Oct 10

Meditations on Incorporation: “Lost Tempo”

Photograph credit: Kalman Zabarsky

Presented by Boston Playwrights’ Theatre
By Cliff Odle
Directed by Diego Arciniegas

October 5 – 22, 2017
BPT
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Review by Kitty Drexel

(Boston, MA) Addiction will kill everything you love and then it will kill you. In the 1950’s and 60’s drug dependency, not unlike depression, was considered a moral failing. The US govt. chose to ignore the plight of its people. Today, the opioid epidemic rages around us, silently killing thousands of Americans every day. The occupants of the White House would prefer to pretend we’re living in the 50’s. While the President is very proud to have invented and solved the “opioid crisis emergency” in one afternoon with a press release, updates are nonexistent. In fact the Feds haven’t updated their site since June. Cliff Odle’s Lost Tempo tells us more about the consequences of opioid abuse in 100 minutes than Trump’s administration has in two months.   Continue reading

Oct 10

“The Ghost Sonata” is a Vivid Nightmare

​Presented by Fort Point Theatre Channel
Written by August Strindberg
Directed by Christine Noah

October 6 – October 14, 2017
Fort Point Theatre Channel
Cambridge YMCA Theater
820 Massachusetts Avenue
Cambridge, Massachusetts
Fort Point on Facebook

Review by Gillian Daniels

(Cambridge, MAThe Ghost Sonata is a fever dream wrapped in layers of turmoil and funny, disturbing absurdity. It’s staged to juxtapose the philosophical musings of a 1907 play on the material evils of the world with the current, oppressive toxicity of the contemporary political climate which social media does a great job of worsening. It’s a beautifully-executed nightmare. Continue reading

Oct 06

Latin America without Latinos: EVITA

Presented by North Shore Music Theatre
Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Direction and Choreography – Nick Kenkel
Music Direction – Mark Hartman

September 26 – October 8, 2017
62 Dunham Road
Beverly, MA
NSMT on Facebook

Essay by Craig Idlebrook

(Beverly, MA) You’re going to a play; it’s a play about a different time and a different country – Argentina, mid-century, Evita. Maybe you’re going to escape, maybe you’re going to learn something, maybe you’re going to be entertained. Continue reading

Oct 03

Fair is Foul. Foul is Fair*: “Rev. 23: A Hellish, Farcical Opera”

Photo by Kathy Wittman; keep on rockin’ on, kids.

Presented by White Snake Projects
Creator and libretto by Cerise Lim Jacobs
Composed by Julian Wachner
Directed by Mark Streshinsky
Conducted by Lidiya Yankovskaya
Dramaturgy by Cori Ellison
Choreography by Yury Yanowsky

Sept. 29 – Oct. 1, 2017
John Hancock Hall
Boston, MA
White Snake Projects on Facebook

Review by Kitty Drexel

The city does not need the sun or the moon to shine on it, for the glory of God gives it light, and the Lamb is its lamp.”
Revelation 21:23Bible, New International Version  (NIV)

(Boston, MA) White Snake Projects is giving the BLO a run for their money. It’s my sincere hope that artists and their audience will watch the works of both companies but, if one has to choose, WSP may be the winner in the competition for attendees. Its edgy productions are worth the commitment. Continue reading

Oct 02

Zeitgeist Stage Company presents “Faceless” thru Oct. 7, 2017

Photo by Reinhold Mahler

Presented by Zeitgeist Theatre Company
by Selina Fillinger
directed by David J. Miller

September 15 – October 7, 2017
Plaza Black Box Theater
Boston Center for the Arts
Boston, MA

Performance are Wednesday and Thursday at 7:30 PM, Friday at 8:00 PM, Saturday at 4 and 8 PM, and Sunday at 4 PM with talkbacks following the Sunday matinees.

Tickets are available at http://www.bostontheatrescene.com/season/Faceless/. Subscriptions and more information can be found at www.ZeitgeistStage.com.

In Faceless eighteen-year-old Susie Glenn is on trial for conspiring to commit acts of terrorism, and recent Harvard Law grad and practicing Muslim, Claire Fathi, has been brought on to prosecute. Though pitted against one another in the courtroom, these two young women are fighting a similar battle to defend their morals, motives and religious freedoms in this riveting and timely new drama. An explosion of identity politics, questions of faith, and a face-off between two seemingly diametrically-opposed women drives this compelling narrative.

