Jun 16

Liminal Spaces for Desettlement: “The Orchard”

The Making of THE ORCHARD Virtual Experience from Igor Golyak on Vimeo.

Presented by Arlekin Players Theatre & (zero-G) Lab
Conceived, adapted, and directed by Igor Golyak
Based on The Cherry Orchard by Anton Chekhov, as translated by Carol Rocamora 
With new material by Igor Golyak 
Robotics designed by Tom Sepe
Music composition by Jakov Jakoulov
Emerging technologies design by Adam Paikowsky
American Sign Language direction by Seth Gore
Translations by Carol Rocamora
Full creative crew credits are HERE
Featuring Jessica Hecht, Juliet Brett, Darya Denisova, Elise Kibler, John McGinty, Nael Nacer, Mark Nelson & Ilia Volok
Mikhail Baryshnikov as Anton Chekhov and Firs

June 16 – July 3, 2022
The Orchard is a hybrid piece of theater and can be seen in two formats:
Live & In-Person
Baryshnikov Arts Center, NYC
&
Virtual Experience, Online
(zero-G) Lab

The show runs just under 2 hours, with no intermission.

Review by Kitty Drexel

This review is of the virtual performance of The Orchard on Tuesday, June 14, 2022.

New York & Online — The Arlekin Players are no strangers to the digital theatre. Their productions of chekhovOS / an experimental game/, Witness, and State vs. Natasha Banina were wildly successful. chekhovOS / an experimental game/ and Witness were both live and audience-interactive in ways that the theatre community hadn’t seen before. These shows navigated the new frontier of digital theatre by showing artists and audiences what is possible. 

They were also super cool to watch.  Continue reading

Jun 10

Fate from a Fish Called Olga: “chekhovOS /an experimental game/”

chekhovOS /an experimental game/: Pretty in pink

chekhovOS /an experimental game/
Presented by Arlekin’s Zero Gravity (zero-G) Lab & The Cherry Orchard Festival Foundation
Inspired by The Cherry Orchard by Anton Chekhov
Conceived & Directed by Igor Golyak
Produced by Igor Golyak & Sara Stackhouse
Starring Jessica Hecht, and Anna Baryshnikov, Anna Bortnik, Darya Denisova, Jeffrey Hayenga, Melanie Moore, Nael Nacer & Mark Nelson
Mikhail Baryshnikov as playwright Anton Chekhov
Program slides are HERE (scroll down)

May 16 – June 24, 2021
Streamed over Zoom
Tickets are HERE
Arlekin Players on Facebook 

Review by Kitty Drexel

“Wheel of Morality turn, turn, turn/Tell us the lesson that we should learn.” – Yakko Warner, The Animaniacs  

ZOOM — Science fiction is now in black and white Chekhovian color streaming to an internet tool near you. chekhovOS /an experimental game/ only has a few more performances, so check it out before it disappears forever

There is a brief segment in the Animaniacs cartoon franchise called “The Wheel of Morality” that pokes fun at both game shows and cartoon shows that teach morality while also employing slapstick violence for laughs. In the segment, Yakko Warner turns a large game show wheel while siblings Wakko and Dot watch. Reliably, the spinning wheel lands on a number causing a small computer to print out the episode’s morale. The morale is often silly and almost never applies to the episode. The siblings are then chased off of the lot by Ralph the Guard. We love The Animaniacs in our house for its irreverence. 

The virtual morality of Arlekin Player’s production of chekhovOS /an experimental game/ (not to be confused with their last event Cherry OS /an experiment/) is a lot like the Wheel of Morality: the rules are unclear, the narrators are unreliable and the story isn’t linear. You’ll have a great time as long as you have no attachment to the ending. Try to have fun because nothing is certain. Or is it? Continue reading

Mar 03

Do the Research Before Enjoying: MAN IN A CASE

Presented by ArtsEmerson: The World On Stage
Adapted from Two Stories by Anton Chekhov
Adapted and Directed by Annie-B Parson & Paul Lazar/Big Dance Theater
Choreographed by Annie-B Parson
Featuring Mikhail Baryshnikov, Tymberly Canale, Chris Giarmo, Paul Lazar and Aaron Mattocks

February 25 – March 2, 2014
Emerson/Cutler Majestic Theatre
219 Tremont Street
Boston, MA
ArtsEmerson on Facebook
Baryshnikov Productions on Facebook
Big Dance Theater on Facebook

Review by Kitty Drexel

My apologies to ArtsEmerson, Big Dance Theatre, Baryshnikov Productions and anyone else I forgot to mention for the tardiness of this review. I was waylaid by illness this weekend and couldn’t complete my review.

(Boston) Man in a Case is effective theatre that turns Chekhov on its head while retelling the two classic stories “Man in a Case” and “Almost Love.” It does not bridge the 19th and the 21st centuries as advertised. It does, however, transport the viewer into an existential dreamspace/nightmare of meta and experimental theatre. Just in case one is mislead by my description, this was an interesting, thought-provoking performance but it’s not light fare for a family hoping to experience “culture” in the city. Man in a Case could be considered “weird” and weird theatre can be exquisite. It all depends on perspective. Continue reading