Sep 19

Happy Families Don’t Make Good Theatre: “Regular Singing”

Presented by New Rep Theatre
By Richard Nelson
Directed by Weylin Symes
In association with Stoneham Theatre

Sept. 3 – 25, 2016
Arsenal Center of the Arts
Charles Mosesian Theater
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MAMy charming date to New Rep’s Regular Singing described the show as “a play about white people having white feelings about JFK’s assassination” for two hours with no intermission. She continued, “this play isn’t discussing anything new or political.” It barely breaches JFK’s assassination, or singing, for that matter. My lovely, astute companion may have been harsh in her description but she’s not wrong.   Continue reading

Feb 16

“Baltimore”: Damn Straight it’s About Race

2/9/16 Boston Center for American Performance and New Repertory Theatre present BALTIMORE, A BU New Play Initiative Production by Kirsten Greenidge - Directed by Elaine Vaan Hogue - After she’s dismissed from her job in the athletics department, Shelby Wilson becomes Resident Advisor to a group of freshmen—after all, it’ll look good on her resume. She soon discovers that a racially charged incident has set student against student, and it’s up to her to mediate the situation. In this world premiere production, playwright Kirsten Greenidge explores the complexities of racism from the perspective of eight culturally diverse college students. Boston University Theatre, 264 Huntington Ave. (Lane-Comley Studio 210) 2016-02-09-BALTIMORE_033.nef - Photograph By Kalman Zabarsky

2/9/16- Photograph By Kalman Zabarsky

Presented by Boston Center for American Performance and
New Repertory Theatre at the Boston University Theatre
By Kirsten Greenidge
Directed by Elaine Vaan Hogue

February 10-28, 2016
Boston University Theatre
Lane-Comley Studio 210
264 Huntington Avenue
Boston, MA
New Rep on Facebook

Review by Travis Manni

(Boston, MA) I know what you’re thinking. Oh great, another play about race. And yes, this is a play about race. But the problem people don’t see in this thought process is that art exists as a response to society and our experiences living in it. Plays about race would not need to be written if we did in fact live in a post-racial society. So yes, this is a show about race, and if that bothers you then you are exactly the person that needs to see this play. Continue reading

Dec 04

I Missed “The Wiz” for This: THE SNOW QUEEN

Photo by Andrew Brilliant / Brilliant Pictures.

L-R: Nick Sulfaro as Kai, Aimee Doherty as the Snow Queen, and Victoria Britt as Gerda. Photo by Andrew Brilliant / Brilliant Pictures.

Presented by New Rep Theatre
Book by Kirsten Brandt and Rick Lombardo
Music by Haddon Kime
Lyrics by Kirsten Brandt, Rick Lombardo, and Haddon Kime
Additional music, stage direction and choreography by Rick Lombardo
Associate choreographer: Kelli Edwards
Musical direction by Emily Intersimone

Nov. 28 – Dec. 20, 2015
Arsenal Center for the Arts
Charles Mosesian Theater
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MA) We critics want to write positive reviews. For the most part (I can’t speak for everyone), we enter a performance space sincerely hoping that the performance that follows will blow us out of the water with its exceptional talent, creativity, ingenuity and expression of the human condition. We want everyone to do well. Writing a negative review is a draining experience for a critic. The truth can be a bitter pill to swallow. Continue reading

Oct 17

One Out of Three Ain’t Good: “A Number”

Photo by Andrew Brilliant / Brilliant Pictures

Photo by Andrew Brilliant / Brilliant Pictures

Presented by New Rep Theatre
Written by Caryl Churchill
Directed by Clay Hopper

Oct. 10 – Nov. 1, 2015
Arsenal Center for the Arts
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

Apologies to the cast, crew and staff of A Number. Mrs. Drexel caught the sniffle plague and was unable to write intelligibly.

