Jul 01

People Can Only Be Who They Are As Written: THE WAKEVILLE STORIES

with Meg Di Maggio and Michael Kelly at Veterans' Memorial Cemetery. Photo credit: Matty Mae Theater Project

with Meg Di Maggio and Michael Kelly at Veterans’ Memorial Cemetery. Photo credit: Matty Mae Theater Project

The Wakeville Stories
Presented by Matty Mae Theater Project
Written by Laurence Carr
Directed by Kristin Carr

June 19-28, 2015
2 Venues:
1. Davis Square Theatre
255 Elm St
Somerville, MA

2.Somerville Veterans’ Memorial Cemetery
1330 Broadway
Somerville, MA
Wakeville Stories on Facebook

Review by Kitty Drexel

(Somerville, MA) The landscaping of the Somerville Veterans’ Memorial Cemetery with its high walls and leafy trees made a charming stage for The Wakefield Stories. The gardens of the cemetery were a vibrant contrast to the occasionally morbid script. The hum of bees accompanied actors’ dialogue on the effects of war on communities. The Matty Mae Theater Project performed this new work by Laurence Carr there and also in the Davis Square Theatre. I was not able to enjoy this production in the black box, but I can imagine that it was an entirely different experience.   Continue reading

Jun 23

Full STE(A)M Ahead: “The Farnsworth Invention”

Photo by Jake Scaltreto

Photo by Jake Scaltreto

Presented by Flat Earth Theatre
Written by Aaron Sorkin
Directed by Sarah Gazdowicz

June 12 – 27, 2015
Arsenal Center for the Arts
Watertown, MA
Flat Earth on Facebook

Review by Kitty Drexel

(Watertown, MA) It would be awesome for the good people at Epic Rap Battles of History to pit Philo Farnsworth against David Sarnoff. According to The Farnsworth Invention, these boys reached Telsa/Edison levels of rivalry. That would make for some great entertainment.

Sorkin’s play is an inaccurate account of the race to invent television. It is told via dual narration between David Sarnoff (Michael Fisher) and Philo Farnsworth (Chris Larson). As each man’s life is explained to the audience, we learn important historical facts about their discovery process as well as personal insights. Sarnoff is a stoic dick with classical tastes and standards. Philo Farnsworth is a happy-go-lucky genius with nervous tendencies. The cast’s ensemble play multiple characters, frequently in the same scene, who directly influence the grand discovery. This production is performed in the round, with minimal props and set pieces, and stark lighting.   Continue reading

Jun 23

“Dying City” Brought to Life in Small Space

Photo credit: Josephine Anes

Photo credit: Josephine Anes

Presented by Happy Medium Theatre Company
Part of the Home Grown Theater Project
Written by Christopher Shinn
Directed by Cameron Cronin

June 25 – July 11, 2015
Dates and seats are limited due to the nature of the production. More information can be found here.
Boston, MA
Happy Medium on Facebook

Review by Travis Manni

(Boston, MA) If less does is fact mean more, the Happy Medium Theatre’s production of Dying City has a lot of potential to surprise audiences.

Performed in the literal living room of actors Kiki Samko and Michael Underhill, a married couple, Dying City opens on Kelly, a widow in her late twenties living in New York City. As she packs up some of her belongings, her estranged brother-in-law, Peter, who also happens to be her deceased husband’s identical twin, arrives without warning, much to Kelly’s discomfort. Continue reading

Jun 16

Sanitized Motown: DREAMGIRLS

Photo©Paul Lyden

Photo©Paul Lyden

Presented by North Shore Music Theatre
Book & lyrics by Tom Eyen
Composed by Henry Krieger
Directed & choreographed by Nick Kenkel
Music direction by Jesse Vargas

June 2-14, 2015
North Shore Music Theatre
62 Dunham Road
Beverly, MA 01915
NSMT on Facebook

Review by Craig Idlebrook

Sometimes, a musical is cursed with potential. The action on stage may be enough to bring the crowd to its feet, but you can still walk away thinking it should have been something more. Continue reading

Jun 12

Don’t Image Search ‘Felching’: “After All The Terrible Things I Do”

© T Charles Erickson Photography

© T Charles Erickson Photography

Presented by Huntington Theatre Co.
Written by A. Rey Pamatmat
Directed by Peter DuBois

May 22 – June 21, 2015
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) Huntington Theatre’s production of  After All The Terrible Things I Do has a start so rough that it was surprising that it ended so well. Our first impression is of the glorious stage by Clint Ramos. The bookstore set where are heros interact evokes the recognizable bittersweet nostalgia of favored reading holes. There are nooks and crannies, patches of light and dark. It’s nearly perfect. All it needs is a fat tabby napping on a pillow of paperbacks. Continue reading

Jun 09

Who Doesn’t Like Penis Stuff? : THREE

Adulthood blows. Enjoy your youth now. Photo Credit: Ron Spalletta

Adulthood blows. Enjoy your youth now. Photo Credit: Ron Spalletta

Presented by Boston Public Works Theatre Company
By Emily Kaye Lazzaro
Directed by A. Nora Long

June 5 – 20, 2015
Boston Center for the Arts
Plaza Black Box
Boston, MA
BPW on Facebook

Review by Kitty Drexel

(Boston, MA) Hollywood characterizes women like they’re mysterious flowers incapable of raunch or, conversely, like unsexy raunch-machines that repel penises. Theatre is kinder to us by generally allowing us our humanity, albeit a fragile one that must be guarded… unless characterizing us as a Strong Female Character who is impervious to nurturing. The unjust stereotypes abound. Why can’t we be complicated people who attempted to appropriately abide the status quo while farting into a void? This is who we are. You know, just like dudes.    Continue reading

Jul 15

Go Big or Go Home: A MIDSUMMER NIGHT’S DREAM

The Cast. Photo found on It’s A Fiasco Facebook page.

