Jun 23

By the time you notice her, you’re already caught in the web: “Spider Cult the Musical”

13227041_1709956299255837_8492057768646383105_nScripted and Produced by Jade Sylvan
Created, Directed, Choreographed and Produced by Fem Bones
Music by Catherine Capozzi

June 24 6:30 pm and 10:30 pm
June 26 5 pm and 8:30 pm
Club Oberon
Cambridge, MA
Spider Cult on Facebook

Review by Noelani Kamelamela

(Cambridge, MA) Back in 2012, a Kickstarter campaign funded quite a bit of Fem Bones’ Revenge of the Battle Robot Nuns, a sci-fantastical burlesque show birthed by the Slaughterhouse Sweethearts, possibly New England’s only horror burlesque troupe.  Spider Cult: The Musical is a spin-off set in the same universe and  it retains quite a lot of the slashes of the macabre and deviant sexuality that made Revenge so memorable. Initially, Jade Sylvan pitched Scout’s story to Fem Bones as a spin-off movie after seeing Revenge.  Jade was enamoured of Revenge because the action reminded them of discovering weirdness and sexuality for the first time as a queer individual.  Instead of creating a movie, Jade banged out a script for a live show which gets translated by the indomitable Fem Bones and the Slaughterhouse Sweeties with special guests onto the Oberon stage this Friday and Sunday for one weekend only.   Fans and other supporters of fringe theatre stepped up via Kickstarter yet again to fund the first reading as well as the creation of the show. Continue reading

Jun 19

“Twelfth Night” and “What You Will”: A Play Two Ways

A.R. Sinclair Photography

A.R. Sinclair Photography

Presented by The Nora Theatre Company & Bedlam
By William Shakespeare
Directed by Eric Tucker

Twelfth Night: June 9-July 10, 2016
What You Will: June10-July 9, 2016
Central Square Theatre
Cambridge, MA
Bedlam on Facebook
Central Square Theatre on Facebook

Review by Travis Manni

(Cambridge, MA) During my senior year of high school, being the drama club geek that I was, I took a Shakespeare class. The professor was insane, but amazing, and the biggest takeaway I got from the class was that Shakespeare really wanted to give the players in a show the right to manipulate and interpret his text as much as possible. Therefore, it seems quite fitting that Bedlam decided to split Twelfth Night, or What You Will into two separate productions of the same exact show using the same five actors to tell the same story with different narratives and tones. Continue reading

Jun 14

The Emperor’s New Pseudoscience: BLINDERS

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Suck it Trump (via Tumblr)

Presented by Flat Earth Theatre
Written by Patrick Gabridge
Directed by Korinne T. Ritchey

June 10 – 25, 2016
Arsenal Center for the Arts
Watertown, MA
Flat Earth on Facebook
Chris and Alex 11!!!!11 on Tumblr

Review by Kitty Drexel

I’m not going to make this review about Orlando, FL. That would not help Flat Earth or the 50+ victims of terrorist action. I’ve put info about constructively helping at the bottom of this review. Now go actively spread love and dismantle hate when and where you see it.

(Watertown, MA) The “scientific” discovery of two identical snowflakes has sparked a fad for naturally identical things. Shortly after the snowflake discovery, Chris (Matt Arnold) and Alex (Justus Perry), two exactly alike, human carbon copies are found. They are men who share one experience in two bodies. They are not twins. The US goes bonkers for their celebrity. Their rapid popularity makes Bieber Fever tame in comparison. Try as one might, they are impossible to avoid. They run for President in a campaign too popular to fail. Continue reading

Jun 13

“Carousel” Not a Merry Show but a Pleasant Ride

Photo courtesy Reagle Music Theatre/©Herb Philpott

Photo courtesy Reagle Music Theatre/©Herb Philpott

Presented by Reagle Music Theatre
Music by Richard Rodgers
Book & Lyrics by Oscar Hammerstein II
Directed & Choreographed by Rachel Bertone
Musical Direction by Dan Rodriguez

June 9-19, 2016
Waltham, MA
Reagle Music Theatre on Facebook

Review by Travis Manni

(Waltham, MA) It always feels a bit dissociative when I see a show that is technically a good production, but the show itself is rather terrible. While watching Reagle Music Theatre’s Carousel, I clapped, I scoffed, rolled my eyes, and was constantly asking myself, “Why?” Continue reading

Jun 09

Cirque du Soleil’s “Kurios” Packed with the Usual Curiosities

Presented by Cirque du Soleil 
Written and directed by Michel Laprise
Director of creation – Chantal Tremblay
Compositions and music direction by Raphaël Beau
Compositions and arrangements by Guy Dubuc and Marc Lessard
Acrobatic choreography by Andrea Ziegler, Rob Bollinger, Yaman Okur, Ben Potvin, Sidi Larbi Cherkaoui, Susan Gaudreau, Germain Guillemot, Boris Verkhovsky, Danny Zen

