Apr 14

Harvard University presents FAR AWAY, April 26 – 30, 2017

The Theater, Dance & Media Concentration at Harvard University presents its spring production,
FAR AWAY

By Caryl Churchill
Directed by Annie Tippe

Cambridge, MA:  The newly formed Theater, Dance & Media Concentration at Harvard University launches its third production with Caryl Churchill’s FAR AWAY, directed by Annie Tippe.

Joan wakes up in the middle of the night and sees something she’s not meant to see.  She’s convinced to keep a secret that will forever alter the course of her life. Caryl Churchill’s brief and chilling Far Away paints a not so-far-away future where fear of “the other” rules supreme, and beauty, politics and violence strike an uneasy kinship. Equal parts humorous and horrifying, we are drawn into a fantastical world where even the birds and rivers are at war. Joan is left to ask herself: How do I know if I’m on the “right side”?

FAR AWAY performs April 26-30, in Farkas Hall in the heart of Harvard Square.  

Farkas Hall
12 Holyoke St, Cambridge, MA
Wednesday, Apr. 26, 7:30pm
Thursday, Apr. 27, 7:30pm
Friday, Apr. 28, 7:00pm
Saturday, Apr. 29, 7:30pm
Sunday, Apr. 30, 2pm
Tickets are $5 for students/seniors and $10 for general admission, and are available through

The Harvard Box Office 
12 Holyoke St, Cambridge, MA 02138
Phone:  617-496-2222
TTY:  617-495-1642
www.boxoffice.harvard.edu
For more information, please visit www.tdm.fas.harvard.edu Continue reading

Apr 10

The Who & The What: Lifting the curtain on the gender-politics at the heart of a Pakistani-American family drama


Presented by Huntington Theatre Company
By Ayad Akhtar
Directed by M. Bevin O’Gara

March 31 – May 7 2017
South End Calderwood Pavilion at the BCA
527 Tremont Street
Boston, MA
Huntington on Facebook

Review by Polly Goss

(Boston, MA) The Who & The What is a heartfelt and moving portrayal of the inter-generational and cultural conflicts nestling within the heart of a Pakistani American family. The Who & The What is more than just a Muslim variation of the domestic tragicomedy, which has historically dominated depictions of the immigrant family on stage and screen. Pulitzer Prize winning author Ayad Akhtar asks some pervading questions about Islam, religious doctrine and gender politics that resonate with audiences of all different races and creeds. The play is a delight to watch, but Akhtar’s light hearted writing leaves the audiences asking some serious questions about the nature of family and faith. Continue reading

Feb 24

Nice Legs Fellas: THAT 1770’s SHOW

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Image care of Google

Presented by The Hasty Pudding Club
Written by Daniel S. Milaschewski,, Jacob D. Rienstra, and A.J. Unitas
Music composed by Dylan MarcAurele

Feb. 6 – March 6, 2016
Farkas Hall
12 Holyoke Street
Harvard Square
Cambridge, MA

Review by Kitty Drexel

(Cambridge, MA) HPT168: That 1770’s Show is like a Ru Paul’s Drag Race production of “A Day in the Life on Plimouth Plantation” if the budget were slashed and the performers given a strict diet of cafeteria food. It’s good ole’ drag satire in which Massachusetts institutions are the butt of the jokes. It’s hilarious if that’s your thing. If it’s not: the show’s still funny but you won’t enjoy yourself as much as everyone else. Continue reading

Nov 18

The Strange Sensation You Feel is Part of the Process: BAT BOY

bat boyPresented by The Office for the Arts at Harvard
Book by Kythe Farley & Brian Flemming
Music & Lyrics by Laurence O’Keefe
Directed by Ally Kiley
Music directed by Cynthia Meng

Nov. 14-22, 2014
The Farkatorium
10 Holyoke St
Cambridge, MA
Bat Boy on Facebook
Harvard Office for the Arts on Facebook

Review by Kitty Drexel

Trigger warning: sexy animal orgy, partial male nudity, incest

(Cambridge, MA) The Office for the Arts at Harvard has had the rare privilege to host the creators of Bat Boy for a workshop on their monster musical. They have made some significant edits: shortening the run time from 3 hours to 2, cutting of songs, cutting of incidental plot lines and some script editing. The current production presented in the Farkatorium Center for the Arts is still the same Pygmalion meets Edward Scissorhands meets Christ child storyline as the original except a lot simpler. The edits have smoothed over the wrinkles of the original show and kept the endearingly off-putting essence of the off-Broadway science fiction jewel. Continue reading

Dec 25

A Somewhat Fun Yuletide Tradition: THE CHRISTMAS REVELS

photo credit: The Christmas Revels

photo credit: The Christmas Revels

 

presented by Revels, Inc.

Directed by Patrick Swanson George Emlen, Music Director Sanders Theatre Cambridge, MA December 16th – 27th, 2012

Review by Craig Idlebrook

(Cambridge) Christmas is perhaps the one time of the year when America adheres fiercely to tradition. Every family that celebrates Christmas has its rituals, whether it’s going to midnight mass or eating all of the red M&M’s on Christmas Eve and all of the green M&M’s on Christmas Day. The trick is to keep the rituals vibrant and alive, rather than go through the motions year after year. Continue reading