It’s a Fiasco Theatre Company
by William Shakespeare
Sponsored by the City of Cambridge and the Cambridge Arts Council – presented under the auspices of the Actors’ Equity Association Member’s Project Code.

June 19 – 29, 2014
Longfellow Park, 175 Mt. Auburn Street
Cambridge, MA
It’s A Fiasco on Facebook

Review by Craig Idlebrook

Think for a moment of the conditions under which Shakespeare was performed in the Elizabethan era and you realize this play was never meant to be locked away in an ivory tower. At the time the words of these plays were fresh, so was the concept of public sanitation. Most of the population was illiterate, and probably a good amount of them shared their skin with some form of vermin. Even in the hallowed halls of royal theater, the patrons probably stank to high heaven and air conditioning was a couple of centuries from being invented. So if at first glance it seems incongruous to speak some of the English language’s best poetry next to a Cambridge water park, it might be best to remember this probably would have been considered a pretty gentile staging grounds back in the day. Continue reading

Jun 30

Revamped *Cough* Vampire Comedy for Modernity: DER VAMPYR

Photo © OperaHub

Presented by OperaHub
1828 music by Heinrich Marschner
1828 German libretto by Wilhelm August Wohlbrück
1828 libretto based on the play Der Vampir oder die Totenbraut by Heinrich Ludwig Ritter
2014 arrangement by Moshe Shulman
2014 libretto by John J King
Music direction by Lina Marcel Gonzalez
Stage direction by Christie Lee Gibson

June 19 – 28, 2014
Boston Center for the Arts
Plaza Theatre
Boston, MA

Review by Kitty Drexel

Trigger warnings: Light smut, Feminism

(Boston) Der Vampyr is a decadently feminist adaptation of Marschner’s original. This new arrangement presented by OperaHub tackles the difficult truths of male entitlement, victim blaming and rape culture that all women face on a daily basis. If you, the reader, do not believe in gender equality, this opera is not for you. If you believe that rape culture is not a pervasive truth all women face, then this opera is not for you. It would be best if you pulled your fedora over your eyes and stopped reading this review now. Continue reading

Jun 23

He Who Watches the Watchers: PATTERN OF LIFE

Nael Nacer as Rahmat Lewis D. Wheeler as Carlo; Photo: Courtesy of New Repertory Theatre.

Handsome devils: Nael Nacer as Rahmat, Lewis D. Wheeler as Carlo; Photo courtesy of New Rep/BCAP Facebook page.

Presented by New Repertory Theatre and Boston Center for American Performance (BCAP)
By Walt McGough
Directed by Bridget Kathleen O’Leary

June 14 – 29, 2014
Boston University Theatre – Lane-Comley Studio 210
264 Huntington Avenue
Boston, MA
New Rep on Facebook
BCAP on Facebook

Review by Kitty Drexel

(Boston) President Obama has received flak from all political sides for his decision to back govt.-sourced  drone proposals. It has been 5 years and 5 months since the CIA conducted the first strike during Obama’s term and he shortly thereafter ramped up the attacks in Pakistan, Somalia and Yemen. He went so far as to say that “he wrestle[s] with civilian casualties. But, he said, he has a solemn duty and responsibility to keep the American people safe. That’s my most important obligation as President and Commander-in-Chief. And there are individuals and groups out there that are intent on killing Americans — killing American civilians, killing American children, blowing up American planes.” (Huffington Post) While drone attacks have decreased once his numbers started suffering, attacks have not stopped entirely. Clearly, Obama “wrestles” with casualties enough to make a statement but not enough to discontinue drone use. Continue reading

Jun 17

The Future is the Present and It’s Dystopian: READER

Photo found on the Flat Earth Facebook page.

Photo found on the Flat Earth Facebook page.

Presented by Flat Earth Theatre
By Ariel Dorfman
Directed by Jake Scaltreto

June 13 – 21, 2014
Arsenal Center for the Arts
Watertown, MA
Flat Earth on Facebook

Trigger Warning: Some light cursing, conservative politics, implied torture

Review by Kitty Drexel

(Watertown) If dystopian science fiction is any indication, our future is bleak. In the future, rich people are very rich and the poor are very poor. The politicians are corrupted,  we have no global resources, and the ecosystem has gone to pot. The good news is that there is always an hero to save us… eventually. The future sounds a lot like the present.

Not unlike Terry Gilliam’s 1985 film Brazil, Dorfman’s Reader is a story within a story set in a future where all potentially unpleasant emotional elements of life have been stripped away. Violence and sexiness are routinely scrubbed from all media sources. The government occupies all spaces. There is no true freedom of expression. Daniel (the handsome Robin Gabrielli) is a suave yet dirty government censor who discovers that the most recent novel to cross his desk parallels his own life. In this novel, Daniel is Don Alfonso an unscrupulous censor working on film scripts. He is rightly paranoid and begins a short-lived journey towards redemption. Continue reading