May 26th (premier) – July 10th, 2016
Suffolk Downs
525 McClellan Highway
East Boston, MA 02128
Kurious on Facebook

Review by Gillian Daniels

(Suffolk Downs, Boston, MAKurios, unlike the other two Cirque du Soleil shows I’ve reviewed for The New England Theatre Geek, is tied to a world of technology and innovation. In 2012, Totem offered meditations on natural history, complete with frogs. Amaluna came to Boston in 2014 and involved a shipwreck on an island wild with magic, a loose adaptation of The Tempest. Kurios, though, is centered on 19th century trains, gramophones, laboratories, and aerial machines. Continue reading

Jun 07

More Fun Than Interviewing Pigeons: “The Birds and the Bees”

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Presented by Sleeping Weazel
Written by Kate Snodgrass (Bark), Adara Meyers (Birds), Charlotte Meehan (Beesus)
Directed by Melia Bensussen (Bark & Beesus), Shana Gozansky (Birds)

June 2 – 11, 2016
Plaza Black Box Theater
539 Tremont St
Boston, MA
Sleeping Weazel on Facebook

Review by Kitty Drexel

(Boston, MAThe Birds and the Bees: A Festival of New Plays is good albeit strange theatre. Play #1, The Last Bark is the most concrete of the three plays that make up this production. Birds is post post-modern theatre. Beesus & Ballustrada is even more abstract than Birds. The performances are compelling. The scripts are perplexing. Continue reading

Jun 07

Tracing Lines of Humanity in “Brilliant Traces”

Photo credit: Kyler Taustin

Photo credit: Kyler Taustin

Presented by Brown Box Theatre Project
By Cindy Lou Johnson
Directed by Kyler Taustin

June 4-12, 2016
All performances are free to the public
Atlantic Wharf, 290 Congress Street
Boston, MA
Brown Box Theatre Project on Facebook

Review by Travis Manni

(Boston, MA) A remote cabin in Alaska during a treacherous snowstorm is the perfect setup to isolate the characters in Cindy Lou Johnson’s Brilliant Traces. And while having one of these two people burst in wearing a wedding gown was quite shocking, what was even more captivating about this play was the emotional depths to which it was willing to plunge. Continue reading

Jun 06

Beyond the Bard: “Goodnight Desdemona (Good Morning Juliet)”

WRTDesJul

Photo back to front: Victoria George, Lily Odekirk, Marta Rainer* AEA*

Presented by Wellesley Repertory Theatre
Written by Ann-Marie MacDonald
Directed by Nora Hussey

May 26 – June 26
Ruth Nagel Jones Theatre
Wellesley, MA
WRT on Facebook

Review by Danielle Rosvally

(Wellesley, MA) Having just recently completed my own Doctorate in Shakespeare, I can relate deeply to the struggles of Constance Ledbelly, the heroine of Goodnight Desdemona (Good Morning Juliet).  To those who spend any amount of time studying Shakespeare’s works, the bard’s characters become constant companions; roommates, lovers, friends; nearly corporeal in their presence in our lives.  They haunt us; whispering echoes of themselves on loop day and night; and sometimes (if we are very lucky) revealing secrets of themselves only to us.  These secrets we prize at a worth beyond compare for they are the true goal of such study. Continue reading

Jun 04

Keep Going: “Killer Maples: The Musical”

The Cast of "Killer Maples," photo via http://www.yellingmantheatre.com/

The Cast of “Killer Maples,” photo via http://www.yellingmantheatre.com/

Presented by Yelling Man Theater
Book and lyrics by Trip Venturella
Music by Andres Ramos
Directed by John Scala

June 3-5, 2016
POP Allston
Allston, MA
Yelling Man on Facebook

Review by Kitty Drexel

(Allston, MA) Killer Maples is a cute chamber musical with exceedingly raw potential. It will eventually be a diamond in the rough. It’s still pressurized coal right now. The creators have a lot of work ahead of them if that’s something they are interested in. The performances set for this weekend are a preview of what the show can become with edits and rewrite for emotional and plot clarity. Continue reading

May 25

“Mud Blue Sky”: A Comedy About Turbulent Lives

Photo by Marc J. Franklin

Photo by Marc J. Franklin

Presented by Bridge Repertory Theater of Boston
By Marisa Wegrzyn
Directed by Bridget Kathleen O’Leary

May 15-June 5, 2016
Deane Hall, Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
Bridge Repertory Theater on Facebook

Review by Travis Manni

(Boston, MA) I tend to get bored easily when watching comedic plays. They need to be clever but relatable, funny but with strokes of brutal honesty. Most times, shows fail to live up to my expectations, but I continue to see them because when one does I have an amazingly good time. Thankfully, Marisa Wegrzyn’s Mud Blue Sky was a perfect example of the latter. Continue reading