Aug 05

Blast Off Achieved: “Astro Boy and the God of Comics”

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Banner courtesy of the C1 Facebook page

Presented by Company One
Written and Directed by Natsu Onoda Power

July 19-August 16, 2014
Plaza Theatre at Boston Center for the Arts
Boston, MA
C1 on Facebook

Review by Noe Kamelamela

(Boston) Sci-fi disciples should rocket into the BCA to catch Astro Boy and the God of Comics.  Company One not only delivers the flash and joy of Mighty Atom, but also ably handles the more thorny political commentary.  Violence, death, and some racially offensive content are referenced. Continue reading

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Apr 24

Episode 4 Geeks Nerds and Artists Benjamin Zander Part 3

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Episode 4:  Benjamin Zander Part 3

(recorded live) We discuss the bringing art to the people, exploring new paths, and making memories.
http://benjaminzander.com/

Boston Philharmonic Concert, http://www.bostonphil.org/,

MAHLER SYMPHONY No. 7

Thursday, April 26 @ 7:30pm
Discovery Series
Sanders Theatre

Saturday, April 28 @ 8pm
Pre-concert talk at 6:45pm
Jordan Hall

Sunday, April 29 @ 3pm
Pre-concert talk at 1:45pm
Sanders Theatre

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Apr 24

Episode 3 Geeks, Nerds & Artists

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Episode 3:  Benjamin Zander Part 2

(recorded live) We discuss the Boston Philharmonic, arts organizations in general, and arts education
http://benjaminzander.com/

Boston Philharmonic Concert, http://www.bostonphil.org/,

MAHLER SYMPHONY No. 7

Thursday, April 26 @ 7:30pm
Discovery Series
Sanders Theatre

Saturday, April 28 @ 8pm
Pre-concert talk at 6:45pm
Jordan Hall

Sunday, April 29 @ 3pm
Pre-concert talk at 1:45pm
Sanders Theatre

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Apr 24

Episode 2 Geeks, Nerds & Artists Benjamin Zander Part 1

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Episode 2:  Benjamin Zander Part 1

(recorded live) Interview with conductor of the Boston Philharmonic.  Talks about Mahler 7th and how to get people more involved in the arts. http://benjaminzander.com/

Correction:  Mahler waited 6 months  to write the first movement, not 6 years.

Boston Philharmonic Concert, http://www.bostonphil.org/,

MAHLER SYMPHONY No. 7

Thursday, April 26 @ 7:30pm
Discovery Series
Sanders Theatre

Saturday, April 28 @ 8pm
Pre-concert talk at 6:45pm
Jordan Hall

Sunday, April 29 @ 3pm
Pre-concert talk at 1:45pm
Sanders Theatre

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Mar 22

‘Ma Rainey’ Sings the Music of the Soul

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Yvette Freeman and Corey Allen in August Wilson’s MA RAINEY’S BLACK BOTTOM. March 9 – April 8, 2012 at the BU Theatre. huntingtontheatre.org. Photo: T. Charles Erickson.

Ma Rainey’s Black Bottom by August Wilson, Huntington Theatre Company, 3/9/12-4/8/12, http://www.huntingtontheatre.org/season/production.aspx?id=10262&src=t.

Reviewed by Becca Kidwell

(Boston, MA) Music breathes and pulses as each note is played.  The blues provide a voice for the inexpressible feelings of the human experience.  The blues celebrate the good, the bad, and the ugly parts of life in its entirety; it is neither surprising that the blues came out of the African American spiritual tradition, nor that soul, r&b, and hip-hop were derived from the blues and at the core of the best is the heart and soul of the artist.  What happens when that soul is taken away?  Can the heart survive?

This question permeates the existence of each of the characters in August Wilson’s play Ma Rainey’s Black BottomContinue reading

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Nov 23

A Confused Classic: A Christmas Carol

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Brian McEleney as Ebenezer Scrooge and the cast of the 35th annual production of Dickens' A Christmas Carol, adapted by Adrian Hall and Richard Cumming, directed by Christopher Windom, presented by Cardi’s Furniture with supporting sponsor Amica Insurance. Performances will be November 18 - December 30 in the Chace Theater. Set design: Michael McGarty; Costume Design: William Lane; Lighting Design: John Eckert. Photo by: Mark Turek.

A Christmas Carol, adapted from Charles Dickens’ novel by Adrian Hall and Richard Cumming, original music by Richard Cumming, Trinity Repertory Company, 11/18/11-12/30/11, http://www.trinityrep.com/on_stage/current_season/ACC.php.

Reviewed by Craig Idlebrook

(Providence, RI) At first glance, it seems easy to perform A Christmas Carol; just round up the usual characters from last year and dust off the crutch.  But staging a play that everyone knows can present a challenge because of audience dogma; everyone has an idea of the way the play should go. A director can be ridden out on a rail if s(he) strays too far from the collective idea of the play.

Confronted with such a double-edged sword, directors have two options.  They may either decide to stage the play faithfully, trying to bring out bits of nuance to keep theater-goers and actors from falling asleep, or stage the play in a new way that helps the audience examine why it has become such a cultural icon.  Continue reading

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