Apr 14

Harvard University presents FAR AWAY, April 26 – 30, 2017

The Theater, Dance & Media Concentration at Harvard University presents its spring production,
FAR AWAY

By Caryl Churchill
Directed by Annie Tippe

Cambridge, MA:  The newly formed Theater, Dance & Media Concentration at Harvard University launches its third production with Caryl Churchill’s FAR AWAY, directed by Annie Tippe.

Joan wakes up in the middle of the night and sees something she’s not meant to see.  She’s convinced to keep a secret that will forever alter the course of her life. Caryl Churchill’s brief and chilling Far Away paints a not so-far-away future where fear of “the other” rules supreme, and beauty, politics and violence strike an uneasy kinship. Equal parts humorous and horrifying, we are drawn into a fantastical world where even the birds and rivers are at war. Joan is left to ask herself: How do I know if I’m on the “right side”?

FAR AWAY performs April 26-30, in Farkas Hall in the heart of Harvard Square.  

Farkas Hall
12 Holyoke St, Cambridge, MA
Wednesday, Apr. 26, 7:30pm
Thursday, Apr. 27, 7:30pm
Friday, Apr. 28, 7:00pm
Saturday, Apr. 29, 7:30pm
Sunday, Apr. 30, 2pm
Tickets are $5 for students/seniors and $10 for general admission, and are available through

The Harvard Box Office 
12 Holyoke St, Cambridge, MA 02138
Phone:  617-496-2222
TTY:  617-495-1642
www.boxoffice.harvard.edu
For more information, please visit www.tdm.fas.harvard.edu Continue reading

Feb 24

Nice Legs Fellas: THAT 1770’s SHOW

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Image care of Google

Presented by The Hasty Pudding Club
Written by Daniel S. Milaschewski,, Jacob D. Rienstra, and A.J. Unitas
Music composed by Dylan MarcAurele

Feb. 6 – March 6, 2016
Farkas Hall
12 Holyoke Street
Harvard Square
Cambridge, MA

Review by Kitty Drexel

(Cambridge, MA) HPT168: That 1770’s Show is like a Ru Paul’s Drag Race production of “A Day in the Life on Plimouth Plantation” if the budget were slashed and the performers given a strict diet of cafeteria food. It’s good ole’ drag satire in which Massachusetts institutions are the butt of the jokes. It’s hilarious if that’s your thing. If it’s not: the show’s still funny but you won’t enjoy yourself as much as everyone else. Continue reading

Sep 25

Lyndon B. Johnson Goes “All the Way”

Photo: Evgenia Eliseeva

Presented by A.R.T.
By Robert Schenkkan
Directed by Bill Rauch

September 13, 2013 – October 12, 2013
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
A.R.T. on Facebook

Review by Gillian Daniels

(Cambridge) Too often, biographies of American presidents are stories wrought with blind patriotism.  Director Bill Rauch, however, has not shaped a play about patriotism but politics. Politics and morality may occupy the same place once in a while, but in Robert Schenkkan’s complex and vividly realized All the Way, ambition dilutes ideals quickly. Continue reading

Aug 02

Bread & Puppet Theater descends on the Cambridge Common: September 1, 2013

BnPCircus2013

photo by Mark Dannenhauer

Total This & That Circus

Cambridge Common
Sunday, September 1st, 3 pm

(Cambridge, MA 02138) Bread & Puppet Theater: Total This & That Circus. Held outdoors on Sunday, September 1st at 3 pm. On the Cambridge Common, near the intersection of Mass. Ave. and Waterhouse St., Cambridge. Free performance [pass-the-hat donations welcome], rain or shine. For further details, call the Boston-area Bread & Puppet Theater information line 617-286-6694 or log onto www.breadandpuppet.org.

As part of a world-wide birthday celebration of “50 Years of Sublime Arsekicking Puppetry,” the award-winning Bread & Puppet Theater from Vermont’s Northeast Kingdom presents their Total This & That Circus on the Cambridge Common, a public space they used to frequent prior to the mid-1980’s. For the past few years, the company has once again revived its descent upon the park, resurrecting that age old Harvard Square tradition of outdoor theatrical political rabble rousing. Continue reading

Apr 21

We Are The Casualties of War: “Trojan Women”

PHOTO CREDIT - Richard Termine

Rich scene painting, solid theatre. Bravi tutti! PHOTO CREDIT – Richard Termine

 

My sincere apologies to the cast and crew of Siti Company and ArtsEmerson. This review is late because of the traumatic events of Friday, April 19. In my own personal turmoil, I was unable to write your review. I humbly beg your pardon!

presented by ArtsEmerson
adapted by Jocelyn Clarke from Trojan Women (After Euripides)
directed by Anne Bogart
created and performed by Siti Company
Original music composed and performed by the insanely talented Christian Frederickson

The Paramount Center
Paramount Mainstage
559 Washington Street
Boston, MA
April 17 – 21
ArtsEmerson Facebook Page
Siti Company Facebook Page

90 minutes with no intermission because the subject matter is so heavy that people might leave.

(Boston) The bodies of women are the casualties of wars. Even today in places such as The (Republic of) Congo, Uganda, Afghanistan, Syria, Steubenville and even late night in Harvard Square, women are held responsible for the violent decisions of men eager to wield their entitlement in public arenas. There is a political war in The Congo and every Spring there is a war against women on the streets. In any situation, women are blamed for the violence. Excuses range from acting in ways unbefitting a lady or luring men with our bodies. In reality, it is the perpetrators who are to blame. Rape, like other acts of violence, is never about sexuality; it is always about power. In Siti Company’s production of Trojan Women, this is still true. Continue reading