Mar 18

“Silent Sky”: Fearless Feminism in the 19th Century

Photo credit: Jake Scaltreto

Presented by Flat Earth Theatre
By Lauren Gunderson
Directed by Dori A. Robinson

March 10-25, 2017
The Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472

Review by Travis Manni

(Watertown, MA) The impact that women have had in shaping our view of the world is so profound and infinite it could fill the sky. Often, their significance is overlooked, but it’s lovely seeing these roles brought to light in the arts. In its New England premiere production, Flat Earth Theatre brings to life the love, loss, and feminism of Lauren Gunderson’s Silent Sky. Continue reading

Feb 14

Deja Vu All Over Again: “I, Snowflake”

The cast; photo discovered on Anthem Theatre Co’s Facebook page.

Devised and presented by Anthem Theatre Company
Conceived, written and directed by Bryn Boice

Feb. 10 – 11, 2017
BU Dance Theatre
915 Commonwealth Ave
Boston, MA
Anthem on Facebook

Review by Kitty Drexel

Trigger Warnings: Adult themes, gunshot sound effect, feminism

(Boston, MA) Bless you, Merriam-Webster. On January, 29, 2017 at 6:32PM, the hero in charge of the Dictionary’s Twitter account posted this lovely article on the slang origins of “snowflake.”  The article’s existence implies that the social movement currently applying this term to liberals are doing so incorrectly. Similarly Anthem Theatre Company strikes back at detractors with a timely, necessary production of I, Snowflake: A Post-election Reaction. Continue reading

Nov 02

Shakespeare Wins, The End: SOMETHING ROTTEN!

SOMETHING ROTTEN!
Conceived by Karey Kirkpatrick and Wayne Kirkpatrick
Book by Karey Kirkpatrick and John O’Farrell
Music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick
Directed and choreographed by Casey Nicholaw
Music directed  by Phil Reno

Now through January 1, 2017
St. James Theatre, a Jujiamcyn Theater
246 W. 44th Street
New York, NY
(Between 7th & 8th Avenues)
Something Rotten! On Facebook

Review by Kitty Drexel

(New York, NYIt is a perk and a privilege to write complimentary reviews for people I know or used to know in a different life. There’s a certain joy in spinning a glowing critique for someone who deserves it. My joy is incalculably multiplied when done for a personal acquaintance. It’s best if it’s a surprise. It’s even better if it’s a special occasion. Continue reading

Oct 25

Feminism is the Radical Theory that Women are People: “Revolt. She Said. Revolt Again”

Presented by Company One Theatre
Written by Alice Birch
Directed by Summer L. Williams
Dramaturgy by Jessie Baxter
Compositions by Allyssa Jones
Choreography by Misha Shields

October 21 – November 19, 2016
Plaza Theatre, Boston Center for the Arts
Boston, MA
C1 on Facebook

Post-Show Chats Following Every Thursday Performance

Review by Kitty Drexel

(Boston, MA) Revolt. She Said. Revolt Again. is what one gets if feminist theory, on trend “feminist” media marketing, Hollywood, and the theatre are whirled in a blender until lumpy but delicious. Add speed and tequila, to taste. It’s wild but it’s solid. Feminist scholars will love it. Those new to feminism may not fully grasp the nuances but should attend for educational and entertainment purposes. MRAs will hate it because they lack a sense of humor. People seeking a stronger male voice can go to any of the other theatre in town. Continue reading

May 20

On Behalf of Women’s Bodies: IN THE BODY OF THE WORLD

Photo Evgenia Eliseeva.

Photo Evgenia Eliseeva. Ensler transcends. 

Presented by the American Repertory Theater
Written and performed by Eve Ensler
Directed by Diane Paulus

May 10 – 29, 2016
Loeb Drama Center
64 Brattle Street
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

Trigger warnings: nudity not for the purpose of female objectification, implied drug use, graphic depictions of violence and cruelty, raw feminism

(Cambridge, MA) Our iPads, tablets, game consoles, phones and anything else that requires processed natural minerals and metals are the by-products of systematic rape. This is an oversimplified statement but it is true. The ongoing conflict in the Democratic Republic of the Congo and complications within the mineral supply chain means that conflict minerals end up in everyday items. The computer I’m using to write this review likely has conflict minerals in it. The device you’re using to read this review likely has conflict minerals in it. By not pushing for a transparent mineral supply chain, we are aiding the conflict in the Congo. By not taking an active stance, we are telling the companies like Apple, Microsoft, Google, etc. that we approve of their trade dealings with companies that don’t require transparency. As ignorant consumers, we are part of them problem.   Continue reading

Apr 19

Bedroom Games and War Crimes in Terrifying “Threesome”


Presented by Apollinaire Theatre Company
by Yussef El Guindi
Directed by Danielle Fauteux Jacques

