Jan 07

A Parental Nightmare or Fantasy: MEMORY HOUSE

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***With Apologies to Merrimack Repertory Theatre and the cast of Memory House, this review was intended to be published during the October/November run****

Susan Pellegrino and Rebecca Blumhagen. Photo by Meghan Moore

Susan Pellegrino and Rebecca Blumhagen. Photo by Meghan Moore; snuggles.

by Kathleen Tolan
Directed by Melia Bensussen

presented by Merrimack Repertory Theatre
50 E. Merrimack Street
Lowell, Massachusetts 01852
October 25th – November 18th, 2012

Merrimack Repertory Theatre Facebook Page

Review by Craig Idlebrook

(Lowell) Family dramas on stage and screen are filled with “explanation” moments, when a parent is called out by a now-grown child to explain the who, what and where, when, how and why of family history.  The explanation moment can be a blessing or a curse, as it hits home for parents just how much they’ve screwed up their children’s lives while also giving them the chance to make their cases before the court.  This theatrical device can be used sloppily for Lifetime dramas or effectively for Oscar-bait movies. Continue reading

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Dec 17

Enduring Marriage: HALF N’ HALF N’ HALF

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Carol Halstead, Zoë Winters, Andrew Pastides and Jim Ortlieb. Photo by Meghan Moore.

Carol Halstead, Zoë Winters, Andrew Pastides and Jim Ortlieb. Photo by Meghan Moore.

by John Kolvenbach
directed by Kyle Fabel

Merrimack Repertory Theatre
50 East Merrimack Street
Lowell, MA
November 29th – December 23rd, 2012
Merrimack Repertory Theatre Facebook Page

Review by Craig Idlebrook

(Lowell) It is frustrating to see a craftsman like playwright John Kolvenbach run rings around pedestrian writers.  His play Half n’ Half n’ Half shows that he understands how a play functions on a deep level and that he could write in any genre he chooses, from The Seagull to Lend Me a Tenor.  Kolvenbach toys with the audience in several genres with this comedy, while demonstrating his near-mastery of them all.  This is more than an exercise in play writing, however.  Throughout this script of multiple plays, Kolvenbach is able to document how a lifetime romantic commitment often drives us to need to be committed. Continue reading

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Nov 29

Tender to the Touch:”Burning Up the Dictionary”

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Photo credit: Vagabond Theatre Group; Meyer and Hoover are about to suck face. Awesome.

presented by Vagabond Theatre Group
written by Meron Langsner
directed by James Peter Sotis
incidental music by Santiago Cardenas

November 28 – December 1, 2012
Rehearsal Hall A
Calderwood Pavilion
Boston Center for the Arts

Vagabond Theatre Group Facebook Page

(Boston) George (Tim Hoover) and Suzie-Fay (Cassandra Meyer) are best buds attempting to reconcile their friendship after ending their intense love affair. To say that “it’s complicated” would be putting it mildly. In this 2 act play by Meron Langsner, George and Suzie navigate their break-up and learn that sometimes love isn’t enough. Continue reading

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Nov 27

Charm and Spirit: “Sunset Blvd”

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Photo credit: Pentucket Players, Inc

presented by Pentucket Players, Inc.
Sunset Boulevard

Book and lyrics by Don Black and Christopher Hampton
Music by Andrew Lloyd Webber
Based on the 1950 film of the same title
Movie directed and co-written by Billy Wilder, produced and co-written by Charles Brackett

Rogers Center for the Arts
Merrimack College
North Andover, MA
Review is based on the performance of Nov. 24 at 8pm.
Performances ran Nov. 16 – 24, 2012
Facebook Page

Review by Kitty Drexel

(North Andover) Sunset Boulevard is based on the classic 1950 American noir film directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett. It is named after the boulevard that runs through Los Angeles and Beverly Hills. William Holden played unlucky screenwriter Joe Gillis. Screen legend Gloria Swanson starred as the silent film star Norma Desmond. She ensnares Gillis with the luxury and excess only oodles of money can buy. What starts as an opportunity to reclaim their successes ends in tragedy for both. Continue reading

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Nov 20

“Betrayal”: Soured Love Affair in Reverse

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Photo credit: T. Charles Erickson

by Harold Pinter
Directed by Maria Aitken

presented by Huntington Theatre Company Website
Huntington Theatre Company Facebook Page
Avenue of the Arts / BU Theatre, 264 Huntington Avenue, Boston
Nov 14 – Dec. 9, 2012

Review by Gillian Daniels

(Boston)With a plot that flows backward, a story about a long-ended affair becomes the story of how two people fell in love. Each layer of their relationship is stripped away, taking a couple who don’t seem to fit together in the least in 1977, chilly Emma (Gretchen Egolf) and the befuddled Jerry (Alan Cox), and re-framing them to reveal who they really are and what they used to be.
Continue reading

