Apr 18

“No Exit”: Raising Hell in a Somerville Basement

Photo by Teri Incampo

Presented by Exiled Theatre
By Jean-Paul Sartre
Adapted from the French by Paul Bowles
Directed by Katharine Jordan

April 14-30, 2017
Auspicious Phoenix: The Space Studio
438 Somerville Ave
Somerville, MA 02143
Exiled Theatre on Facebook, Twitter, and Instagram

Review by Travis Manni

(Somerville, MA) Walking past the Somerville Market Basket, down an alley to the right, I was unsure what to expect from Exiled Theatre’s production of Jean-Paul Sartre’s No Exit. To help set the mood, audience members were directed to “descend into Hell” (aka down a flight of stairs) into a basement space. Bulbs hung from the ceiling, and a modest but tasteful array of couches donned the scene—some were for the actors, some acted as seats for the audience. There was a great amount of effort to prepare the audience for what they were about to witness, and its effect made for a great welcoming. Continue reading

Apr 18

Life’s a Circus: “Barnum”

Shonna Cirone (Charity Barnum), Todd Yard (PT Barnum), Dan Prior (Ensemble) and company; Photograph by Earl Christie Photography.

Presented by MoonBox Productions
Music by Cy Coleman
Lyrics by Michael Stewart
Book by Mark Bramble
Directed and Choreographed by Rachel Bertone
Musical Direction by Dan Rodriguez
Circus Arts/Aerial Choreography by Ellen Waylonis

April 8th – April 30th
Roberts Studio Theatre, Boston Center for the Arts
527 Tremont Street
Moonbox on Facebook

Review by Danielle Rosvally

(Boston, MA) There’s hardly a figure in American History with a life more colorful than showman and notorious Humbug Phineas Taylor Barnum.  The exaggerations and theatrical tall-tales that are hallmark of Musical Theatre find no palette more suited than the true facts of P.T.’s exploits.  It’s therefore small wonder that these exploits became a musical in 1980 (titled, appropriately, Barnum).  What is astounding is the fact that Moonbox was able to match the schmaltz and pizzazz require to bring a true eighties style musical to light and life in full vibrant color at the BCA. Continue reading

Apr 14

Interrupted Lives: “Chill”

Kim Fischer, Maria Jung, Monica Giordano, and Danny Bryck. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Eleanor Burgess
Directed by Megan Sandburg-Zambian

March 22-April 16, 2017
Merrimack Repertory Theatre
50 E. Merrimack Street, Lowell MA 01852
MRT on Facebook

Review by Kate Lew Idlebrook

(Lowell, MA) Maybe you’ve been wondering what your teenaged Millennial child or grandchild was doing while hanging in a basement with friends, or perhaps you’re a nostalgic Millennial looking to recapture that just-before-graduation feeling. Either way, here is your chance, because “Chill” now playing at the Merrimack Repertory Theatre is the perfect opportunity. Continue reading

Apr 14

Harvard University presents FAR AWAY, April 26 – 30, 2017

The Theater, Dance & Media Concentration at Harvard University presents its spring production,
FAR AWAY

By Caryl Churchill
Directed by Annie Tippe

Cambridge, MA:  The newly formed Theater, Dance & Media Concentration at Harvard University launches its third production with Caryl Churchill’s FAR AWAY, directed by Annie Tippe.

Joan wakes up in the middle of the night and sees something she’s not meant to see.  She’s convinced to keep a secret that will forever alter the course of her life. Caryl Churchill’s brief and chilling Far Away paints a not so-far-away future where fear of “the other” rules supreme, and beauty, politics and violence strike an uneasy kinship. Equal parts humorous and horrifying, we are drawn into a fantastical world where even the birds and rivers are at war. Joan is left to ask herself: How do I know if I’m on the “right side”?

FAR AWAY performs April 26-30, in Farkas Hall in the heart of Harvard Square.  

Farkas Hall
12 Holyoke St, Cambridge, MA
Wednesday, Apr. 26, 7:30pm
Thursday, Apr. 27, 7:30pm
Friday, Apr. 28, 7:00pm
Saturday, Apr. 29, 7:30pm
Sunday, Apr. 30, 2pm
Tickets are $5 for students/seniors and $10 for general admission, and are available through

The Harvard Box Office 
12 Holyoke St, Cambridge, MA 02138
Phone:  617-496-2222
TTY:  617-495-1642
www.boxoffice.harvard.edu
For more information, please visit www.tdm.fas.harvard.edu Continue reading

Apr 13

“Everyman”: What’s God like? You’re God like

Image discovered on Apollinaire’s Facebook page.