April 8-May 7, 2016
Chelsea Theatre Works
189 Winnisimmet St., Chelsea.
Apollinaire on Facebook

Review by Gillian Daniels

(Chelsea, MA) Leila (Alison Meirowitz McCarthy) and Rashid (Mauro Canepa) are introduced to the audience in their pajamas as self-styled intellectuals, struggling to be distant from their emotions. They’re Egyptian-Americans who open the play conversing like an editorial on gender politics, feminism, and cultural differences. Then comes in Doug (Geoff Van Wyck), the photographer they have invited into their bedroom for a sexual adventure. He’s blunt, cheerful, and thoroughly naked. He is the chaotic element that opens them up to the insecurities that run deep through their relationship. His attitudes don’t represent some enlightened, Western view as a cure-all to their squeamishness, however. No, Doug has his own insecurities he’s bringing in, too. What begins as an adult comic drama ends as a dark exploration of the political and personal. Continue reading

Nov 03

Appropriating the Habits of Rabbits: “Casa Valentina”

Presented by SpeakEasy Stage Company
Written by Harvey Fierstein
Directed by Scott Edminston

Oct. 24 – Nov. Nov. 28, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MACasa Valentina is about men who relax by appropriating women’s culture,  and feminine identity. This cutting play by Harvey Fierstein examines the subversive transvestite subculture of the mid-1950’s. According to the healthily robust dramaturgy notes by Maureen Dezell, men would don wigs, hose and dresses to enjoy a quaint weekend in the Catskills. These men unwind from their rigid gender roles with a tube of lipstick and a stiff drink amidst the glory of the New York state. Suffice to say, this is not a production for conservative types with traditional notions of what is or is not acceptable behavior for men. Tread wisely. Continue reading

Oct 14

1 Little, 2 Little, 3 Little Puritans: “Reconsidering Hanna(h)”

Photograph credit: Kalman Zabarsky

Photograph credit: Kalman Zabarsky

Presented by Boston Playwrights’ Theatre
By Deirdre Girard
Directed by Bridget Kathleen O’Leary

Sept. 25 – Oct. 19, 2014
Boston Playwrights’ Theater
Boston, MA
BPT on Facebook

Review by Kitty Drexel

(Boston, MA) It feels like I’m the only person who’s never heard of Hannah Duston. My friends had plenty to say when I mentioned seeing this show. In 1697, she was captured by Canadian Abenaki Native Americans and transported to what is now Pennacook, NH. After freeing herself with the aid of two other captives, Hannah killed 11 natives and sought safety away from the Abenaki. In a surprising twist to the story, Hannah has all but left the camp where she was held hostage but then returns to scalp the Abenaki for a bounty. At the time, she was lauded for her success and the first statue to commemorate a woman in the US ever was placed in Boscawen, NH. The second statue is currently located in Haverhill, MA (There’s confusion as to which is which.). Duston is considered a folk hero by some (typically White). She is considered a violent, racist Puritan by many others.   Continue reading

Jun 30

Revamped *Cough* Vampire Comedy for Modernity: DER VAMPYR

Photo © OperaHub

Presented by OperaHub
1828 music by Heinrich Marschner
1828 German libretto by Wilhelm August Wohlbrück
1828 libretto based on the play Der Vampir oder die Totenbraut by Heinrich Ludwig Ritter
2014 arrangement by Moshe Shulman
2014 libretto by John J King
Music direction by Lina Marcel Gonzalez
Stage direction by Christie Lee Gibson

June 19 – 28, 2014
Boston Center for the Arts
Plaza Theatre
Boston, MA

Review by Kitty Drexel

Trigger warnings: Light smut, Feminism

(Boston) Der Vampyr is a decadently feminist adaptation of Marschner’s original. This new arrangement presented by OperaHub tackles the difficult truths of male entitlement, victim blaming and rape culture that all women face on a daily basis. If you, the reader, do not believe in gender equality, this opera is not for you. If you believe that rape culture is not a pervasive truth all women face, then this opera is not for you. It would be best if you pulled your fedora over your eyes and stopped reading this review now. Continue reading

Jun 03

Mommy Needs a Long Drink and a Stiff Cigarette: MASCULINITEASE

Produced, presented, performed and by the men of Sirlesque

June 1 and 5, 2014 @ CLUB OBERON (only one night left!)
Doors @ 7:30, Show @ 8
2 Arrow Street
Cambridge, MA
Sirlesque on Facebook

Review by Kitty Drexel

Trigger warning for sexy man parts.

“The future is here and it is dicks all the time.”
– Mehran Khaghani, emcee

(Cambridge) Oh my sweet Jesus, Mary and Joseph, go see Sirlesque’s Masculinitease! Don’t ask questions, just go. Fasten your seatbelts, babies, it’s going to be a bumpy night. Continue reading