(Watertown, MA) Churchill throws us into the middle of the conflict: Salter (Dale Place) and son are violently discussing the son’s birth origins. Regardless of the half-truths Salter weaves, it is made clear that the Bernards (Nael Nacer) is one of any number of clones. The Bernards hate each other. Salter must come to terms with his rash decision to play God. In her pithy way, Churchill approaches identity, the morality of cloning by way of personal property, and the timeless conflict between nature and nurture. Continue reading

Sep 22

If You’re Alive, You’re Afraid: BROKEN GLASS

Photo by Andrew Brilliant / Brilliant Pictures

Photo by Andrew Brilliant / Brilliant Pictures

Presented by New Rep Theatre in partnership with the Hearing Loss Association of America (HLAA Boston Chapter).
Written by Arthur Miller
Directed by Jim Petosa

Sept. 5 – 27, 2015
Arsenal Center for the Arts
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MA) It is no wonder that America didn’t suspect that Adolf Hilter was a major threat to Europe, Germany, or the world. His staff lead a campaign that depicted him as a congenial yet private Everyman with a love of children and the outdoors. This branding made Hitler out to be a decent guy, not the Jew, intellectual, and LGBT hating dictator he was. America didn’t recognize Hitler for the power-hungry villain he was until it was almost too late. Marketing works, people. Raw Story has an excellent, rather brief article up. I highly suggest reading it for theatrical and historical perspective. Continue reading

Jan 16

The Truth Always Gets Out: MUCKRAKERS

Photo by Andrew Brilliant/Brilliant Pictures

Photo by Andrew Brilliant/Brilliant Pictures

Presented as part of the Next Rep Black Box Festival
Written by Zayd Dohrn
Directed by Bridget Kathleen O’Leary

January 10 – February 1
Arsenal Center for the Arts
Watertown, MA
New Rep on Facebook

Trigger warnings: sexual assault, nudity, sexual situations, adult language, suicide, depression, politics, implied violence

Review by Noelani Kamelamela

(Watertown, MA) This is the 30th season of New Repertory Theatre and the first show in the 2nd annual Next Rep Black Box Festival.  Despite all of the trigger warnings I would highly recommend Muckrakers for adults, particularly those folks interested in exploring the moral issues that are attached to the digital age regarding transparency versus privacy.  Here are the trigger warnings that New Rep provides:  nudity, sexual situations and adult language.  I add onto that these trigger warnings:  implied violence, suicide, depression and politics.  Also, I add on a big, honking trigger warning for people who have been sexually assaulted: you might experience some unpleasant flashbacks. Continue reading

Dec 01

Busy With Important Things; or, Leggings Are Not Pants: THE LITTLE PRINCE

Photo by Andrew Brilliant / Brilliant Pictures

Photo by Andrew Brilliant / Brilliant Pictures

Presented by the New Repertory Theatre
Adapted from the book by Antoine de Saint-Exupéry
Book and lyrics by John Scoullar
Music by Rick Cummins
Directed by Ilyse Robbins
Musical Direction by Todd C. Gordon

Nov. 22 – Dec. 21, 2014
Charles Mosesian Theatre
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MA) The novella The Little Prince is part memoir, part analogy for a grown man’s relationship with his inner child. Scoullar and Cummins adapted Antoine de Saint-Exupéry’s most famous work into a parent-friendly children’s science fiction musical. It has the subject matter to entertain kids and the emotional complexity to interest adults. This is a show heavy with metaphor and analogy. Continue reading

Nov 13

Luminarium Dance Presents: The Sleeprunner, December 2014

sleep runner

THE SLEEPRUNNER
December 5 . 6 . 12 . 13 @
Multicultural Arts Center
41 Second Street
East Cambridge MA
BUY TICKETS
Luminarium Dance on Facebook

Don’t miss Luminarium’s largest production of the season during its two-weekend fall run. The production will take place at the beautiful and historic Multicultural Arts Center (41 Second Street, East Cambridge MA), highlighting the company’s signature imaginative choreography, lighting, and scenic design, while complementing the caliber of its past feature productions Mythos:Pathos (2012) and Secrets & Motion (2013).

