Dec 02

Looocy, You Got Some ‘Splaining to Do: Heart & Dagger’s SWEENEY TODD

Promotional Art by Heart & Dagger

Promotional Art by Heart & Dagger

Presented by Heart & Dagger Productions
Music and lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed by Joey C. Pelletier
Music direction by Michael Amaral

Nov. 19 – Dec. 4, 2016
Stanford Calderwood Pavilion
Boston Center For The Arts
527 Tremont St
Boston, MA 02116
H&D on Facebook

Review by Kitty Drexel

(Boston, MAHeart & Dagger’s approach to Sweeney Todd: The Demon Barber of Fleet Street is highly unusual. It’s design harkens back to the original “Penny Deadfuls” in a way fancy pants professional productions don’t. It revels in its everyday horrors. It’s design brings creative license to the next level. Many strong, risky choices were made in this production. Most of them paid off. Unfortunately, some of the bigger ones did not. Continue reading

Nov 30

Too Many Words: AMADEUS

Moonbox Productions - AMADEUS (L-R) Matthew Zahnzinger - "Antonio Salieri", Cody Sloan - "Amadeus Mozart" Photographer: Earl Christie

Moonbox Productions – AMADEUS, (L-R) Matthew Zahnzinger – “Antonio Salieri”, Cody Sloan – “Amadeus Mozart”
Photographer: Earl Christie

Presented by Moonbox Productions
By Peter Shaffer
Directed/choreographed by Allison Olivia Choat
Music direction by Dan Rodriguez
Period music consultation by Thomas Carroll

Nov. 25 – Dec. 17, 2016
Plaza Theatre
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

(Boston, MA) Moonbox’s Amadeus is a delightful tragedy. Tragic because Mozart dies. Also tragic because playwright Shaffer likes to hear his own words spoken aloud. It’s made a delight by the elegant, classically lined staging by Choat, and the performances from the cast.   Continue reading

Nov 26

“Bedroom Farce”: The Art of Being in a Relationship

Bedroom Farce HTC 11-16 130Bedroom Farce, by Alan Ayckbourn, directed by Mariah Aitken at Huntington Theatre Company 11/10/16Set Design: Alexander DodgeCostume Design: Robert MorganLighting Design: Matthew Richards© T Charles Erickson Photographytcepix@comcast.net

Bedroom Farce, © T Charles Erickson

Presented by The Huntington Theatre Company
By Alan Ayckbourn
Directed by Maria Aitken

November 11-December 11, 2016
BU Theatre at The Huntington Theatre Company
The Huntington Theatre Company on Facebook

Review by Travis Manni

(Boston, MA) Usually, I’m a sucker for anything British, especially accents and that special brand of English humor. Both passions, as well as the potential for bedroom antics, were just a couple reasons I was excited to attend a performance of English playwright Alan Ayckbourn’s Bedroom Farce. But by the end of the show I was disappointed to realize that the accents were the only British thing about it and the bedroom humor was rather lazy at best. Continue reading

Nov 26

“Margo Veil” a Successful Satirical Noir

Stratton McCrady for photos

Stratton McCrady for photos

Presented by Suffolk University Theatre Department
By Len Jenkin
Directed by Wesley Savick
November 17-20, 2016
Modern Theatre at Suffolk University

Review by Travis Manni

(Boston, MA) I must admit, after glancing at the extensive cast list in the program for Suffolk’s production of Margo Veil, I was a bit concerned that there were going to be too many cooks in the kitchen (or actors on the stage, I suppose). But I was ecstatic to be proved wrong as the fantastical story became more interesting and curiouser and curioser with each scene. Continue reading

Nov 14

Freedom is Not an Inconvenience: HOW SOFT THE LINING

Photo credit: Paul Cantillon, Lidecphoto.com.

Photo credit: Paul Cantillon, Lidecphoto.com. Borders and Hayes sharing a tender moment. Remember folks: intersectional feminism or nothing at all. 

Presented by Bad Habit Productions
Written by Kirsten Greenidge
Directed by M. Bevin O’Gara
Dialect coaching by Steven E. Emanuelson
Dramaturgy by Phaedra Scott
Fight choreography by Margaret Clark
Nov. 5 – 20, 2016

Boston Center for the Arts
Boston, MA
Bad Habit on Facebook
Review by Kitty Drexel

(Boston, MA) How Soft the Lining is nearly a performance ready script. It isn’t there yet. There was a lot of good. There was some not so good too. It has a beautiful story that history nearly forgot thanks to history’s disregard for women’s stories. Thanks to Greenidge, we won’t forget. Continue reading

Nov 11

The Church is the Thing: HAMLET

Photo by Nile Scott Shots; Marianna Bassham and Ross MacDonald.