Cast: David Anderson, Aina Adler, Robert Orzalli, Ashley Risteen, Victor Shopov

ScenicDesign: David Miller
Lighting Design: Michael Clark Wonson
Sound Design: Jay Mobley
Costume Design: Elizabeth Cole Sheehan
Stage Manager: Margaret Umbsen

Publicity Photography: Reinhold Mahler
Production Photography: Richard Hall/Silverline Images

Sep 26

Conversations in the Life: WARHOLCAPOTE

Stephen Spinella and Dan Butler as Andy Warhol and Truman Capote. Photo: Gretjen Helene Photography

Presented by the A.R.T.
From the words of Truman Capote and Andy Warhol
Adapted by Rob Roth
Directed by Michael Mayer

Sept. 10 – Oct. 13, 2017
Loeb Drama Center
64 Brattle Street
Cambridge, MA 02138
ART on Facebook

Review by Kitty Drexel

(Cambridge, MA) I wanted to enjoy WarholCapote more than I did. The script is adapted from actual conversations between two venerated artists of the 20th Century. I anticipated that it might offer some insight into their unique personas. And for some who watch this play, it will. Unfortunately, at the end of the day, WarholCapote is a two man show about two famous artists name dropping and gossiping like two grandpas at a checkerboard. It’s not for everyone, but it could be for you. Continue reading

Sep 12

Hoping That the Next Leap Will Be Their Leap Home: “Constellations”

Nael Nacer & Marianna Bassham in CONSTELLATIONS. Photo: A.R. Sinclair Photography

Presented by Underground Railway Theater
Written by Nick Payne
Directed by Scott Edmiston

Sept. 7 – Oct. 8, 2017
Central Square Theater
Cambridge, MA
CST on Facebook
Go here to learn more about how humans are killing bees at an alarming rate
MassBee.org
Follow the Honey for delicious local and beyond honey products

Review by Kitty Drexel

(Cambridge, MA) The ancient Greek believed that bees were the messengers of the Gods. Bees could divine the future, and acted as emissaries to Olympus. Keeping bees was and still is a sensitive vocation. It requires a gentle hand and a hardy constitution. Human beings require bees to live, but not vice versa. Continue reading

Nov 11

The Church is the Thing: HAMLET

Photo by Nile Scott Shots; Marianna Bassham and Ross MacDonald.

Photo by Nile Scott Shots; Marianna Bassham and Ross MacDonald.

Presented by Actors’ Shakespeare Project
By William Shakespeare
Directed by Doug Lockwood

October 5 – November 6, 2016
Church of the Covenant
Boston, MA
ASP on Facebook

Review by Craig Idlebrook

(Boston, MA) Hamlet is often seen as a humanist play, one where the lead character, instead of taking much of any action, spends much of his time pondering the meaning of life, the universe, and everything. Continue reading

Nov 05

Death is Not A Fight You Win: MALA

Presented by ArtsEmerson
Written and performed by Melinda Lopez
Directed by David Dower
Dramaturgy by P. Carl

Oct 27 – Nov. 20, 2016
Audio Described Performance: SAT, NOV 12 @ 2PM
American Sign Language Performance: SAT, NOV 19 @ 2PM
Emerson/Paramount Center
Jackie Liebergott Black Box Theatre
Boston, MA
ArtsEmerson on Facebook

Review by Kitty Drexel

(Boston, MA) Forgiveness is a conscious act of releasing pain. To forgive oneself is to choose to unburden purposeful self-torment. It’s one of the hardest gifts to give ourselves and the most necessary. Mala is not a show about a woman who has forgiven herself for the role she played in her parents deaths. It is about a woman so torn up that she must relive her role in them with each performance. Continue reading

Nov 03

Happiness is the Only Life Plan: TIGER STYLE!

Presented by the Huntington Theatre Company
Written by Mike Lew
Directed by Moritz von Stuelpnagel

Oct. 14 – Nov. 20, 2016 Extended!
South End
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) After a certain point, it’s your own fault if your “messed up” childhood is still ruining your adult life. If you live in your own space, have a real job(s), pay taxes or equivalent, date people your parents haven’t vetted, etc., then you’re old enough to work out some of the trauma they caused you with a therapist or dominatrix. You can’t blame your parents for how you choose to live after you’ve moved out. Adulthood means you get to choose what that means. What that means is get your stuff constructively sorted. Continue reading