Tag Archives: Nazis

Oct 09

How I Learned to Stop Worrying and Love Uranium: “Delicate Particle Logic”

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Photos by Jake Scaltreto; Christine Power as Lise Meitner, Barbara Douglass as Edith Hahn. Blanket babies are the easiest babies.

Presented by Flat Earth Theatre Company
By Jennifer Blackmer
Directed by Betsy S. Goldman
Dramaturgy by Regine Vital  
Violence choreography by Cassie Chapados  
Dance choreography by Meghan Hornblower  
Language consultation by Allison Olivia Choat  
Artistic ASL direction by Elbert Joseph

September 28th – October 13th, 2018
ASL-Interpreted Performance: October 13th at 8pm
The Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA
Flat Earth on Facebook

Trigger warning: One character is willingly committed to an asylum, misandry

Critique by Kitty Drexel

“Science and art both relentlessly pursue truth and meaning. In the past, scientific and medical procedures were performed in front of witnesses, audiences, if you will, who were able to verify the truth of what took place. For me, science and art were never at odds, and part of my overall goal as an artist is to get audiences to understand that. We still think of science and art as two separate cultures, but they’re more alike than most people realize.”

  • Flat Earth Theatre interview with Jennifer Blackmer

(Watertown, MA) Jennifer Blackmer crams a lot into two hours of theatre. Delicate Particle Logic (DPL) tells the story of how Otto Hahn stole nuclear fission from Lise Meitner. He committed war crimes for the Nazis in the name of “chemistry,” and claimed the Nobel Prize in 1944… Wait, I’m getting ahead of myself. DPL is about Otto Hahn’s work-wife, Meitner, his home-wife, Edith Junghans Hahn, and their imaginary friendship. Edith and Meitner’s performance of emotional and physical labor on behalf of a man holding more respect for his work than for his partners. Between the science and the toxic masculinity, there is art: glorious, painful, epiphanic art. Continue reading →

Mar 26

“The Bakelite Masterpiece”: The voice that asks not “should I,’ but ‘can I?’

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Benjamin Evett (left) and Laura Latreille (right). Photo by Andrew Brilliant/Brilliant Pictures.

Produced by New Rep Theatre
Written by Kate Cayley
Directed by Jim Petosa

March 17 – April 8, 2018
Mosesian Arts Center
Watertown, MA
New Rep on Facebook

Review by Polly Goss

(Watertown, MA) Set in 1946 among the rumble of post-war Holland, The Bakelite Masterpiece immerses you in the days leading up to the trial of forger Han Van Meergeren. Awaiting trial for charges of conspiracy with the Nazis, Van Meergeren protests his innocence to the formidable Resistance Officer Geert Piller. Based on true events, this captivating moral drama gives voice to a nation struggling to rebuild itself as it emerges from the clutches of fascism. Continue reading →

May 28

Buchenwald, Those Were the Days: LEBENSRAUM

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Photo Credit: Josephine Anes

Photo Credit: Josephine Anes; photo chosen specifically for its derp factor.

Presented by Happy Medium Theatre Co.
By Israel Horovitz
Directed by Brett Marks

May 9 – 23, 2014
The Factory Theater
Boston, MA
Happy Medium on Facebook

Featuring: R. Nelson Lacey, Audrey Lynn Sylvia, Michael Underhill

Review by Kitty Drexel

Trigger Warning: Nazis, Holocaust, Death, Violence, Microaggressions, Gloucester references

(Boston) “Lebensraum” literally translated means “living space.” For the Nazis, it was local colonialism, an expansion of territory in order to displace inferior people. It is based on the manifest destiny principle*.

Lebensraum, the drama, is about the world reaction to a German Chancellor’s televised invitation to the Jewish community to return to Germany. It has a tender love story, media hype and politics to poke your eye out. While the events of the script are not real, the characters’ reactions to the fictional events are. Horovitz’s script is striking because, were the events of the show to actually occur, they would likely occur as they do in his script. His argument is convincing and his psychology is sound. Horovitz has analyzed the human population and found us territorial, racist and surprisingly resilient. It is horrifying to know that while we teach the Holocaust in history, humans have learned almost nothing from it. Continue reading →

Dec 11

The Difficult Toeing Between Past and Present: “It’s a Horrible Life”

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PHOTOS BY MICHAEL VON REDLICH; Featuring Gene Dante, Olive A Nother, Jessica Barstis and Paul Vincent Melendy

PHOTOS BY MICHAEL VON REDLICH; Featuring Gene Dante, Olive A Nother, Jessica Barstis and Paul Vincent Melendy

Presented by Ryan Landry and the Gold Dust Orphans
Directed by James P. Byrnes

December 5th-22nd
Machine:
The Ramrod Center for the Performing Arts
Boston, MA
Gold Dust Orphans on Facebook

Review by Noelani Kamelamela

(Boston) Hot off of Mildred Fierce and dashing towards their spring show Snow White and the Seven Bottoms, Ryan Landry and the Gold Dust Orphans gift Boston with a sweet spectacular at the Ramrod Center for the Performing Arts. Continue reading →

Jun 17

Can an Evergreen Bloom?: THE SOUND OF MUSIC

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Photo©Paul Lyden

presented by North Shore Music Theatre

MUSIC BY: Richard Rodgers
LYRICS BY: Oscar Hammerstein II
BOOK BY: Howard Lindsay and Russel Crouse
Suggested by “The Trapp Family Singers” by: Maria Augusta Trapp
Directed and Choreographed by James Brennan
Music Directed by Dale Rieling

62 Dunham Rd
Beverly, Massachusetts
June 11th – June 23rd, 2013
NSMT Facebook Page

Review by Craig Idlebrook

(Beverly) Most of us can at least list the essentials of The Sound of Music: Julie Andrews, cute kids, nuns, Nazis.  As a child, it’s hard not to like it.  As an adult, it’s hard not to make fun of it.  As a regional theatre, it’s hard to do well.  Like It’s a Wonderful Life and A Christmas Carol, audiences know what they want to get out of this play, and too many theaters sigh and go along with it.  It’s like playing with a three-year old nephew through Thanksgiving dinner because it’s easier than dealing with the tantrum. Continue reading →

Sep 14

Bent, Not Broken

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BENT
Presented by Theatre@First
A Play by Martin Sherman
Directed by Nick Bennett-Zendzian

Theatre@First Facebook Page

Performances: Friday, September 14 – Saturday, September 22
Unity Somerville, 6 William Street at College Ave.
TICKETS – $15 for adults, $12 for students/seniors. Group discounts available.

Review by Gillian Daniels

(Somerville) When the stakes grow to dizzying heights, Theatre@First’s production of Bent has the power to draw its audience as tightly as a bowstring. The air crackles expectantly as viewers wait for the other shoe to drop.  As its characters are fenced in with barbed wire and SS guards, they are left with nothing but the hope that things can’t get any worse.  It certainly will, especially when that backdrop is the Holocaust and the principal characters are homosexual. Continue reading →