Photo by Nile Scott Shots; Marianna Bassham and Ross MacDonald.

Presented by Actors’ Shakespeare Project
By William Shakespeare
Directed by Doug Lockwood

October 5 – November 6, 2016
Church of the Covenant
Boston, MA
ASP on Facebook

Review by Craig Idlebrook

(Boston, MA) Hamlet is often seen as a humanist play, one where the lead character, instead of taking much of any action, spends much of his time pondering the meaning of life, the universe, and everything. Continue reading

Nov 05

Death is Not A Fight You Win: MALA

Presented by ArtsEmerson
Written and performed by Melinda Lopez
Directed by David Dower
Dramaturgy by P. Carl

Oct 27 – Nov. 20, 2016
Audio Described Performance: SAT, NOV 12 @ 2PM
American Sign Language Performance: SAT, NOV 19 @ 2PM
Emerson/Paramount Center
Jackie Liebergott Black Box Theatre
Boston, MA
ArtsEmerson on Facebook

Review by Kitty Drexel

(Boston, MA) Forgiveness is a conscious act of releasing pain. To forgive oneself is to choose to unburden purposeful self-torment. It’s one of the hardest gifts to give ourselves and the most necessary. Mala is not a show about a woman who has forgiven herself for the role she played in her parents deaths. It is about a woman so torn up that she must relive her role in them with each performance. Continue reading

Nov 03

Happiness is the Only Life Plan: TIGER STYLE!

Presented by the Huntington Theatre Company
Written by Mike Lew
Directed by Moritz von Stuelpnagel

Oct. 14 – Nov. 20, 2016 Extended!
South End
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) After a certain point, it’s your own fault if your “messed up” childhood is still ruining your adult life. If you live in your own space, have a real job(s), pay taxes or equivalent, date people your parents haven’t vetted, etc., then you’re old enough to work out some of the trauma they caused you with a therapist or dominatrix. You can’t blame your parents for how you choose to live after you’ve moved out. Adulthood means you get to choose what that means. What that means is get your stuff constructively sorted. Continue reading

Nov 02

Shakespeare…with Zombies: “Twelfth Night of the Living Dead”

Photo courtesy of Anthem's Facebook page

Photo courtesy of Anthem’s Facebook page

Presented by Anthem Theatre Company
Based on the work by William Shakespeare
Script by Brian MacInnis Smallwood
Directed by Bryn Boice

October 27 – November 5, 2016
Plaza Black Box Theatre at the Boston Center for the Arts
Boston, MA
Anthem on Facebook

Review by Craig Idlebrook

(Boston, MA) I’m going to make a case for why Twelfth Night of the Living Dead, a mashup of Shakespeare and zombie movies, rises above its original source material. And I’m making this case post-Halloween, so I’m not gripped with Salem festival-like fever. Continue reading

Oct 27

Beautiful and Painful: “The Scottsboro Boys”

Nile Hawver / Nile Scott Shots; The ensemble getting down.

Nile Hawver / Nile Scott Shots; The ensemble getting down.

Presented by SpeakEasy Stage Company
Music and Lyrics by John Kander and Fred Ebb
Book by David Thompson
Original Direction and Choreography by Susan Stroman
Directed by Paul Daigneault
Musical Direction by Matthew Stern
Choreography by Ilyse Robbins

October 21 – November 26
Calderwood Pavilion, Boston Center for the Arts
527 Tremont Street
Speakeasy on Facebook

Review by Danielle Rosvally

(Boston, MA) It’s difficult to know what to say about The Scottsboro Boys.  The piece is uncomfortable to watch not because of its incredible talent or flawless direction and design, but rather because it’s meant to be uncomfortable to watch.  The show is a remixed account of the historical case of The Scottsboro Boys, nine young black men who in 1931 were accused of raping two white women on a train, told through the lens of American Minstrelsy.  Performed with gusto and amazing energy, SpeakEasy’s production is a triumph that should be mandatory viewing for any American (particularly in an election year as fraught with the urge to “just give up” as this one has been). Continue reading