Sung in German with supertitles, dialogue in German for performer acting and audience comprehension compatibility.
Review by Kitty Drexel
(Boston, MA) Beethoven nails the human condition with his only opera. Fidelio is about the lengths we go to for those we love. Yet, Beethoven reminds us, it is unwise to underestimate the insecurities of the vengeful. NEMPAC’s production was a challenging joy.Continue reading →
Trigger warning for drug use, and sharp, loud noises.
(Boston, MA) Some adults who identify as homeless choose to be there. This doesn’t account for all of them, merely some of the population. These people who do choose to live on the streets, or off the grid are still people. They deserve compassion, and respect. Boston forgets that. People forget that. Los Meadows helps us remember our shared humanity.Continue reading →
May 19 – June 11, 2017 Funhouse Lounge Portland, Oregon Fuse Theatre on Facebook
Review by Kitty Drexel
A very special thank you to Fuse Theatre and Funhouse Lounge for allowing me to review their excellent production!
(Portland, OR) Our existence is our resistance. One basic way we as minority community members can fight back against the current bullshit political crisis is by refusing to be silent or ignored. Theatre makers, we can make as much noisy, politically incorrect and socially unacceptable art. As the TCG 2017 Conference asked how we go about celebrating equity, diversity and inclusivity, I gathered by people. We ran across the bridge to Fuse Theatre’s production of Sordid Lives.
Presented by Huntington Theatre Co.
By David Lindsay-Abaire
Directed by Jessica Stone
Original music by Mark Bennett
Choreography by Misha Shields
May 26 – June 25, 2017 South End
Calderwood Pavilion of the Arts
Huntington on Facebook
Review by Kitty Drexel
(Boston, MA) Times are not good right now in America. It’s hard being a freedom loving, feminist, liberal during a reign of political terror. Thank goodness there’s escapist theatre that warms the heart and only lightly pings the brain. Ripcord at the Huntington Theatre is just such a show. It isn’t high art. It isn’t activist art. It is a reminder that none of us are free until we’re all free.Continue reading →
(Dorchester, MA) The law isn’t interested in justice. It’s purpose is to execute “due process” as cheaply and swiftly as possible. It is historically, contemporarily, and immediately evident that the law performs based on the golden rule: he with the most gold (and the whitest skin) rules. Poverty means that an innocent man can spend the rest of his life in prison for a crime he didn’t commit. People of color get fucked by the legal system regularly. Praxis Stage’s Jesus Hopped the A Train isn’t fiction. It’s non-fiction utilizing fiction to blast unfortunate truths.Continue reading →
Glenn Perry Photography; Jennifer Ellis & Christiaan Smith.
Presented by SpeakEasy Stage Company Book by Marsha Norman Music, lyrics and orchestrations by Jason Robert Brown Based on the novel by Robert James Waller Directed by M. Bevin O’Gara Music directed by Matthew Stern Choreography by Misha Shields
Presented by Open Theatre Project Created by Lynda Backman, Molly Gilbert, Zahra A. Belyea, Sarah Jacobs, Rosie Mcinnes, Robin Abrahams, Hal Halper, J. Deschene, Lydia Jane Graeff, Athena-Gwendolyn Baptiste Directed by Lynda Bachman and Molly Gilbert
(Jamaica Plain, MA) OTP’s Fear Project tells human stories of insecurity and fragility. It is comprised in two halves of short vignettes strung to make a unified narrative. They slowly reveal the interconnected fears of an estranged brother and sister struggling to maintain their family ties. They suffer their secrets alone even as they project the same fears.Continue reading →
“The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements.” – Lady Macbeth, Mackers, Shakespeare
(Boston, MA) Baby Boomers have ruined the economy for millennials. My own well-intentioned parents asked me when I’m going to buy a house. My wife and I could only laugh. Then we cried. We cried a lot. It’s not going to happen. We have too much student loan debt. Houses in Somerville are no longer things the middle-class can afford. Continue reading →
(Boston, MA) Emasculation is something a man allows himself to feel. He can prevent emasculation by choosing not to feel that way. He can choose not to let society’s BS gender roles impact his self-definition of manhood. Flip the script: change how you think to change how you feel.Continue reading →