Presented by Apollinaire Theatre Company
By Carol Ann Duffy
Directed by Dale J. Young

April 7 – May 6, 2017
Chelsea Theatre Works
189 Winnisimmet St.
Chelsea, MA 02150
Apollinaire on Facebook

Review by Polly Goss

(Chelsea, MA) Originally a 15th century Morality Play, British Poet Laureate Carol Ann Duffy’s rewriting of Everyman holds the mirror up to our 21st century consumer-driven society…and the view isn’t pretty. Everyman was an ambitious undertaking for the Apollinaire Theatre Company and at points the script demands a larger stage and company than the Chelsea Theatre Works provides. Continue reading

Apr 03

More Life for All, More Death for Some: “Golda’s Balcony”

Photo by Andrew Brilliant / Brilliant Pictures: Bobbie Steinbach.

Presented by New Rep Theatre
By William Gibson
Directed by Judy Braha

March 25-April 16, 2017
Mainstage Theatre at the Mosesian Arts Center for the Arts
321 Arsenal Street
Watertown, MA
NewRep on Facebook

Review by Polly Goss

(Watertown, MA) Golda’s Balcony tells the story of Israel’s creation through the eyes of one of its most influential authors, Golda Meir – the state’s first and only female Prime Minister. The play follows Golda from her idealistic youth standing on soapboxes in Milwaukee preaching Zionism, up until one fateful night in the Yom Kippur War in 1973. Continue reading

Mar 27

Hope Is Not Dead at 24: “The Little Dog Laughed”


Presented by
Take Your Pick Productions
By Douglas Carter Beane
Directed by Cassandra Lovering

March 24 – April 7, 2017
Plaza Black Box Theater
Boston Center for the Arts
Boston, MA

Trigger warning – brief but not inconsiderable penis

Review by Kitty Drexel

Hey diddle diddle,
The cat and the fiddle,
The cow jumped over the moon,
The little dog laughed to see such sport,
And the dish ran away with the spoon.”
-an English nursery rhyme.

(Boston, MA) The Little Dog Laughed spins heteronormative Hollywood on its ass. It unmasks the romantic comedy paradigm and reveals the festering truths wriggling underneath the surface of lies. It does so sweetly, calmly, but so honestly.   Continue reading

Mar 27

“Sinners (The English Teacher)”: You can’t cross the same river twice

Photo by CHARLES MCATEER

Presented by: Greensboro Arts Alliance & Residency/The Mirror Theater, Ltd. in collaboration with New Repertory Theatre and Boston Center for American Performance
By Joshua Sobol
Directed by Brian Cox

March 23 – April 2, 2017
Theatre Lab@855
855 Commonwealth Avenue
Boston, MA
New Rep on Facebook

Review by Polly Goss

(Boston, MA)“Sinners” tells the story of the condemned English professor Layla (Nicole Ansari), as she awaits execution by stoning for having had an affair with her student, Nur (Ben Getz). The unnamed theocracy in which the story takes place has clear parallels to modern day Saudi Arabia. However, Layla’s characterization relies heavily on the Old Testament view of femininity, women are the dangerous corruptors of man’s innocence; Layla is a modern day Eve, Jezebel or Delilah. Cox’s artful direction places this tragic love story within a broader feminist framework, as we see a passionate woman literally crushed by the forces of patriarchy. Continue reading

Mar 20

First Do Harm: “Mrs. Packard”

Photo credit: Marc J. Franklin; Mrs. Packard and inmates.

Presented by Bridge Repertory Theatre & Playhouse Creatures Theatre Company
Written by Emily Mann
Directed by Emily Ranii

March 15 – April 9, 2017
Multicultural Arts Center
East Cambridge, MA
Bridge Rep on Facebook
Playhouse Creatures on Facebook

Review by Kitty Drexel

Trigger Warnings: Torture, domestic abuse, nudity, implied horror, gaslighting

Peter, Peter, pumpkin-eater,
Had a wife and couldn’t keep her;
He put her in a pumpkin shell,
And there he kept her very well.”
– Traditional nursery rhyme about “Peter” who couldn’t control his (allegedly sexually adventurous) wife so he killed her.  

(East Cambridge, MA) The more things change; the more they stay the same. Mrs. Packard is about how a panel of straight, white men made uninformed decisions on a woman’s health without her consent. Sound familiar? It should. It’s 2017, and treating women with respect is still a revolutionary act. Continue reading

Mar 18

“Silent Sky”: Fearless Feminism in the 19th Century

Photo credit: Jake Scaltreto

Presented by Flat Earth Theatre
By Lauren Gunderson
Directed by Dori A. Robinson

March 10-25, 2017
The Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472

Review by Travis Manni

(Watertown, MA) The impact that women have had in shaping our view of the world is so profound and infinite it could fill the sky. Often, their significance is overlooked, but it’s lovely seeing these roles brought to light in the arts. In its New England premiere production, Flat Earth Theatre brings to life the love, loss, and feminism of Lauren Gunderson’s Silent Sky. Continue reading