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Nov 18

Breaching the Dark: “The Man in The Couch”

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Photograph by Becca A. Lewis

Writer and director Alison Meirowitz/McCarthy
Now running, Nov. 2-18 Thurs-Sat 8pm, Sun 3pm
Review by Kitty Drexel
(Boston) The Man in the Couchis a hard candy nugget of science fiction and horror. On the surface it is smooth and hard and the characters’ inner depths continue to be the same. It isn’t sweet but it can offer some satisfaction. Our main characters are the rock and hard place that they have to breach in order to regain relative sanity/peace. It is reminiscent of The Twilight Zoneepisode “Nothing in the Dark” about an old woman shut away in an apartment to avoid meeting “Mr. Death” (the swoon-inducing Robert Redford). Continue reading
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Nov 17

Dance, The Way Ninjas Intended: “The Radio Show”

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Photo credits: Steven Schreiber and Renee Rosensteel.

 

WORLD MUSIC/CRASHarts PRESENTS THE BOSTON DEBUT OF
Kyle Abraham / Abraham.in.Motion
Performing the Boston premiere of The Radio Show
Friday, November 16, 7:30 pm | Saturday, November 17, 8pm
The Institute of Contemporary Art/Boston
100 Northern Ave
Boston, MA 02210
Abraham.in.Motion Facebook Page

Review by Kitty Drexel

(Boston) Kyle Abraham and his troupe move like dancing ninjas. We are very lucky that they aren’t because everyone knows that if you can see the (dancing) ninja, you are already dead.

The Radio Show is a celebration of music and its effects on personal history and cultural identity. The pieces included in this production are inspired by the closing of a Pittsburgh radio station that Abraham listened to growing up. The pre-show includes Duwop radio hits and Abraham himself chatting up the audience. “AM 860” and “106.7 FM” are two dance overtures that explore range of motion while delving deep into the cultural impacts of hip hop, R&B, rap and pop music. Continue reading

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Nov 16

Music to Rock a Revolution: “Rock ‘n’ Roll”

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Photo credit: The Longwood Players; the cast does not headbang in this production.

 

Presented by The Longwood Players
By Tom Stoppard
Directed by Kaitlyn Chantry

Cambridge YMCA Theater
820 Mass. Ave.
Central Square, Cambridge MA
November 9 – 17
Longwood Players Facebook Page

Review by Kitty Drexel

(Cambridge) If you enjoy rock legends such as The Doors, The Velvet Underground, or Pink Floyd (Sid Barrett) with a dollop of political science philosophy, Rock ‘n’ Roll is for you. If not, I suggest skipping this heady production by The Longwood Players. There is a lot to value here but the cerebral participation necessary to enjoy Tom Stoppard’s work may overwhelm the audience goer expecting a lighter devotional to Rock. Continue reading

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Nov 09

Bare Bones Staged Reading: Julie Johnson

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Written by Wendy Hammond
Directed by Becca Kidwell

ONE NIGHT ONLY! Thursday, November 15th at 8pm

Julie Johnson will be presented at Unity Somerville
6 William Street
Somerville, MA 02144
presented by Theatre@First
Theatre@First Facebook Page

Suggested Donation $5 – General Admission – No reservations required

Julie is on the verge of a breakdown. She loves her children but feels the need for a change. Her husband is abusive and she wants to be more than just a wife and mother. Her friend Claire’s life isn’t much better and they struggle through their difficulties. Julie grows as she takes computer classes, which uproots not only her own life but the lives of the people around her.

Please note: This performance contains adult language and volatile domestic scenes.

The Director: Becca Kidwell has directed ten plays so far with her favorites being: The Lion, The Witch, and The Wardrobe and Marla’s Devotion. She has worked in almost every aspect of theatre in the past eighteen years. Most recently she served as an assistant stage manager for Happy Medium Theatre’s production of Romeo and Juliet. She was nominated for an EMACT award for best props design for Walpole Footlighters. She thanks her husband and in-laws for their constant and unwavering love and support.

Bare Bones: Staged Readings at Theatre@First offers directors, casts and audiences the chance to explore a wide variety of plays in a spare, intense setting.

 

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Nov 09

The Man in the Couch: Science Fiction Theatre Company

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Photo credit: Becca A. Lewis

Now running, Nov. 2-18 Thurs-Sat 8pm, Sun 3pm
Boston, MA

 

Shut-in Gigi hasn’t had face to face contact with another human being in years. When a teleportation disaster leaves a soldier fused with her couch, Gigi is forced to diverge from her routine significantly. Time is quickly running out for the soldier but Gigi needs to figure out if he’s a friend, an enemy or something else entirely.
Continue reading

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