) Sometimes, a play gets to an awkward age where it needs to be taken out of circulation for a while so it can age properly and can come back as a nostalgic piece. The Music Man, which was performed recently  at the North Shore Music Theatre, is one of those plays. In the age of Trump, this play’s racist and rape-culture overtones hit too close to home to be enjoyable. Continue reading

Nov 06

“Safekeeping” Reading and Safety in Numbers

Photo by Nile Scott Shots

Photo by Nile Scott Shots.

Presented by The Accessible Theatre
by Rob Zellers
Directed by Adam Sanders

Nov. 3, 2014 at 7:30PM
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
Accessible Theatre on Facebook

Disclaimer: This production included Queen Geek, Kitty Drexel in its cast. For this reason, this review is tempered to accommodate the NETG reviewing policy on Geek performance involvement.

Review by Gillian Daniels
(Cambridge, MA) Joe (Felix Teich) is an artist who creates complex dioramas and a loving and temperamental caretaker of his brother, sixteen-year old Robert (Elliott Purcell).  Due to his cerebral palsy, Robert spends his days bound to their run-down apartment, watching soap operas.  The Accessible Theatre brings us a reading of a play about brothers who have built their own world, insulated from the impoverished, drug-addled reality of their Ohio city.  As with many stories, the status quo is disrupted when a woman, social worker Marianne (Rachel Sacks), walks into their lives.  Her intrusion is a benevolent one, however, an attempt to confirm Robert is getting the help he needs.

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