What makes Luminarium uniquely dance & theatre?
  • Luminarium is the first dance company to be invited for, then granted, a Bob Jolly Charitable Trust Award, for its productions’ masterful theatricality in addition to dance. (All previous awards have gone to theatre companies and individuals.)
  • Luminarium was featured as one of 10 “Unsung Heroes” in the Boston performing arts scene, alongside New Repertory Theatre and Company One, by Improper Bostonian magazine.
  • Costumes for The Sleeprunner are being created by rising New York costume designer Sueann Leung, whose work was most notably featured in the runway section of the Wall Street Journal.
  • Luminarium’s The Sleeprunner marks another first for the local dance community as one of the smallest/youngest Boston-based companies to be adopting a theatre performance format, expanding to a two-week run.
  • Its performers come from an energetically-eclectic background that include a nationally-acclaimed colorguard performer, professional voice actor, internationally-touring classical Indian dancer, tap-dancing winner of the World Cup in Germany, and (just to add to the diversity) even a PhD candidate in Biology who is an aerial circus artist on the side.
  • The Sleeprunner will be lit and co-choreographed by professional theatre lighting design and choreographer Kim Holman, who does lighting design and choreography for local Boston theatre companies ranging from Babson College to the Boston Public Schools.
Oct 15

A Little Murder Between Friends: ASSASSINS

Photo by Andrew Brilliant/Brilliant Pictures 2014

Photo by Andrew Brilliant/Brilliant Pictures 2014

Presented by New Repertory Theatre
Music and lyrics by Stephen Sondheim
Book by John Weidman
Based on an idea by Charles Gilbert, Jr.
Directed by Jim Petosa
Musical direction by Matthew Stern
Choreography by Judith Chaffee

Oct. 4 – 26, 2014
Charles Mosesian Theater
Watertown, MA
New Rep on Facebook

Please note: there is no intermission for this 2 hour musical.

Review by Kitty Drexel

(Watertown, MA) Society likes to label people who commit atrociously violent acts, Monsters. It is deeply important that we, the good folk of society, acknowledge that the Monsters who murder, harm, victimize, etc. aren’t depraved beasts transformed by mental illness into inhuman criminals. These Monsters are people who do monstrous things. So, if these Monsters are human just as we are human, then it follows that we must accept the possibility that we too are capable of monstrous acts. Continue reading

Jun 23

He Who Watches the Watchers: PATTERN OF LIFE

Nael Nacer as Rahmat Lewis D. Wheeler as Carlo; Photo: Courtesy of New Repertory Theatre.

Handsome devils: Nael Nacer as Rahmat, Lewis D. Wheeler as Carlo; Photo courtesy of New Rep/BCAP Facebook page.

Presented by New Repertory Theatre and Boston Center for American Performance (BCAP)
By Walt McGough
Directed by Bridget Kathleen O’Leary

June 14 – 29, 2014
Boston University Theatre – Lane-Comley Studio 210
264 Huntington Avenue
Boston, MA
New Rep on Facebook
BCAP on Facebook

Review by Kitty Drexel

(Boston) President Obama has received flak from all political sides for his decision to back govt.-sourced  drone proposals. It has been 5 years and 5 months since the CIA conducted the first strike during Obama’s term and he shortly thereafter ramped up the attacks in Pakistan, Somalia and Yemen. He went so far as to say that “he wrestle[s] with civilian casualties. But, he said, he has a solemn duty and responsibility to keep the American people safe. That’s my most important obligation as President and Commander-in-Chief. And there are individuals and groups out there that are intent on killing Americans — killing American civilians, killing American children, blowing up American planes.” (Huffington Post) While drone attacks have decreased once his numbers started suffering, attacks have not stopped entirely. Clearly, Obama “wrestles” with casualties enough to make a statement but not enough to discontinue drone use. Continue reading